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Most Helpful Customer Reviews
22 of 26 people found the following review helpful:
5.0 out of 5 stars
An enigma wrapped in a riddle; the ideal alternate history,
By
This review is from: Separation (Paperback)
Christopher Priest's "The Separation" breaks from the standard Alternate History templates in almost every way possible, and as a result, is superb addition to the genre. I say this because unlike most alternate histories, which focus on story (specifically timeline) to the exclusion of plot and character development, Priest has taken the opposite approach and written a novel that explores ideas and reality within the framework of an alternate history. His world is a tool (albeit a fascinating, well realized one) used to highlight certain salient elements of his narrative. Moreover, Priest leaves his world ambiguous and oddly uncertain.This uncertainty begins with the opening pages of the novel, which at first strike the reader as relatively standard alternate history. It is the early twenty-first century in a world where Britain and Germany signed an armistice in the spring of 1941. Priest quickly frames a believable alternate world without bogging down in the details, and the novel seems set to follow the researches of one Stuart Gratton into the origins of this early peace. Intriguing yes, but hardly surprising or unique for an alternate history. However, that quickly changes as Gratton comes into possession of diaries that reveal the story of an RAF bomber pilot, and it quickly becomes clear that these diaries detail the events of our own world. Thus begins a narrative that weaves back and forth across itself. Through the fascinating lives of J. L. Sawyer, twins who share the same initials, the reader is constantly left wondering what is real and what is imagined. Considering that the reader actually knows which story is true, this is a remarkable accomplishment, and speaks highly to Priest's substantial abilities as a writer. To delve more deeply into the plot would risk spoiling it, but there are numerous elements to this novel that are worth mentioning. The first is it's presentation; Priest deftly switches from the third to the first person, and often interjects "historical" letters and documents to flesh out the narrative. While in less capable hands, this would come across as contrived, here it succeeds nicely in separating the lives of the Sawyer brothers. Which brings us to the literary device of the twins; again, in less capable hands, they could come across as hackneyed, but carefully handled, as they are here, they are an essential and fascinating plot element. Aside from the broadly recognized, if not fully appreciated, bond between twins, Priest explores even deeper elements. His twins, despite being two people seem to be bound to only one destiny. Each has his preferred path, but they are mutually exclusive, and immutable. This tension, although never explicitly stated or explored, informs the entire novel, and is key to Priest's ability to keep the reader wrong-footed for quite literally the entire novel. Finally, this question of destiny brings us to the book's consideration of reality. At times Priest seems to verge on the "multiverse" approach found elsewhere in science fiction; in other words, his world and our own are not exclusive but just two of innumerable possible worlds. Ultimately, however, he backs away from this approach; while not a proponent of predestination, he views history as a force that can be diverted but never meaningfully altered. In this specific instance, he uses Hess, Churchill and other real people to illustrate that other outcomes, no matter how strongly desired, aren't plausible in the face personalities, circumstances, etc. If I am correct in this reading, it has fascinating implications for the entire structure of the book, to the point that in a manner of speaking the book ceases to exist for the characters once it has been read in its entirety. I used the word "if" above for two reasons; the first is that while I am confident in my reading, I can't state conclusively that I am correct. The reason for this hesitation is the second reason for using "if": this entire novel is about "ifs". The story crosses back upon itself countless times, and the reader is constantly left to question what is consequential and what is insignificant. By exploring the alternative paths available, Priest highlights the one that actually was followed to great effect; it is easy to assume that the world would have been a better place absent World War II, but what would the implications of such a peace have been? Blending elements of convergent and divergent history, not to mention secret history, Priest has produced a remarkable novel. His world is tremendously detailed without being overly expository, and his writing posits a host of intriguing questions. Where "The Separation" truly shines though is in its consideration of our humanity. Priest uses his world to explore our hopes, aspirations and desires. Moreover, by deliberately fracturing and blurring the narrative, he calls into question reality itself even as he brings into stark relief the implications of our actions. A novel rich in ideas, beautifully conceived, superbly executed and brilliantly written, "The Separation" is not to be missed. Jake Mohlman
14 of 17 people found the following review helpful:
5.0 out of 5 stars
Don't remain separated from it for longer than you have to!,
By
This review is from: Separation (Paperback)
I enjoyed this novel immensely. Christopher Priest is a consistently fine writer, and, for me, this exceeds his two immediately prior novels, and they were good reads also ('The Extremes', and 'The Prestige'). If you have not read Christopher Priest previously I would also recommend the earlier novels 'A Dream of Wessex', 'The Affirmation' and 'The Glamour'.There is always something unsettling in Mr Priest's writing - something to remind the reader that we all create a 'firm' understanding of the reality we live in, and yet we all know that we are often mistaken, deluded, fooled.... You could see this novel simply as an alternative history novel in which the outcome of World War 2 (our real history)is contrasted with a believable alternative. But it's nothing like Philip Dick's wonderful 'The Man in the High Castle' which is a post-war alternative history, because Mr Priest actually describes the war coming to an alternative resolution during the war. So there are real people in the novel - notably Winston Churchill and Rudolph Hess. And I could well believe in both of them. But the story centres on identical twins - both of them being JL Sawyer. Perhaps we were meant to get them confused, but one of the slight weaknesses for me in this novel was a failure to separate the twins adequately - well, they were diametrically opposed in their attitude to the war, but it was their mood and personality that got confused for me. Mysteries abound in the narrative and only a very dull mind would not be actively searching for resolutions, explanations. But the story keeps turning away from possible explanations and yet keeps coming back to itself with different views of the same incidents - there's a bit of ground hog day in it! And the ending of the novel is something I have seen before too - in WH Hudson's 'A Crystal Age' - not that I saw it coming in 'The Separation' for all that. Hudson makes no effort to rationalise or justify how the ending could be the way it is - Mr Priest hangs out a technical artefact that you could configure as an 'explanation' if you so wish - an option not available to Hudson, although he could have resorted to a occult 'explanation' if he'd wished. Let me just leave it by saying in both novels that the ending is very strong. At the end of the novel I was left wondering - perhaps there could have been a better outcome for World War 2 (not something our side is ever likely to countenance) - or at least, a less bad one. Finally, and not with regard to the novel itself, I am left wondering why a search for 'The Separation' brings up nearly 2000 items but this book is no where near the head of the list (it's last on the list of 44 publications under 'Christopher Priest'). I realise that it is not available everywhere yet, but it is in the database of titles and it is open for reviewing. It is, also Mr Priest's most recently published novel so should become widely available soon - unless, of course, .....
3 of 3 people found the following review helpful:
5.0 out of 5 stars
So much to think about!,
By
This review is from: The Separation (Hardcover)
Christopher Priest proves himself a verbal M. C. Escher with "The Separation." Like Escher's famous "Moebius Strip," this book's "beginning" and "end" are inextricably twisted and bound together. Like the woodcut "Circle Limit (Heaven and Hell)," the characters are angels when looked at one way and devils when another. Like the lithograph "Ascending and Descending," the plot steps from a curious "present day" back to World War II days and forward again on a trick staircase. Like the wood engraving "Whirlpools," dichotomies such as twins and doubles whirl about each other illusively to propel story."The Separation" is a thinking person's book. Also a history buff's. And an alternate history fan's. It is rich in detail about the war we understand to be history, yet manages to stuff an entirely Other Outcome into the tale as well. Priest creates renditions of real historical personages like Winston Churchill and Rudolf Hess that merge mysteriously with their phantoms and doppelgangers. Meanwhile the brothers Joe and Jack, whose memoirs/journals provide the bulk of the novel, make the reader muse a time or two whether both "really" exist...or just one who's cracked in the head (literally and psychically) while the other is his shadow self. For anyone who lived through the European War of the 1940s or anyone who had relatives who did, "The Separation" is also a vivid and heart-wrenching reminder of the terrible civilian toll inflicted by both sides with calculated, brutal city bombing, among other desperate acts of wartime. The sections written from a pacifist's point of view ringingly declare that war never truly solves humanity's problems, a sentiment real human beings dismiss too quickly. Here is part of one heartfelt speech: "...[A]lthough a war can be fought for what is believed to be an honourable reason, such as with the intention of forming a peaceful society, the war itself, by causing so much death and destruction, defeats its own object. Human suffering, pain, misery, separation and bereavement are inevitable when wars are fought. Violence, when opposed by other violence, creates a set of circumstances in which more violence will inevitably follow. Revenge, retribution and reprisal become predominant in people's minds. They seek to hurt others because they themselves have been hurt." (p. 184) The same (i.e., that nothing is solved) may also be said of Priest's book: nothing is definitively nailed down as verifiable, as the truth of history. Instead, we get something like Escher's "Bond of Union," - where two alternate histories and two brother's lives unwind and atomize around each other and into the atmosphere. Such is the tantalizing lure of this astonishing and awesome work of fiction.
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