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4.0 out of 5 stars
A Few Words from ye Author of ye Nameless Book, February 8, 2009
This review is from: Sesqua Valley & Other Haunts (Paperback)
My many thanks to those of you who have purchased this and others of my books, and to those of you who have reviewed these items. I know that my style is very strange and different from most modern horror authors, and my books are not for everyone. I wrote these stories as a heart-felt tribute to H. P. Lovecraft, and I wrote them as a devoted fan of the Cthulhu Mythos. In creating Sesqua Valley, I followed August Derleth's superb advice to create one's own Lovecraftian locale rather than try to use Arkham or Dunwich on Innsmouth. Sesqua Valley is inspired by North Bend and its magnificent Mount Si -- a town and mountain that became famous when it was used in the television show TWIN PEAKS. Most of the tales in SESQUA VALLEY & OTHER HAUNTS takes place in Sesqua, and some few of them were written in loving memory of Mythos writers who have passed away. Thus, when I wrote "The Imp of Aether" and dedicated it to August Derleth, I mentioned his fire elemental Old One, Cthugha (mentioned only, the Old One makes no appearance in the tale), and when I wrote "The Child of Dark Mania" and dedicated it to Frank Belknap Long, I wrote a story that mentions his fantastic Old One deity, Chaugnar Faugn. It remains one of my favourite of my own stories. This books shews my obsession with Lovecraft's Nyarlathotep (my favourite Old One -- a magnificent daemon!) but does so best with "The Hands That Reek and Smoke," in which a woman's hands are blessed by the Crawling Chaos so that she can use their transform'd substance as artistic medium. I consider it one of my finest tales. But so many of the stories do not mention Old Ones at all, but are rather an attempt to create authentic Lovecraftian fiction without the clumsy cliches that have been used in so many Mythos stories. Thus, in "The Host of Haunted Air" there is no Mythos entity at all, but rather the sinister relic in which a daemonic form of eldritch effluvium may dwell (obviously an influence of Lovecraft's "The Colour out of Space"). In "The Heritage of Hunger" (one of my few tales set in Lovecraft's Arkham) there are no Mythos elements at all -- instead, it is inspired by Lovecraft's "Pickman's Model," a non-Mythos tale. Too, the book contains some few stories that are not Mythos or Lovecraftian at all, such as "The Woven Offspring" and "The Zanies of Sorrow," in which I have tried to express a sense of doom that may or may not have tints of Lovecraft's influence. The book's final story, "A Vestige of Mirth," is not at all Mythos, but rather a story inspired by HPL's "The Thing in Moonlight" and "The Terrible Old Man," and thus it takes place in a lonely, a haunted, an unspecific place where dwells the antient and abandoned circus wagon in which the narrator finds the jars in which floats what looks like shredded masks of human faces, but what are they really? Brrrrrr! I am extremely pleased that Mythos Books has reprinted this book in paperback, as the original hardcover edition, which sold new at $50, is now selling here at amazon for an absurd $250! With this new inexpensive edition, Lovecraft and Cthulhu Mythos fans can buy the book at an affordable price.
It's difficult, of course, to be original as a Mythos writer; but I believe we CAN be when we write stories that are perversely our own. The thing about Lovecraft's weird fiction, for me, is that, despite his flaws, his dependence on influences -- his fiction was always very much his own thing. It still is, despite all the wankers (guilty) who have tried to write in what is sometimes called the Lovecraftian Tradition -- but which mostly are stories that just rip-off HPL's ideas, his themes, his characters. One way we can be original is by inventing interesting character. It was with this book that I invented my most popular recurring character, Simon Gregory Williams. I had, in some stories, mention'd my own dark tome (like unto ye Necronomicon); I didn't name it, but I mention'd it's author, Simon Gregory Williams. When I rewrote an old story, "Candlewax," for SESQUA VALLEY AND OTHER HAUNTS, I had a wee flash of inspiration near ye end, & decided to actually show the warlock who was the author of this grimoire. (I can never remember how to spell that word, & Amazon always underlines it in red as misspelled; so I need to reach for my handy YE ENCYCLOPEDIA CTHULHUIANA by Daniel Harms and turn to any of the entries that discuss elder tomes of arcane lore -- & there it is, the word, &, yes!, I got it right!). I based my new character on this creepy guy I used to date -- & ye first thing that came to mind was, my character had to be a real creep: conceited, ruthless, nasty, wicked -- yet charming in his own weird way. It worked, & I've now written many tales featuring Simon, & he has proved popular with my readers. I am now working on a new book, of Sesqua stories inspir'd by the weird fiction f Robert Bloch -- & for this new book I have invented two new characters, one based on HPL's Erich Zann, and one based on the singer, Bjork.
If you are writing Mythos fiction, just be yourself. If you make your story personal, if you use the Muse to tell little secrets about yourself that you've never told anyone, then you are going to write a Mythos story that no one else could have penned. It will be yours, alone. I have many fictive influences, but above all is the influence of H. P. Lovecraft.
Here's a wee listing of the stories in this book:
"O, Christmas Tree" -- this is the very first Sesqua tale that I wrote. I sent the original version to SPACE & TIME and Gordon rejected it. I let Jessica Amanda Salmonson see it and she completely rewrote it, and that version was published in SPACE & TIME. This is the only Sesqua Valley story to have appeared in a commercial mass market paperback book, TALES BY MOONLIGHT II, edited for Tor by -- Jessica!
"The Ones Who Bow Before Me" -- this is an extensive rewrite of an old story called "Candlewax". In the original tale I mention a book of daemonic magick and its mysterious author, Simon Gregory Williams (I invented the name in high school; it was gonna be my stage name when I became a famous actor). When I revised the tale for this book, I decided it would be fun to actually shew Simon as a character at the end of the story, so I invented a wee new ending and thus nonchalantly introduced the creature that was to become my most famous character.
"Born in Strange Shadow" -- this is my first "sequel" (of sorts) to H. P. Lovecraft's "Pickman's Model."
"Another Flesh" -- a very early story that deals with that mysterious entity, Shub-Niggurath.
"Immortal Remains" -- a story that is linked to one of my favorite Lovecraft tales, "The Nameless City"
"Selene" -- a story of a phantom-woman who is linked to Nyarlathotep
"The Darkest Star" -- a story that was inspired by "The Feaster from Afar," by Joseph Payne Brennan, which I found in the second edition of Robert M. Price's Chaosium anthology, THE HASTUR CYCLE. Joe's story inspir'd me to write a wee "Hastur" tale of my own, and thus I dedicated my story to his memory.
"The Songs of Sesqua Valley" -- One of my loves is poetry, especially the sonnet; thus I relish the sonnet cycles of William Shakespeare and H. P. Lovecraft. I was determined to write my own cycle of thirty-three sonnets. They aren't very good, I was too experimental in playing with the sonnet form. Some of them are absurd in their attempt to combine Lovecraft and Shakespeare, thus:
"Shall I compare you to the beauteous moon--
You, far more lovely, twice as lunatic?
Rough etchings carved into an antient rune
Are not more covert, more esoteric
As your pale eyes in which I nigh behold
The lazy luster of your hungry beam,
That self-substantial fire, twice more cold
Than those refracted rays of lunar stream.
I'll chance to sink the smooth length of my tongue
Into the crater of your crazy breath;
And sighs of midnight pleasure, ever young,
Will ne'er succumb unto a sunrise kiss.
I'll howl for an eternity this rhyme,
For my forever Mistress masters time."
There are a few of the poems that still please me, but most of them are rotten. I confess to being thrilled that S. T. Joshi has chosen one of them, "The Outsider's Song," to be included in his forthcoming anthology of weird verse.
"The Heritage of Hunger" -- I had a lot of fun with this story. I set it in Arkham, in the graveyard where Lovecraft set his tale, "The Unnamable." I include ghouls, and the house mentioned in Lovecraft's tale; and I introduce the diabolic daughter of Henry Anthony Wilcox, the young artist from HPL's "The Call of Cthulhu."
"The Imp of Aether" -- a Mythos tale dedicated to Augie Derleth. S. T. Joshi wrote of the story, in his book THE RISE AND FALL OF THE CTHULHU MYTHOS: "'The Imp of Aether'...performs the miracle of infusing August's Derleth's fire elemental Cthugha with novelty and distinction. (The story is dedicated to Derleth.) A moving tale of a man who inexorably falls under Cthugha's sway, it concludes cataclysmically:
'I watched, as the parchment in his hand darkened and turned black. In horror I watched as the hand that held it darkened also and turned into a thing of ash. Oh, how his flesh crumbled and separated. Ah, the hot burning wind that came from nowhere, that encircled Wilus and the thing to which he was conjoined. A cyclone of ash rose toward the ceiling, and from within that mania of storm I could see the lustrous eyes of an ageless daemon. It raised an amorphous face and opened a wide expanse of mouth, an orifice that puckered and exhaled. A flake on ash sailed from out the tempest, drifted to me and floated into my heaving...
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