6 of 7 people found the following review helpful:
5.0 out of 5 stars
sick and twisted and hard to put down, April 2, 2000
By A Customer
This review is from: The Serpent Club (Mass Market Paperback)
The Serpent Club was really compelling, in fact I read it in one long day of reading. It's definitely not pretty though (random home invasions, rapes and violence and of course murders are there at every turn) and the faint of heart shouldn't even bother to pick it up. Coffey's first novel is written in a simple first person format and the way he uses words is just perfect in my opinion. As I said earlier, the subject matter was just disturbing enough for me to think "do I want to keep reading?" obviously I did and to tell the truth the ending almost made it worthwile. I hope that Coffey soon follows up with another book, either continuing Ted Lowe's story, or starting another one.
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8 of 10 people found the following review helpful:
4.0 out of 5 stars
NEW THRILLER TERRITORY CHARTED HERE, February 17, 2001
Justice is an anachronism, power the supreme deity, savagery routine in Tom Coffey's sharply conceived debut thriller The Serpent Club. An explosive plot plus a highly original suspense driven narrative are compelling, while the plausibility of his scenario makes this cutting-edge tale even more chilling.
The setting is southern California - land of power and plenty, a landscape now scarred by brutal, sadistic random violence, its populace plagued by faceless enemies who relish evil.
Antihero Ted Lowe is a curious blend of hypocrite and truth-seeker. He's a seasoned, salty-tongued reporter for a Los Angeles newspaper whose view of life may be found in his musings: ".....the ancients invented God to explain why things happen. They were afraid to accept the arbitrariness of life, too ignorant to understand the great cosmic joke that the universe itself is just a gigantic accident."
He is assigned to cover a murder story - the rape and fatal beating of 13-year-old Megan Wright. Her body is found atop Sepulveda Pass; the crime scene is grisly. It's a sight Lowe cannot forget.
Obtaining a photo of the dead girl, he thinks, "I'm glad for this chance to see her whole."
Lowe's coverage of the crime is set against a backdrop of apparently unconnected break-ins - brutal assaults in which a band of ski-masked thugs force mothers to watch the rape and sometimes fatal beating of their daughters.
"Why look for motivation behind the violence - why did he do it, why did it happen to her?" the narrator coldly asks. "These questions are pointless of course. Things happen because they do."
Doors close, evidence is skewed, and possible witnesses disappear when Brad Devlin, teenage son of wealthy, influential Jeremiah Devlin, is linked to Megan Wright's murder. Pressured by his editors for daily doses of sensationalism, Lowe knows a lurid front page story would be a boost for his career. He investigates on his own, while launching an affair with a smart but naive young reporter who shares his affinity for rough and tumble sex.
When the band of rampaging thugs, which includes Brad Devlin, kidnap Lowe and force him to accompany them as they rape and pummel an Asian mother and daughter, he is forced to confront his inner contradictions - he is fascinated by the ghastly act. "The sound of breaking glass thrills me. It's a true noise of the night."
Brad's eventual indictment for the murder of Megan is hardly a blip on his father's mental screen - Jeremiah Devlin has already bought off the district attorney, his challenger, the newspaper publisher, and others. The Devlin's high-powered, higher-priced attorney exudes supreme confidence.
Lowe is left to decide whether to take the stand and testify to what he witnessed in order to help convict Brad, thereby risking recrimination for failing to report the crime or remaining silent to protect himself.
Mr. Coffey handily layers moral questions with legal issues as the narrative races from investigation to a no-holds-barred courtroom trial. To the author's credit there is little physical description of the character who most embodies evil - he remains a faceless terror, growing even more frightening in the reader's imagination.
A cast of L.A. noir characters enliven the story, while the enigma of Ted Lowe's character both puzzles and fascinates. Mr. Coffey, an editor at the New York Times, charts new thriller territory with The Serpent Club; he's a cagey, daring and imaginative writer from whom we want to hear more.
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