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35 of 37 people found the following review helpful:
4.0 out of 5 stars
A nuanced tale of political and religious repression, September 3, 2007
This is an excellent first novel. Dalia Sofer tells the story of the Amin family, a wealthy Iranian-Jewish family caught up in the ugly repression that followed the overthrow of the shah, in a quiet, dignified style, with detail building upon detail. Jeweler Isaac Amin is snatched from his home and imprisoned by the Revolutionary Guards, for no other reason than the fact that he is affluent and Jewish. His efforts to convince his captors that he is no Israeli spy and end his Kafkaesque tortures and interrogations are described very convincingly.
Particularly notable are Sofer's efforts to portray the ideology of Amin's captors and their sympathizers and to give them a chance to speak for themselves. She does not countenance political murder, religious repression, or anti-semitism, far from it, and her sympathies are with the oppressed; but she does give her villains a voice. Why are some people the masters and some the servants? Was the Iranian upper class complicit in the repression conducted by the shah's goons before his overthrow? These are some of the questions that she asks and these help give the book considerable nuance.
I would have given this book five stars, but the ending failed to satisfy the emotional build-up of the previous 100 pages. The book seemed to peter out rather than to end in a meaningful way.
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64 of 73 people found the following review helpful:
4.0 out of 5 stars
"This revolution, like all others, wished to turn the citizens into one big family.", July 25, 2007
This novel is a poignant tale of a family caught in the changing of the guard, transported into a world where their every move is suspect. On one uneventful day in 1981, after the Iranian revolution, gem trader Isaac Amin is arrested by the Revolutionary Guards in his Tehran office and transported to prison, where he is interrogated. As a Jew, Amin is immediately suspect, especially since his lucrative business takes him frequently to Israel. Now his entire world is threatened, the government suspicious that he is a spy for Israel. It doesn't help that Amin's brother has been smuggling alcohol over the border, in strict defiance of the law. Muslim fanaticism is on the rise, Isaac's family in the crosshairs, as Jews and because of their wealthy lifestyle.
While Isaac is left in a dank cell with other men, all to be systematically interrogated, he ponders the viability of ever leaving this place, let alone surviving the increasingly brutal interrogation techniques used to obtain the desired responses form the prisoners. Daily he listens to the firing squads, the moans from fellow prisoners who have been tortured and the muezzin's call to prayer. Regretting that he could not inform his wife, Farnaz, of his dire circumstances, Amin looks inward, revisiting the early days of their marriage, before they became careless of the relationship. Learning of her husband's fate, Farnaz is thrust into despair, fighting the depression that overwhelms her whenever she considers life without Isaac, navigating the days as if a sleepwalker.
Nine-year-old Shirin is told at first that her father is on an extended trip; but she is aware of her mother's anguish and seeks to alleviate Farnaz' pain by hoarding her own fears, hiding files she has stolen from the home of a friend whose father works for the Revolutionary Guards. Meanwhile, Parviz, the son attending college in New York, battles his own intense isolation in the city, waiting for money from home that never arrives. In coded phone calls, Parviz understands that his father is in jeopardy, the future uncertain. Each family member endures this painful isolation, existing in a sort of stasis, unsure how to resolve their dilemma, escaping the frightening circumstances of their days by remembering softer, kinder times, the Septembers of Shiraz.
The very fabric of their lives destroyed by the revolution, Isaac is inextricably tied to the shah's regime; there is literally no future for this family save escape. It is that painful truth that so defines the daily activities of each: Isaac's delivery into the hands of his torturers, desperate to avoid the fate of his fellow prisoners; Farnaz' gradual acceptance of a future without the luxuries she has long taken for granted, vaguely threatened but unable to take action; Shirin's theft of the dossiers that may bring swift and brutal repercussions to her doorstep; the once-loyal house servant who makes increasingly critical judgments of her employers and may be a spy; and Parviz' longing for family connections far from those he loves. Balancing the brutality of revolution with one family's fragile hopes, Sofer illustrates the chaos and fear of a world turned upside down, the Amin's driven to seek safety far from home. Luan Gaines/2007.
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19 of 21 people found the following review helpful:
5.0 out of 5 stars
Tender and Luminous, August 10, 2007
This new novel has a tone of rare refinement throughout. The characters speak carefully, the descriptions are painterly, and the story is poignant. When so many new novels are snarky, hard boiled and vulgar, it is a relief to read a book obviously written by a refined person and very talented novelist. Dalia Sofer gave me insight into the life Iranian Jews must have led before they turned up overnight in my community in the early 1980s. In this beautifully rendered novel, feelings spring from the page: the work-obsessed husband falsely imprisoned, the vain but loving wife, the bewildered and innocent 9 year old daughter, and the 18 year old son, an architecture student cast adrift in Hasidic Brooklyn of all places. The scenes in Brooklyn are well rendered and the Hasidim accurately pictured. I can only assume that the Iranian scenes are equally true to life. There were certain scenes that did not ring true, though. How is it possible on a teeming Hasidic street, where small children watch from front porches and elderly women peer through windows, that a young couple could feel free enough to walk together before they were engaged? Unrealistic! And a pivotal plot device turns on a Hasidic emissary having a forbidden romance while abroad. Again, unrealistic for the very reason that Lubavitch emissaries are always married couples, never single men. [I stand corrected on this point - see comment] An absorbing story, and an inspiring one.
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