Customer Reviews

September,september

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this southernistic view of greed and crime is a truly well written thriller!!foote has once again showed his talent as a novelist and and a true artist of the english language!

Although Shelby Foote is thought of as a historian, he has always considered himself, first and foremost, a novelist. "September, September" is the story of some rednecks up from Mississippi who have come to Memphis, Tenn. to kidnap the son of a prominent black family. As a background for this story, Foote has chosen the month of September, 1957 when the South was in turmoil over the forced integration of Little Rock Central High School. Foote has meticulously researched his novel with a historian's eye for detail: the weather in Memphis on specific days, who won the Miss America pageant in 1957 (Miss Colorado, Marylin Van Derbur), and the release of the Edsel by Ford Motor Company.

Foote's primary weakness as a novelist is that he seems to be unable to find his own voice. Although the book is skillfully structured and well written, the plot is somewhat tired and predictable. There are very few surprises. Foote has somewhat adopted the structure used skillfully by his mentor William Faulkner of telling a little bit of the story at a time from the point of view of different characters. Foote's steamy descriptions of sex and lovemaking and rivalry among two men for the affections of the same woman are reminscent of Erskine Caldwell.

For all it's failings, "September, September" is an excellent novel. Shelby Foote, the excellent American historian, is also an outstanding American novelist.

Shelby Foote is most famous for his massive history of the Civil War (The Civil War: A Narrative), but he was also an author of fiction. I have read several of them and they mostly qualify as Southern gothic - moody, dark and full of tragedy. September September fits that description perfectly, although it takes place later than his other novels.

Set against the backdrop of the racial integration of Little Rock Central High School in September of 1957, the novel features two white men and a white woman who kidnap the grandson of a wealthy black Memphis businessman. They use the Little Rock incident as their cover to blame the kidnapping on racial strife when it is really a brazen attempt to get $60,000 from a man who will not expect much cooperation from the police.

The problem is summed up in a line from one of the kidnappers: "Truth is, we're not very smart, those of us who go in for crime." A sexual triangle forms between the three kidnappers. Anger and jealousy start to take precedence over "the plan" with tragic results.

Foote does a great job of creating characters with a past that feels real and his dialogue is first rate. The most interesting character to me was Theo, the grandfather who pays the ransom. His story would have been worthy of another book.

A surprising part of the book was the frequent and open discussion of sex. Racial tension is the topic of the book - racial strife in Little Rock, as the purported excuse for the kidnapping, as the source of anger in Eben's (the kidnap victim's father) burgeoning racial consciousness - but that is really a veneer. The real topic is sex and how it can strengthen, confuse and even weaken the bonds between men and women. There are quite a few graphic scenes, much more than I remember in his other novels.

Another reader of this book has written: "Foote's primary weakness as a novelist is that he seems to be unable to find his own voice." This is a remarkable comment, since one of the intriguing aspects of the novel is precisely author Foote's use of voice! In the "Voices" chapters, he alternates points of view from each of the characters. He also uses time shifts with great effectiveness, as at the end of the novel, when we shift forward with a preview of what will befall two members of the kidnapping threesome. The kidnapping itself is suspenseful, yet perhaps more exciting is the character development, for the kidnapped boy's father undergoes a profound revelation. It isn't nearly so much the content of this novel as it is its style which makes it a good read, and a worthwhile one. It illuminates a difficult time in American history, yet it is intimate and finely drawn.

An excellent crime novel that will hold your attention. The author provides an ironic twist of fate as circumstances and events change the relationships among the kidnappers at the conclusion of the novel. Is there no honor among criminals?