Korean cinema as industry, art form, and cultural product.
--This text refers to the
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Seoul Searching
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From the Back Cover
Seoul Searching is a collection of fourteen provocative essays about contemporary South Korean cinema, the most productive and dynamic cinema in Asia. Examining the three dominant genres that have led Korean film to international acclaim--melodramas, big-budget action blockbusters, and youth films--the contributors look at Korean cinema as industry, art form, and cultural product, and engage cinema's role in the formation of Korean identities.
Committed to approaching Korean cinema within its cultural contexts, the contributors analyze feature-length films and documentaries as well as industry structures and governmental policies in relation to transnational reception, marketing, modes of production, aesthetics, and other forms of popular culture. An interdisciplinary text, Seoul Searching provides an original contribution to film studies and expands the developing area of Korean studies.
"Students and scholars are hungry for good critical material on South Korean films, and this book is a welcome contribution to this quickly growing area in film studies." -- Corey K. Creekmur, coeditor of Cinema, Law, and the State in Asia
Contributors include Chris Berry, Robert L. Cagle, Diane Carson, Hye Seung Chung, David Desser, David Scott Diffrient, Linda Ehrlich, Frances Gateward, Myung Ja Kim, Suk-Young Kim, Darcy Paquet, Seung Hyun Park, Anne Rutherford, Chi-Yun Shin, Julian Stringer, and Hyangsoon Yi. --This text refers to the Hardcover edition.
About the Author
Frances Gateward is Assistant Professor of Cinema Studies at the University of Illinois at Urbana-Champaign. She is the editor of Zhang Yimou: Interviews and coeditor (with Murray Pomerance) of Where the Boys Are: Cinemas of Masculinity and Youth.
--This text refers to the
Hardcover
edition.
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Key Phrases - Statistically Improbable Phrases (SIPs):
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postcolonial identity, sunshine policy, habitual sadness, hot roof, movie blockbusters, military sex workers, image track cuts, minjung movement, former comfort women, domestic films, youth films Key Phrases - Capitalized Phrases (CAPs): (learn more)
South Korean, North Korean, New York, Korean War, Kim Ki-Young, Peppermint Candy, Hong Kong, United States, Cold War, New Korean Cinema, The Housemaid, Virgin Stripped Bare, Hong Sang-Soo, Kang Je-kyu, Kim Ki-duk, Joint Security Area, University of California Press, Address Unknown, Bottomless Bad Movies, World War, Lee Myung-Se, Crossine the Border, Park Chung-hee, Chungmoo Choi, Lee Chang-dong Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
postcolonial identity, sunshine policy, habitual sadness, hot roof, movie blockbusters, military sex workers, image track cuts, minjung movement, former comfort women, domestic films, youth films Key Phrases - Capitalized Phrases (CAPs): (learn more)
South Korean, North Korean, New York, Korean War, Kim Ki-Young, Peppermint Candy, Hong Kong, United States, Cold War, New Korean Cinema, The Housemaid, Virgin Stripped Bare, Hong Sang-Soo, Kang Je-kyu, Kim Ki-duk, Joint Security Area, University of California Press, Address Unknown, Bottomless Bad Movies, World War, Lee Myung-Se, Crossine the Border, Park Chung-hee, Chungmoo Choi, Lee Chang-dong Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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