11 of 11 people found the following review helpful:
5.0 out of 5 stars
Fun Stuff, Surprisingly good..., July 19, 2002
This review is from: The Serpent Garden (Paperback)
The book alternates between the first person of Susannah Dallet, the Dutch-English heroine paintrix, and the third person descriptions of evil deeds of an evil doing demon master and the demon he conspires with. Susannah is just hoot. She's innocent, but intelligent, not quite blissfully unaware of all the rotten stuff going on around her, and she sees the world through her art, in terms of color and pigment, and has quite a bit to say about faces and how to paint in miniature. Not to mention that she must resort to subterfuge to keep practicing her trade in the man's world that is Tudor London and the rest of Renaissance Europe, for that matter. Susannah just wants to paint and be a good girl, but unfortunately her society won't allow her to do both. Through a series of adventures she ends up employed by Cardinal Wolsey to serve in the train of Mary Tudor, bride of the old King Louis of France. The historical detail is excellent here, right down to Jane Poppincourt's affair with the Duc de Longueville, Francis 1 rst libido, and Louis' sending Mary servants back to England. Riley does a wonderful job fusing characterization with Historical fact, and then moving from art to the beyond with demons and angels. At first the demons are a bit boring, but when the angels show up, the whole supernatural element fits right in, and makes for a wonderful tale.
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10 of 10 people found the following review helpful:
4.0 out of 5 stars
Highly entertaining, October 13, 1999
This review is from: The Serpent Garden (Paperback)
I absolutely love Judith Merkle Riley's accurate incorporation of the living conditions faced by women during the periods she writes about, and her creative, fun ideas about how they deceive others to survive and thrive in such a harsh culture. The angels made me laugh throughout.
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7 of 7 people found the following review helpful:
4.0 out of 5 stars
Romance & intrigue in the dangerous court of Henry VIII, July 25, 2004
Riley's delightful historical fiction is marked by wit, elegant writing and heroines with unusual talents and this fourth novel, set in the court of Henry VIII, is no exception.
Susanna Dallet is the daughter of a painter and the wife of another (who married her to learn her father's secrets). Because her husband spends all his money on his mistress, Susanna accepts a commission, in his name, to copy in miniature a portrait of the King's beautiful and willful sister, Mary.
Well taught by her father, she completes the painting herself and delivers it the next evening. But her husband has meanwhile been murdered by a jealous husband, so the painting acquires the cachet of having been completed by a ghost - women and non-guild members being forbidden to paint.
Such court powers as Bishop Thomas Wolsey are not so gullible however and Susanna's talents soon bring her to his notice (after an interlude supporting herself and an extended household through "naughty" religious paintings). Guild rules do not apply in the King's court and Susanna is soon swamped with orders, if not payments.
And when Henry VIII schemes to capture the throne of France by marrying his sister to the aging French king, Susanna is included among the vast wedding party.
Meanwhile, her dead husband's darker activities are dogging her footsteps. Part of a group of Satan worshipers, her husband acquired an ancient manuscript much covetted by his co-conspirators and a faction of the Knights Templar. Not knowing what the book is, Susanna has been cutting the margins as parchment for her miniatures while the devil-worshipers close in.
Romance, suspense, danger and intrigue abound. Susanna becomes adroit at escaping the silken nets of plots at both the British and French courts. She survives a disastrous storm at sea, but seems likely to lose the man she loves to poisonous whispers.
Menacing strangers watch her every move. Demons and angels compete for ascendancy in her world. Yes, demons. Riley enjoys a dash of spice from the supernatural and is a good enough writer weave it into the story's flow for the most part. This affinity worked better in 'The Oracle Glass,' however, where the heroine was a trained clairvoyant to the rich and famous. When angel and demon throw themselves into human endeavors in 'The Serpent Garden' it gets to be a little much - more farce than wit.
A minor complaint, however. Riley has a gift for immersing the reader in her period. She conveys the details of mixing and buying paint, learning anatomy, cleaning a studio floor, layering color on a miniature, guild rules and much much more without ever making the reader admire her research skills. Riley keeps the details integral to her heroine's daily activity and passionate commitment to her art.
Perhaps more impressive, she manages to convey the gist of political maneuverings without lengthy discourses and without her heroine's ever showing the slightest interest in any of the lofty intrigue. A colorful, captivating read.
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