Sergey Rachmaninov: Liturgy Of St. John Chrysostom, Op. 31

Sergey Rachmaninov (Composer), Charles Bruffy (Conductor), Kansas City Chorale (Orchestra) | Format: Audio CD

Product Details

• Orchestra: Kansas City Chorale
• Conductor: Charles Bruffy
• Composer: Sergey Rachmaninov
• Audio CD (October 15, 1996)
• SPARS Code: DDD
• Number of Discs: 2
• Label: Nimbus Records
• ASIN: B0000037H6
• In-Print Editions: MP3 Download
• Average Customer Review: 4.9 out of 5 stars  See all reviews (7 customer reviews)
• Amazon Best Sellers Rank: #104,474 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

34 of 34 people found the following review helpful:

5.0 out of 5 stars Not just good, but THE BEST, January 18, 2000

By 

Gabe Monforte - See all my reviews

This review is from: Sergey Rachmaninov: Liturgy Of St. John Chrysostom, Op. 31 (Audio CD)

How do you get an an American choir from the midwest to make a superior recording of the most recorded major work in Russian Church Music? First, they use an actual Protodeacon (Fr. Andre Papkov) for the exclamations. Most recordings don't even use a deacon (which during the litanies is like listening to half of a conversation), and those recordings that do have a deacon, usually have some non-Orthodox singer come in and sing the part. This makes for a superfluous and mediocre performance by the "deacon," who usually has absolutely no knowledge of how a deacon in the Russian Orthodox Church sould sound. Second, the choir is coached by experts who specialize in the field of Russian Liturgical Music. Other recordings don't even come close to what a Russian choir should sound like. This choir has REAL "Russian" basses who are mellow and the foundation of the choral sound, and not those loud, out-of-control baritones. The sound is beautifully blended and doesn't feature the sopranos screaming above the rest of the choir, like on other recordings. Their diction is perfect and crystal clear, which makes them sound like Russians. Thus, it is no wonder why Nos. 8 (Cherubic Hymn), 12 (We Hymn Thee), and 14 (Our Father) sound like you've entered the heavenly realm.

Finally, the CDs are packaged with beautiful and informative liner notes, and a complete translation of the entire liturgy, in both English and in the Slavonic phonetic.

17 of 18 people found the following review helpful:

5.0 out of 5 stars This sure doesn't [sound] like Kansas!, January 15, 2002

By 

Laurie Hall (Boston, MA) - See all my reviews

This review is from: Sergey Rachmaninov: Liturgy Of St. John Chrysostom, Op. 31 (Audio CD)

Don't jump to conclusions and assume that a group that calls itself the "Kansas City Chorale" can't perform the Rachmaninov "t. John Chrysostom Liturgy" the way it should be. I nearly missed out on what is a truly amazing and gorgeous recording because of musical snobbery. 'What could people in Kansas possibly know about Russian?' Apparently, quite a lot. And with the aid of the sumptuous, golden voice of Father Andre Papkov, a singer from the New England Conservatory who has made it his business to become a definitive voice in Russian liturgical singing, you get the full sense of this most gorgeous mass. I actually preferred it over several Russian recordings, sad to say, because the Kansas City Chorale was better able to capture the idiomatic style that is central to this type of singing - seamless and blended, with huge architectural harmonies and extremely effective dynamics that bely their small size (only 30 singers although they sound like at least double that). Buy this one and you won't be sorry!

15 of 16 people found the following review helpful:

5.0 out of 5 stars Authentic Russian singing from the prairie!, August 11, 1999

By A Customer

This review is from: Sergey Rachmaninov: Liturgy Of St. John Chrysostom, Op. 31 (Audio CD)

Who would ever have guessed that such an authentic-sounding performance of this quintessentially Russian choral music would originate from Kansas City? The Kansas City Chorale, surely one of the finest groups currently singing in the US, is augmented by several extra basses (who sing those low C's with apparent ease) and by a US-based Russian orthodox priest singing the celebrant. It's no surprise that a New York Times music critic nominated this recording for record of the year.