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Sergei Rachmaninoff: A Lifetime in Music (Russian Music Studies)
 
 
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Sergei Rachmaninoff: A Lifetime in Music (Russian Music Studies) [Paperback]

Sergei Bertensson (Author), Jay Leyda (Author)
4.7 out of 5 stars  See all reviews (7 customer reviews)

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Book Description

Russian Music Studies January 15, 2002

Sergei Rachmaninoff
A Lifetime in Music
Sergei Bertensson and Jay Leyda, with the assistance of Sophia Satina
With a new introduction by David Butler Cannata
An indispensable and captivating document, now back in print!

Throughout his career as composer, conductor, and pianist, Sergei Rachmaninoff (1873–1943) was an intensely private individual. When Bertensson and Leyda's 1956 biography appeared, it lifted the veil of secrecy from several areas of Rachmaninoff's life, especially concerning the genesis of his compositions and how their critical reception affected him.

The authors consulted a number of people who knew Rachmaninoff, who worked with him, and who corresponded with him. Even with the availabilty of such sources and full access to the Rachmaninoff Archive at the Library of Congress, Bertensson, Leyda, and were tireless in their pursuit of privately held documents, particularly correspondence. The wonderfully engaging product of their labors masterfully incorporates primary materials into the narrative. Almost half a century after it first appeared, this volume remains essential reading.

Sergei Bertensson, who knew Rachmaninoff, published other works on music and film, often with a documentary emphasis.

Jay Leyda wrote extensively on Russian music and film, as well as on American literature.

David Butler Cannata is Professor of Music at Boyer College of Music, Temple University.

Sophia Satina was Rachmaninoff's sister-in-law and cousin.

Russian Music Studies—Malcolm Hamrick Brown, founding editor


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Editorial Reviews

About the Author

Sergei Bertensson, who knew Rachmaninoff, published works on music and film, often with a documentary emphasis.

Jay Leyda wrote extensively on Russian Music and film, as well as on American literature.

David Butler Cannata is Professor of Music History at Esther Boyer College of Music, Temple University.


Product Details

  • Paperback: 520 pages
  • Publisher: Indiana University Press (January 15, 2002)
  • Language: English
  • ISBN-10: 0253214211
  • ISBN-13: 978-0253214218
  • Product Dimensions: 9.1 x 6.1 x 1.3 inches
  • Shipping Weight: 1.7 pounds (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #604,139 in Books (See Top 100 in Books)

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41 of 44 people found the following review helpful:
5.0 out of 5 stars This book is excellent, May 22, 2002
By A Customer
This review is from: Sergei Rachmaninoff: A Lifetime in Music (Russian Music Studies) (Paperback)
I found this book extremely helpful and a joy to read. I have used it as a resource for a Rachmaninoff class that i am creating and also for my own pleasure. It spans through Rachmaninoff's life, going in-depth to look at glimpses of Rachmaninoff's life with family, and then meticulously explores his music career.It looks into what inspired him, his meetings with other famous composers, his performances, and includes many letters about his personal life that he wrote to his family and friends. Overall, an excellent look into the life of a composer about whom we do not know much.
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27 of 30 people found the following review helpful:
5.0 out of 5 stars A must-have for any Rachmaninoff lover., November 27, 2001
By A Customer
This review is from: Sergei Rachmaninoff: A Lifetime in Music (Russian Music Studies) (Paperback)
This book is very thouroughly written, drawing on resources of Rachmaninoff's relatives, letters that Rachmaninoff himself wrote, and of personal interactions. It gives a glimpse into Rachmaninoff's private life, which very little is known about, and shows Rachmaninoff for the true musical genius that he is.
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12 of 12 people found the following review helpful:
5.0 out of 5 stars a superb and cleverly constructed biography, March 31, 2010
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John E. Drury "jedrury" (Washington, DC United States) - See all my reviews
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This 1956 book is a 2001 reissue and might qualify as the seminal book to appreciate the life of Sergei Rachmaninoff. It comprises some commentary by Bertensson and Leyda (they act as interlocutors of a sort), but, more importantly, it is a series of lengthy excerpts from letters by Rachmaninoff, family, friends, music critics and newspapers; carefully arranged with commentary by time and place to give an in depth and candid overview of the life of this composer, pianist and conductor. While the authors' gentle and admiring sensitivity to the composer enhance the story, their touch is neither intrusive nor annoying. Criticism comes from various music critics identified by name, date of the performance and publication. The appendix is a complete and valued listing of Rachmaninoff's work and records at the time of publishing. A learned introduction is provided by a professor from Temple University.

The role of music critic during his time had more influence than it does in today's world. In 1919, after
a performance, a typically snotty Boston critic challenged Rachmaninoff whether real genius was compatible with popularity. The shy, affable Rachmaninoff responded "Yes, I believe it is possible to be very serious, to have something to say, and at the same time to be popular. I believe that. Others do not. They think - what you think." A century after his riposte, there is hardly - and hardly has been - a season for any symphony which does not include the Rhapsody, the Concertos and the Symphonies.

His Second and Third Concertos have been fertile soil for movie themes since the 1920s; in "Brief Encounter," his Second Concerto is as much a star as Trevor Howard. The First Movement of the Third Concerto was snapped up by Philip Glass in his theme music for "the Hours." The list goes on and on.

As a pianist, his commitment to performing was passionate throughout his life continuing up until just before his death in 1943. In 1942 alone, he gave 41 performances. His fees for these late-in-life performances were for the relief of the Russian people during the German invasion. Rachmaninoff was an impresario pianist, familiar with and expert in the playing his compositions and the works of Beethoven, Liszt and Chopin. One of Saint Saens piano concertos was so complex and difficult that Saint Saens asked Rachmaninoff to premiere the work rather than Saint Saens himself.

The trajectory of his life astonishes; born and trained in Russia, escaping his beloved country one month after the October 1917 Revolution, escaping the impending war in Europe in 1939, to living in the New York and Los Angeles at the end of his death. Tchaikovsky was his mentor; Tolstoy, one who counseled him early in his life; Chaliapin, Rimsky Korsakov and Horwitz, close friends; Koussevitzky, his agent and intermediary in the United States and Europe; and Ormandy, the most trusted conductor of his favorite symphonies. What is especially enjoyable is reading the letters and the comments of many of these notables on their influence and involvement in Rachmaninoff extraordinary career and life.
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Inside This Book (learn more)
First Sentence:
IT WAS in Moscow that Rachmaninoff the musician was born. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
miserly knight, second concerto, arrangement for two pianos, unreleased master, third concerto, acoustic recording, fourth concerto, new concerto, little psychopath, first concerto, imperial theaters, student concert, new symphony, piano transcription, second symphony, second suite
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Sergei Vasilyevich, Sergei Rachmaninoff, Bolshoi Theater, Philadelphia Orchestra, Natalia Skalon, Boston Symphony, Symphonic Dances, The Crag, Imperial Theaters, Monna Vanna, Moscow Conservatory, Third Symphony, Nikita Semyonovich, United States, Modeste Tchaikovsky, Russkiye Vedomosti, Dies Irae, Marietta Shaginyan, Night Vigil, Josef Hofmann, Natalia Alexandrovna, Boris Godunov, Philharmonic Society, Queen's Hall
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