52 of 57 people found the following review helpful:
5.0 out of 5 stars
Artemis Entreri & Jarlaxle fans rejoice!, November 6, 2000
Salvatore has performed a hat trick (bonus points for me for a hockey reference) in what is now known as the Paths of Darkness series of novels which are The Silent Blade, The Spine of the World, Servant of the Shard, and the forthcoming Sea of Swords.
Some fans grumbled about the novel Passage to Dawn, complaining that Salvatore appeared to have lost his magic and that the story itself was redundant and mediocre. Critics! Can't live with 'em, can't deport 'em!
Salvatore has come back to the Forgotten Realms with a vengeance with this latest series of novels and should have put to rest any doubters out there that he has lost his style. Silent Blade and Spine of the World were fantastic and Servant of the Shard might have even surpassed those two in my opinion.
People were skeptical about Spine of the World since it focused on Wulfgar, and Drizzt wasn't making an appearance, but it definately earned its place on my book shelf. I loved it. If we need a break from Drizzt every once in a while, why not take a closer look at the other characters for a change?
Now Salvatore has done it again with Servant of the Shard. Now we get a wonderful adventure that explores the current exploits of Jarlaxle, the flamboyant Drow mercenary band leader, and Artemis Entreri, master assassin. With sword fights, psionics, drow, illithids, powerful sentient weapons and artifacts, conspiracy & intrigue, demons, the Bouldershoulder brothers, and more, it's a very enjoyable novel even without Drizzt.
I definately recommend this volume for Drizzt and Forgotten Realms fans out there and look forward to the 4th volume next year.
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29 of 31 people found the following review helpful:
5.0 out of 5 stars
One of Salvatore's best..., October 30, 2000
I got this book weeks ago and was wondering when it would be available so I could share my enthusiasm for this work of art.
Even more so than in The Silent Blade, Artemis Entreri becomes more than a simple archvillain for Drizzt Do'Urden. His character development in The Servant of the Shard continues where it left off in The Silent Blade and a true metamorphosis occurs, one in which more is revealed than changed about Entreri...he becomes more nearly himself, as it were.
We see this most resourceful of humans take on nemeses that no other mortal can hope to challenge, much less persevere against. Entreri becomes much more than Drizzt's foil, a dark mirror...Entreri truly comes into his own in this novel and asserts his status not only as Drizzt's equal in battle, but also as a unique individual who has a life beyond his rivalry (now dead) with Drizzt.
At the same time, we, the readers, can start to fully appreciate the circumstances which created such a cold, ruthless man who can best the long-lived, intrigue-loving drow at their own game. We also see a validation, to a certain degree, of Entreri's way of life--a justification, at the very least, of why this man walks alone. To do this, Salvatore sets Jarlaxle, the wily mercenary leader, opposite Entreri in this novel. "Who is the stronger, then, Jarlaxle the partner or Entreri the loner?" to which Entreri's response is an emphatic, "I am."
Even as Salvatore shows what is wrong with Entreri's lifestyle, he also examines what brought the man, as supremely-talented, intelligent, and iron-willed a human as had ever lived, to such a state, and why the choices he made at the time seemed right. Entreri's tribulations and triumphs evidence both.
Besides Entreri, other favorites are also revealed more fully, such as Jarlaxle. This, in fact, is the work that truly deals with Jarlaxle--he is on the cover, after all, and in the title...but it is through Entreri that Jarlaxle is finally explored--through Entreri's eyes. At long last, that impenetrable facade of Jarlaxle's is lifted, just for a second, to give us a glimpse of the mortality behind the calm and collected opportunist.
Plot-wise, this is also one of Salvatore's best...deliberate and masterful, he wends his way through a story that, I think, he has long wanted to tell...to himself! No haphazard jabs into the dark for this work--Salvatore is the master bard, fully in control of the tale from beginning to end.
To the fan, this is classic Salvatore. To the fantasy enthusiast, this is one of the few good works coming out of TSR.
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