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10 of 10 people found the following review helpful:
4.0 out of 5 stars
Fresh Fall air (and airs) in Eire, September 24, 2004
Autmunal images (seared orange, pale yellow and green leaves), meditative paens to nature's harmonious beauty and God's love, musical notations on being a solitary human being in a large and sometimes difficult world, a rootsy and jaunty celtic instrumental. "Pastoral and low key" would be some of the surest adjectives to describe "A Sense of Wonder;" "soulfully soothing and occassionally enthralling" would be my humble critique. There is a wonderful and rare spiritual cohesiveness and harmony to this delightful, deceptively modest album that is rare to find or even stumble upon in any period. You can smell the leaves on the air.
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12 of 14 people found the following review helpful:
5.0 out of 5 stars
One of His Best!, January 24, 2000
By A Customer
This is easily one of the best albums that this brilliant musician has ever made. I highly recommed it. It happens to be the album that got me hooked on Van and made me realize just how brilliant, how sublime, how deep, he is. Prior to hearing this album, I only knew Van from his radio hits; I enjoyed them greatly, but (let's face it) they were far lighter, bouncier, and without the "spiritual" depth than you will encounter on this great album. I recommend turning down the lights, sipping some wine, adjusting the headphones just right, and then listening to each song three times before proceeding to the next one. Enjoy!
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6 of 7 people found the following review helpful:
4.0 out of 5 stars
Aptly named, June 8, 1999
By A Customer
While not quite achieving the same pinnacle as (say) "No Guru ...", this is still a very fine album. Van is at the peak of his form vocally, and, as usual, his collaborators are superb musicians. The title tune is lovely, and "What Would I Do Without You" is heartfelt without being sentimental. And the version of "Boffyflow and Spike" on this album has a jazzy "flow" that's missing from the livelier (but still delightful) traditional-instruments version he does with the Chieftains on "Irish Heartbeat." I found "Let The Slave" rather weak, not because of the material or the melody, but because Morrison's diction isn't quite up to it at times. His ventures into mysticism (e.g., "The Master's Eyes") are well done but tend to be repetitious. And what's with that Zorro suit he wears on the cover? But, overall, I like the album a lot.
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