A very nice book!
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14 of 15 people found the following review helpful:
5.0 out of 5 stars
SENSE FOR SENSE,
By DAVID BRYSON (Glossop Derbyshire England) - See all my reviews (TOP 500 REVIEWER) (VINE VOICE) (REAL NAME)
This review is from: Sense and Sensibilia (Paperback)
Bertrand Russell seems to have complained that Austin clipped philosophy's wings. Undoubtedly, Austin doesn't soar into any empyrean. There are no great abstract or abstruse constructs in his thinking, there are no special philosophical languages, one is not adrift when reading him in any uncharted sea of unfamiliar concepts. Instead, one's nose gets rubbed hard, and very entertainingly at times, in the basic realities (excuse the term for the moment) of common everyday speech.
On the other hand, it was this same Russell who derided the German philosophers (including the mighty Kant himself) who followed Hume, after a period of dumbstruck silence, with highly obscure philosophies. The very opaqueness of these, opined Russell, is a good indication of how unsuccessful they were in refuting Hume. I think he was right, but I think his love of mathematical and logical modelling has led him into a similar trap when it comes to his own contemporary Austin. Hume's placid and implacable reasoning drove abstract thought into the buffers. You can't drive through them, and if you try to go around them you get into a swamp. You can go there if you want, or you can try to fly upwards into something more ostensibly sublime, or you can burrow downwards, or you can go round in circles - there is just nowhere further to go on the same lines. With Austin the problem is something similar - he's a spoiler. A contemporary of mine, irritated by my enthusiasm for Austin, called him `simple-minded'. I believe exactly the opposite is the case. When Austin states the obvious it's not from simple-mindedness, it's a matter that his mental footwork is just more agile than most and he leaves others standing. To call his reasoning common sense is true in a way but misleading. Time after time he reduces earnest theories to rubble simply by demonstrating that their authors have not taken into account the way words are used and how the circumstances of their use vary from case to case. Austin has the brainpower and articulacy to pinpoint the theoretical flaws in much highfalutin' philosophical reasoning, but I suppose it's humiliating to reflect how many a London cab-driver, lacking such powers, would have come to similar conclusions. Anyone bewildered or distressed by philosophies that seem to cast doubt on `reality' and undermine one's basic world-view should read this book. It takes concentration, but it is readable in the extreme. Most of it is concerned with refuting Ayer, who was at that time maintaining that we do not `perceive' objects `directly', but only receive (or perhaps `perceive') `sense-data' (aka `sensibilia') of such. Ayer has since recanted, but into what I don't know. Taking my own reasoning and not Austin's for a moment, this is at best an odd way to talk. To say `I see the chair' makes sense. To say `I perceive the chair' probably still makes sense, and `perceive' could be taken to include the sense of touch as well, if, say, I and the room were in darkness or I were playing blind-man's-buff. On the other hand `perceive' is a word I associate with the intellect more than with the senses, as in `I perceive a difficulty with this reasoning'. It also seems to me that `perceive' could apply to a memory of the chair or to just imagining the chair, in which uses it has nothing to do with the senses or sense-data. I'm also not clear whether one `perceives' the so-called sense-data, because if so I might be perceiving sense-data of the sense-data and so on in an infinite series. Whatever it all is, it ain't English, and I don't believe it's sense either. Similarly with Reality - when one asserts that something is `real' what is one implying it might be if not `real'? Real cream normally means not-synthetic cream, a real duck might be not a decoy duck or not a toy duck, and any of these possibilities might be `real' as opposed to illusory. The trap many philosophers fall into is in effect taking this last and highly untypical possibility as the only possibility, with detrimental effects on their own brains and those of their readers. When they try to build a solemn theory of some meaningless abstraction called Reality on such a basis, I'd say they are clutching at straws and trying to make bricks without them, and I hope Austin might have liked this phrase. If Austin, who died in his late 40's, had lived just a little longer I would have been at the stage to attend his annual lectures Sense and Sensibilia. He apparently did not write out complete scripts, and this short book manifestly would not have been everything he said in 8 lectures lasting 50 minutes each. G J Warnock has restored what he can from Austin's notes, including, with exemplary altruism, a final chapter that pillories himself for his remarks on Bishop Berkeley, who is famous for allegedly maintaining (whether he did or not) that objects may or may not be there if nobody is around to see them. It is all `linguistic' philosophy in the obvious sense that it takes its basic stance on the usage of words. Other types of linguistic philosophy get short shrift from Austin. Ayer for one is pulled up short for trying to argue that certain conceptual differences are only alternative expressions for the same thing, and Carnap's attempts to find a type of sentence (yes, really) that will of its own nature be certain and irrefutable get the characterisation `wild'. Such efforts pursue the will-o'-the-wisp of `certain knowledge' at the expense of ordinary understanding, says Austin. He's right, say I, and clearheadedness in using our own mother tongue will protect us from not only some strange if pretentious errors but from the distress these may bring with them.
15 of 17 people found the following review helpful:
5.0 out of 5 stars
A thorough yet entertaining critique of logical positivism,
This review is from: Sense and Sensibilia (Paperback)
Austine is one of the greatest philosophers that came out of Oxford's ordinary langauge school of philosophy. His text is both aggressive but pleasant to read. Much of his critique of logical positivism is still convincing, however there have been those who criticize his method (not unfairly). I highly recommend this book to any one interested in seeing an example of how to use language, as the first step, in analyzing complex positions.
4 of 4 people found the following review helpful:
5.0 out of 5 stars
A minor masterpeice,
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This review is from: Sense and Sensibilia (Paperback)
One of those rare breed of philosophers who can actually write, with a whimsical humor, Austin was one of those chiefly responsible for demolishing the pretensions of the positivists, an arrogant group of Anglo-American intellectuals (with a few Poles and Viennese thrown in) who believed that the secrets of the Universe can be found by analysing the language of one particular intelligent biped, and treating its syntax in the same manner as the laws of physics are deduced with mathematics. Austin was one of those who pointed out the obvious; language evolved as a means of communication between people; as such words are far too complex enteties to be reduced to simple meanings that can then be played with in the form of symbols and all the 'problems' of philosophy thus magically solved. His skewering of A. J. Ayer, one of the principle exponents of this doctrine, is especially satisfying. The book itself contains almost no technical vocabulary at all,and hardly any words over ten letters, which is an achievement in itself. On the negative side it is completely deconstructive; it offers no positive insights into the mysteries of life whatsoever, if that is what you are looking for. But within its limits it is a gem, and in its day it virtually rescued philosophy from oblivion. One noteworthy factor about it; almost as much credit as the author must be given to the editor G.J. Warnock, who compiled it from lecture notes, and even includes a rather devastating critique of one of his own works in the final chapter.
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