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Most Helpful Customer Reviews
1 of 1 people found the following review helpful:
4.0 out of 5 stars
If You're A Blues Fan, Get It In One Format or the Other,
By Stephanie DePue (Carolina Beach, NC USA) - See all my reviews (VINE VOICE) (TOP 1000 REVIEWER) (REAL NAME)
This review is from: In Session (Ocrd) (Audio CD)
Albert King/Stevie Ray Vaughan: In Session(2010). American blues stars Albert King and Stevie Ray Vaughan create blues jam-session magic during this historic 1983 recording. The show, which was taped live in a club in Austin, Texas on December 5, 1983, was recorded for the Canadian live music TV series "In Session." As both popular singer-songwriters are now, unfortunately, gone from the scene, relatively young, and this was the only time they were recorded playing together, this classic rock disk is likely to be a must for blues fans. The musicians play off each other beautifully: it's hard to credit that they hadn't rehearsed together for months, but, in fact, sources say that King, already an established star, was unwilling to play with Vaughan, until the older musician realized that he had already played with the native Texan before, under the moniker of "little Stevie."
The set, unfortunately, lacks three hit songs that are on the DVD of the same concert. Albert King's signature song, "Born Under a Bad Sign," penned in 1967 by Booker T. Jones, of Stax Records' Booker T. and the MG's, and William Bell. Also lacking are "Texas Flood," and "I'm Gonna Move to the Outskirts of Town," a hit for Louis Jordan, and also Ray Charles. The DVD does give us T-Bone Walker's classic "Call It Stormy Monday," "Matchbox Blues," Tampa Red's "Don't Lie to Me," "Overall Junction," and "Pride and Joy." King was born in Indianola, Mississippi, on April 25, 1923, as, coincidentally, was B.B. King - no relation, nor is the third blues King, Freddie King. However, Albert did, perhaps, like to fudge things a little: he called his favorite Gibson Flying V guitar Lucy, as B.B. King calls his guitar Lucille. I actually did get to listen to Albert live, quite a few times; his power could energize a room. In fact, I followed Albert around for two weeks observing him on his first, possibly his only, tour of the United Kingdom, in, I believe, 1969. I almost didn't get to go. I was, initially, to be traveling on a ticket meant for a Memphis Horn. But when the impresario of the tour discovered the Horns weren't coming, he was furious, and cashed in those tickets. However, I'd already pre-sold my article on Albert to "Cavalier," a magazine current at the time. So Stax, his recording company, bought me a ticket. At any rate, B.B. is still with us, but Albert passed of a heart attack on December 21, 1992. His career was made when he was signed by the Memphis-based Stax, in 1967: his first album for them was, in fact, "Born Under a Bad Sign." The Texas born Vaughan, who was born on October 3, 1954, was killed in a foggy-day helicopter crash on August 27, 1990. Unless you particularly want this as a CD, I can't see why you wouldn't get the DVD with those important three more songs.
1 of 1 people found the following review helpful:
5.0 out of 5 stars
Hidden treasure,
By Happy Shopper (So. Cal.) - See all my reviews
This review is from: In Session (Ocrd) (Audio CD)
I have been a huge SRV fan for a long time and I was so excited to run across this CD. Hearing SRV play with his hero Albert King gave me goosebumps. While the music is outstanding, the banter between the two bluesmen is even better. It makes you feel like you are sitting in the studio with them.
This CD is well worth adding to your collection.
1 of 1 people found the following review helpful:
4.0 out of 5 stars
+1/2 -- Superb meeting of two blues guitar legends,
By
This review is from: In Session (Ocrd) (Audio CD)
This 1983 live performance summit between a legend and a soon-to-be legend has been reissued a few times on CD, including a hybrid SACD in 2003. This latest CD is a remastered reissue of the original eleven tracks and includes three sets of liner notes. At the time the pair met in a Canadian TV studio, Vaughan was blazing a trail into the blues world with his debut album, Texas Flood. King was long since a legend in the blues world, and though he didn't recognize the name "Vaughan," he immediately recognized the guitarist who'd sat in with him whenever he played in Austin. Snippets of dialogue interspersed between the tracks do a good job of showing the personal bond that complemented the guitar slingers' deep artistic connections.
King and Vaughan are backed by the former's tack sharp road band, and run through a set drawn almost entirely from King's catalog. You can hear what was on the horizon, though, as Vaughan rips into his own "Pride and Joy" with monster tone and a gutsy vocal. Throughout the session the players trade licks and prod each other with solos that quote all the great players from whom they learned. King's influence is clear in Vaughan's playing, but hearing them side-by-side (the recording does a nice job of keeping their guitars separated slightly left and right) gives listeners an opportunity to hear how the same fundamentals change as they filter through different fingers and hardware. As free as both guitarists play, the band, the catalog, and the deference Vaughan shows King all tipped in favor of the latter orchestrating the pacing. This is a master class, King leading the way with his guitar and providing verbal tips in between songs. In any other venue Vaughan would be the master, but here he plays the role of apprentice. How many chances do you get to play with someone who can introduce "Blues at Sunrise" with "This is that thing, uh, I recorded with Jimi Hendrix and Janis Joplin out there at the Fillmore West"? It was a good time to be the apprentice. Anyone who loves King, Vaughan or great blues guitar should catch this one. 4-1/2 stars, if allowed fractional ratings. [©2009 hyperbolium dot com]
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