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Most Helpful Customer Reviews
4 of 4 people found the following review helpful:
5.0 out of 5 stars
overlooked gem,
By nycbookreader (New York, NY United States) - See all my reviews
This review is from: Set to Pop (Audio CD)
Despite his Nashiville roots, Bill Lloyd sits solidly in the pop camp. His music fits with Marshall Crenshaw, Peter Holsapple, Swag, Robbie Fulks, and the like. Stereo Review considers this release to be one of the greatest albums of all time. High price for a work that is barely noticed by the CD buying publc. The CD breaks no new ground but offers well crafted melodious pop with clever lyrics. I think it is a great listen.
2 of 2 people found the following review helpful:
5.0 out of 5 stars
A Power-Pop Masterpiece,
By A Customer
This review is from: Set to Pop (Audio CD)
This power-pop masterpiece has been sorely overlooked and underrated. Lloyd, formerly of the unremarkable "new country" duo Foster & Lloyd, opted for jangly, sweetly melodic guitar pop with this record, and the result is simply stellar. It absolutely explodes with chiming Rickenbacker 12-string guitars, tight harmony vocals, tambourine- and maraca-laden choruses, unforgettable hooks, and various other power-pop pleasures. "I Went Electric," "Channeling The King," "Trampoline," and the aching "Forget About Us" are standouts, but the album is totally bereft of filler. (It even includes what may be the coolest "ghost track" in CD history.)
2 of 2 people found the following review helpful:
5.0 out of 5 stars
A Power-Pop Masterpiece for the '90s,
By jjpartyka@aol.com (Danbury, CT) - See all my reviews
This review is from: Set to Pop (Audio CD)
This power-pop masterpiece has been sorely overlooked and underrated. Lloyd, formerly of the unremarkable "new country" duo Foster & Lloyd, opted for jangly, sweetly melodic guitar pop with this record, and the result is simply stellar. It absolutely explodes with chiming Rickenbacker 12-string guitars, tight harmony vocals, tambourine- and maraca-laden choruses, unforgettable hooks, and various other power-pop pleasures. "I Went Electric," "Channeling The King," "Trampoline," and the aching "Forget About Us" are standouts, but the album is totally bereft of filler. (It even includes what may be the coolest "ghost track" in CD history.)
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