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A Sense of Place: The Artist And The American Land
 
 
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A Sense of Place: The Artist And The American Land [Hardcover]

Alan Gussow (Author), Richard Wilbur (Introduction)
5.0 out of 5 stars  See all reviews (3 customer reviews)


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Book Description

November 1, 1997

Originally published in 1972 by Friends of the Earth, A Sense of Place is a remarkable look at the American continent over the past four centuries. Award-winning artist Alan Gussow presents a powerful collection of paintings that range from the earliest depiction of America by a European (John White's Indians Fishing, c.1585), to contemporary masterpieces such as Reuben Tam's White Sea.

For each picture-including works by Winslow Homer, Edward Hopper, George Innes, Georgia O'Keeffe, Anne Poor, Albert Bierstadt, Wolf Kahn, and many others-the author provides a selection of the artist's own words that describe the painting and the scene that inspired it, along with a brief introduction to the artist and his or her work. An introduction by National Book Award and Pulitzer prize winning poet Richard Wilbur explores the complex relationship between artist and land, while a new preface by Gussow discusses the history and enduring importance of the book.

Island Press/Shearwater Books is proud to bring forth a new edition of this stunning, long out-of-print volume.

PRAISE FOR THE FIRST EDITION: "[A Sense of Place] is astonishingly successful; no careful reader should see art-or nature-in the same way again."-Time "[These] paintings, done in joy by [artists] swamped in the colors and forests of an Earth old, yet alive, convey a statement in spite of themselves on behalf of the land, the spectrum of light in the air and the full panoply of Creation." -Edward Hoagland, Life "Even the most ardent conservationist cannot match the eloquence of these paintings."-Anatole Broyard, The New York Times


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Product Details

  • Hardcover: 160 pages
  • Publisher: Island Press; 1 edition (November 1, 1997)
  • Language: English
  • ISBN-10: 1559635681
  • ISBN-13: 978-1559635684
  • Product Dimensions: 13.8 x 10.7 x 0.9 inches
  • Shipping Weight: 3.7 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #1,635,752 in Books (See Top 100 in Books)

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7 of 7 people found the following review helpful:
5.0 out of 5 stars The End of Landscape, July 11, 2001
By A Customer
This review is from: A Sense of Place: The Artist And The American Land (Hardcover)
A SENSE OF PLACE links the human with the natural: people make, and are made by, parts of our earth. Landscape artist and conservationist Alan Gussow has organized 63 well-chosen colorplates reminding us that paintings record the known landscape, the unknown frontier and what might be forgotten once nature and people meet. The book is a beautiful way to get to know the names in landscape art and see how the United States has changed over time: late 16th-century John White's "Indians fishing" in the Virginia colony organized by Sir Walter Raleigh; early 19th-century Thomas Cole's "Landscape with dead trees" and George Catlin's "Prairie meadows burning - Upper Missouri"; mid-19th century stained glass window specialist John LaFarge's "Bishop Berkeley's rock"; late 19th-century David Howard Hitchcock's glowing "Halemaumau" volcano; early 20th-century Marsden Hartley's rambunctious "Smelt Brook Falls" and Charles Sheeler's precise "Rocks at Steicher's"; mid-20th-century Edward Hopper's "Cobb's house" on comfortable Cape Cod and Georgia O'Keeffe's elegant "Sky above clouds II"; and late 20th-century Sidney Goodman's chilling "Landscape with 4 towers" and Anne Poor's delicate "Gertrude's bouquet." Readers get more specifics from William Gaunt's TURNER, Patricia Junker's JOHN STEUART CURRY, and Bernard B. Perlman's PAINTERS OF THE ASHCAN SCHOOL. It also is interesting to do comparison reading into Paul Machotka's CEZANNE and Richard Thomson's CAMILLE PISSARRO.
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5.0 out of 5 stars Landscape artists anthology, February 10, 2010
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James (Indianapolis, IN United States) - See all my reviews
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This review is from: A Sense of Place: The Artist And The American Land (Hardcover)
"A Sense of Place" is a beautifully illustrated anthology coffee table book of America's greatest living and past landscape artists covering first contact through the 1970s. Each colored reproduction is paired with a page of text about and/or by the artist. It is easy to read for those not familiar with art history jargon. There are other great scholarly works about the history of landscape painting in general such as Kenneth Clark's "Landscape into Art" which has excellent analysis and commentary but very poor b/w reproductions and Malcolm Andrew's "Landscape and Western Art" which frames European and American landscape art in a much different way and addresses it's practice from a much different philosophical perspective. But, for the money, this is my first pick.
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0 of 1 people found the following review helpful:
5.0 out of 5 stars A Sense of Place, September 7, 2009
This review is from: A Sense of Place: The Artist And The American Land (Hardcover)
The Book arrived quickly was in the exact condition as described. Very happy with this seller and the product.
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Inside This Book (learn more)
First Sentence:
WHEN I WAS A BOY, I used to read maps instead of books. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Long Island, Hudson River, United States, Thomas Cole, Henry Varnum Poor, San Antonio, Cape Cod, Edward Hopper, John Marin, The Metropolitan Museum of Art, Edwin Dickinson, George Catlin, Georgia O'Keeffe, Nell Blaine, New England, New Jersey, New Mexico, Reuben Tam, Rockwell Kent, Stony Brook, Thomas Moran, Alfred Jacob Miller, Anne Poor, Arthur Dove
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