Customer Reviews

Sessions with Sinatra: Frank Sinatra and the Art of Recording

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Charles Granata's "Sessions with Sinatra"is amazingly the first book to take you into the recording studio with the century's finest popular singer.

Spanning the RCA-Dorsey era, through "Duets," Granata has interviewed arrangers, musicians, producers and engineers and goes behind the scenes into the actual recording of such classic albums as "Only the Lonely," "Songs for Swinging Lovers," "Sinatra-Basie" etc (little known fact:Jobim wasn't the only guitarist to play on the Sinatra-Jobim LP.)

"Sessions with Sinatra" is not only a must for any serious Sinatra fan, but for any student of America's pop musical history.

"Sessions with Sinatra" read back to back with Kitty Kelly's "His Way," might give one a fascinating portrait of both the man and the musician.

Granata does a great job taking us behind the scenes for the technology and people who brought us the best popular music of the century. The photos, which focus on the studio instead of the amply documented night life theme, are probably worth the price of the book, but the author is an expert in recording technology and provides anecdotes and discussion as to how and why Sinatra had such an impact and continues to make his mark.

Because we take it for granted today, it is easy to forget that the way in which recordings were created had much to do with the kind of music that was recorded. Granata notes one occasion on which a perfect take had to be remade because a three-and-a-half minute song was too long for Columbia's equipment at the time. What stands out, though, is that for all the bad press Sinatra gets for his impatience on movie sets, he clearly managed the recording process down to the minutest details during the Columbia and Capitol years, resulting in a degree of musical excellence that was not exceeded even during the technologically more advanced 1960s Reprise era. Granata gets high marks for explaining all of this in a way that is highly readable for those of us who love music and have limited understanding of engineering concepts.

The most fascinating chapter may well be the one dealing with a nadir of Sinatra's career, the Duets project of 1992/3. Throughout, we learn that Phil Ramone was constantly selling the project to the singer, while FS (to his credit) continually called the whole purpose of the project into question. If you think Duets sounds like a mistake, you should read this account of how Sinatra was pushed into making these pale remakes from his legendary songbook.

Also worthwhile is Granata's recommended recording list in the appendix. If you are a new Frankophile, this is a great place to start and will lend additional meaning to the text, because you can HEAR how FS works the voice and lyrics in Ol' Man River and other classics.

Highly recommended, even if you already have Friedwald's excellent 'The Song is You.'

No book has ever captured the experience of a recording session and the recording experience like Charles Granata. Long known as an authority of Frank Sinatra's work, this book actually conveys why Sinatra's recordings are classic and still speak to us. Granata's viewpoints are fair and, in the case of the controversial Mitch Miller recordings, as balanced as a writer can be in presenting all sides of the story. His interviews with such under-appreciated musicians such as arranger George Siravo ( who contributed far more to the canon of Frank Sinatra than most people realize) are particularly valuable. I am delighted that he has quoted extensively from Nelson Riddle's arranging book (which I edited for publication), which has much valuable information about how Nelson worked with Sinatra. The history of the recording field, rare photos and even reproductions of score pages simply make this a must-have volume.

"I adore making records. I'd rather do that than almost anything else." ~ Frank Sinatra, 1961 ~

"Frank had the color and the fire and the brains and the imagination. Intellectual background strangely enough. Artistic sensitivity." ~ Nelson Riddle, 1983 ~

"Most Sinatraphiles would argue that his finest work, and the style he will ultimately be remembered for, was forged with Nelson Riddle. Sinatra-Riddle partnership was musically ideal and illustrates how a symbiotic musical relationship between orchestrator and singer can make a world of difference in what we hear and how we hear it." ~ Chuck Granata, 2004 ~

"Sessions with Sinatra and the Art of Recording" is indeed a wealth of information on everything you should know about Frank Sinatra's recordings. It is divided into five parts: The Big Band Years (1937-1942), The Columbia Years (1943-1952), The Capitol Years (1953-1962), The Reprise Years and Capitol Revisited. Mr. Granata did an excellent job in outlining Frank Sinatra recordings during his entire musical career, and his vast knowledge on all aspects of recording, technical in particular, is so amazing.

The Foreword was written by Phil Ramone, who himself is very well-versed when it comes to recording session engineering, and once said that he "was in heaven on the day that he realized his dream of engineering a Sinatra session."

Nancy Sinatra, who herself is a star in her own right, has written a very loving tribute to her famous Dad and "her hero" on the Afterword. I would single out a quote from her that I found so moving, here goes. . .

"My father always had a genius for picking the right songs, and when you consider the relationship between the tunes he selected, and the remarkably different themes that comes with each passing decade, you can see that his music tells a story that parallels his life and ours. Those songs, and their changing themes, represent Dad's most passionate dream - the one he talked about on dates with my mother - and the realization of that dream, which brought him almost insurmountable pain along with irrepressible joy as he experienced it, and as he lived it."

This wonderful and well-written book also features over a hundred black and white photos of the star himself with his fellow artists, musicians, conductors and arrangers such as Nelson Riddle, Quincy Jones, Billy May, Count Basie, Duke Ellington, Mitch Miller, Rosemary Clooney, Bing Crosby, his daughter Nancy, among others; Nelson Riddle's original score for "Close To You" in 1956; a vocal lead sheet of "April In Paris," (from Come Fly With Me sessions in 1957), which Mr. Granata cited as an example of how great Frank Sinatra was in legato-style phrasing, breath control and vocal maturity.

Mr. Granata wrote about the collaboration between Sinatra and Riddle (Part 3, Pg 92) and called it "A Musical Marriage." Frank Sinatra believed that Nelson Riddle was "the greatest arranger in the world, a very clever musician who was like a tranquilizer - calm, slightly aloof. And he's got a sort of a stenographer's brain." If Sinatra tells him, "Make the eighth bar sound like Brahms," or "make it like Puccini" - Riddle will make little notes, and will obey the Chairman. Their partnership was so fruitful and creative as well, and had produced the finest recordings of all-time, there's no doubt about it. They were truly musically made for each other. They both had good work ethic and the same musical goal. They knew what "each other was doing with a song and what they wanted the song to say." They had a very good rapport in all their collaborations, which is the most important factor to the success of a recording.

This is a very detailed source of information to any new Sinatra fan looking to start a collection of albums for the appendices show lists of Companion Recordings, Basic Collection, Concept Albums under Columbia, Capitol, Reprise, QWest Records. It also enumerates "Fifty Songs That Define the Essence of Sinatra" and most of them are meaningful, special songs that are my all-time favorites.

Congratulations, Mr. Granata for an excellent and well-crafted book you've written. And thank you very kindly for inscribing my copy. :)

Very highly recommended to any Sinatra buff.

I just finished reading this book and it is one, if you are a Sinatra fan, you can't put down. The book covers Sinatra's recording career from his first days with Harry James to the final Duets recordings. The detail is fantastic and at times, you feel you are actually in the studio with Frank. Even a discussion of the different types of microphones used is interesting. However, what makes this book one for every Sinatra fan's library are the extensive interviews with the people who worked with Sinatra in the recording studio. I am thankful the author took the time to obtain these first person accounts as they are what make the book well worth reading.

Chuck Granata's book, placed on the shelf next to Will Friedwald's SINATRA: THE SONG IS YOU, gives the admirer of Sinatra's art a superb and fascinating look at WHY this man was the greatest popular singer of the 20th century. Where Friedwald goes into great detail explaining the unique musicianship of the man, Granata gives his readers the knowledge of how this artistry was captured and preserved for generations of listeners. Anyone interested in Frank Sinatra, great music, the recording industry or the technology of sound recording must own this book. In an age when innovation is often hard to come by, Granata truly has broken new ground! --Scott Allen Nollen, author of the forthcoming SINATRA AT THE CINEMA (Mindnight Marquee)

Mr. Granata has greatly researched this work. his book not only describes the recording sessions, but Sinatra's association with arrangers, musicians, engineers, producers and record company executives. As a former record salesman, I found the author's coverage of the changes in recording technology very interesting. Sinatra began recording on wax discs and ended his career recording with digital signals. This over a seven decade period. In every Sinatra photo this book offers, you will see the perfectionist, Shined shoes, starched shirt with tie and freshly pressed pants. This is the attitude he had when he recorded. Every thing had to be just right. The author pulls no punches when it comes to poor effort or just plain mistakes. He objectively describes it all. If you are Sinatra fan, this is a great read. You'll know why he became the "voice of the century". Many "thanks" to Charles Granata for placing us right in the recording studio for some of best recordings of popular music ever.

When it comes to understanding Sinatra -- and conveying that understanding in words and in music -- Charles Granata is the Chairman of the Board. Even those who try to read and listen to all they can on Sinatra will find this book fascinating, information and engrossing. The devoted Sinatra fan must read this book, and listen to the Sinatra CDs that Mr. Granata has produced.

Charles L. Granata has performed a great service for all those who truly love music and the works of Frank Sinatra. Although Sinatra was a complete entertainer, it was his recordings that set him apart from all others. Charles Granata takes you into the recording studios and recreates the energy, passion and dedication to his craft that drove Frank Sinatra to make the greatest recordings of our time. Never again will we see a collaboration the likes of a Nelson Riddle or Billy May, Axel Stordahl, etc. and Frank Sinatra. Only through Mr. Granata's book, can you relive this part of music history. It is a must for not only Sinatra fans, but for those who truly understand and love music.

Read this one cover to cover. Incredible detail, both technical and artistic. The only thing that would have made this book better is a complete sessionography or a description of the recording process of each album rather than just select dates. That said, it is an incredible resource. This book, along with Will Friedwalds excellent "The Song Is You" are the definitive works on Sinatra's recording career.