The Serpent's Egg [ORIGINAL RECORDING REISSUED]

Dead Can Dance

Product Details

• Audio CD (February 15, 1994)
• Original Release Date: 1988
• Number of Discs: 1
• Format: Original recording reissued
• Label: 4ad / Wea
• ASIN: B000002MQ8
• Also Available in: Audio CD  |  Audio Cassette  |  MP3 Download
• Average Customer Review: 4.8 out of 5 stars See all reviews (31 customer reviews)
• Amazon.com Sales Rank: #124,355 in Music (See Bestsellers in Music)

Editorial Reviews

Product Description
Out of print in the U.S.! Import pressing of this classic 1988 album from one of the 4AD label's most popular and influential bands. At the core of Dead Can Dance is guitarist Brendan Perry and vocalist Lisa Gerard, who created a body of work that remains invigorating and uniquely their own. 10 tracks. 4AD. --This text refers to an out of print or unavailable edition of this title.

Customer Reviews

Most Helpful Customer Reviews

59 of 63 people found the following review helpful:

5.0 out of 5 stars a treasure that has sunk beneath heavy tides and waves, January 20, 2001

By	Lilien (Croatia, Europe) - See all my reviews

I do not own many CDs, and mostly because I never seem to find music I truly enjoy or even appreciate. Dead Can Dance has released many albums, but this one is something so different. "Aion" and "The Serpent's Egg" are the most treasured by me. After that, Dead Can Dance have seemed to drift off to other realms and cultures.

I find that "The Serpent's Egg" has a deep element of fear and sorrow. A serious maturity! Lisa Gerrard and Brendan are at their most developed musically and lyrically.

I am in love with "The Writing on my Father's Hand". I have never heard such a BEAUTIFUL, ELEGANT, POIGNANT piece in my whole life. Lisa, you are very lucky to have such a gorgeous voice and to be able to share it with the whole world. I also love mystical "Orbis De Ignis" with Brendan. Brendan has an artful way of representing his song called "Ullyses". His imagination and yearning to sing of old tales that were told throughout the world is so admirable.

When I listen to Dead Can Dance I hear a sincere desire to open the hidden doors of religions and myths. Dead Can Dance has been searching and searching all over and everywhere! Maybe they have found what they are looking for, because I know I have found a treasure that's sunk beneath tides and waves.

I LOVE this album "The Serpent's Egg"!

23 of 24 people found the following review helpful:

5.0 out of 5 stars DCD continues to evolve, and the results are surprising, June 3, 2001

By	Christopher Culver - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

Coming two years after their perfect WITHIN THE REALM OF A DYING SUN, Dead Can Dance's 1989 album THE SERPENT'S EGG shows the band continuing to evolve. Here, Dead Can Dance reached an interesting turning point. Lisa Gerrard's vocals begin to show the ethnic influence that would come to the front in 1993's INTO THE LABYRINTH, while the interest in older musical instruments foreshadows the renaissance-themed AION.

This album is especially remarkable because it departs from the use of orchestral musicians and lush atmospherics to give a more personal glimpse of Lisa and Brendan's partnership.

THE SERPENT'S EGG opens with "The Host of Seraphim," which may be their finest song ever. Featuring Lisa's pious wailing over the backing vocals of David Navarro Sust and Brendan Perry's drums, this song is literally heavenly.

As with much of Dead Can Dance's output, individual songs can be noticed as either Brendan's or Lisa's, such as the half-and-half split of WITHIN THE REALM OF A DYING SUN. Here, it's obvious that Brendan has provided "Severance," "In the Kingdom of the Blind...", and "Ulysses." Lisa clearly is the creator of "The Writing on My Father's Hand," "Song of Sophia," and "Mother Tongue."

Nonetheless, for the first time here are several tracks where Lisa and Brendan are equal, such as the aforementioned "The Host of Seraphim," as well as "Orbis de Ignis" and "Chant of the Paladin."

While not Dead Can Dance's best album, which is arguably WITHIN THE REALM OF A DYING SUN, this album should not be the last you purchase if you are a fan of this unique duo.

12 of 13 people found the following review helpful:

5.0 out of 5 stars The 'in-between' release, February 3, 2000

By	DAC Crowell (Rankin, IL United States) - See all my reviews

This album sits right between two 'pillars' of Dead Can Dance's work, in my opinion: "Within the Realm of a Dying Sun" and "Aion". And because of this, it shares some elements with both. The medieval atmospherics of the latter begin to come in strongly here, but there's still a major focus on European classicism present, as well. The sound, also, is right between those two in feel. It's an amazing release, and perhaps one of their darkest-sounding as well, but my suggestion would be to pick up those other two, then come back here for the treat of hearing how it all fits together. But like both of those, there's no duds, and we're clearly heading toward the 'unified' release style that began with "Aion" and really hit its pinnacle with their final album, "Spiritchaser".