Seven Nights (Revised Edition) (New Directions Paperbook) [Paperback]

Jorge Luis Borges (Author), Eliot Weinberger (Translator), Alastair Reid (Introduction)

Book Description

ISBN-10: 0811218384 | ISBN-13: 978-0811218382 | Publication Date: July 30, 2009 | Edition: Revised Edition

The incomparable Borges delivered these seven lectures in Buenos Aires in 1977; attendees were treated to Borges’ erudition on the following topics: Dante’s The Divine Comedy, Nightmares, Thousand and One Dreams, Buddhism, Poetry, The Kabbalah, and Blindness.

Editorial Reviews

Language Notes

Text: English, Spanish (translation) --This text refers to an alternate Paperback edition.

About the Author

Jorge Luis Borges (1890-1982), Argentine poet, critic, and short-story writer, revolutionized modern literature. He was completely blind when appointed the head of Argentina’s National Library.

Eliot Weinberger (b. NYC, 1949), is an essayist and translator. He won PEN’s first Gregory Kolovakos Award for promoting Hispanic literature in the US, and he is America’s first literary writer to receive Mexico’s Order of the Aztec Eagle. He lives in New York City.

Poet and translator Alastair Reid lives in New York City.

Product Details

• Paperback: 128 pages
• Publisher: New Directions; Revised Edition edition (July 30, 2009)
• Language: English
• ISBN-10: 0811218384
• ISBN-13: 978-0811218382
• Product Dimensions: 8 x 5.2 x 0.3 inches
• Shipping Weight: 4.8 ounces (View shipping rates and policies)
• Average Customer Review: 4.9 out of 5 stars  See all reviews (10 customer reviews)
• Amazon Best Sellers Rank: #519,346 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

31 of 31 people found the following review helpful:

5.0 out of 5 stars Seven Remarkable Lectures Worth Seven Readings, May 3, 2002

By 

Michael Wischmeyer (Houston, Texas) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: Seven Nights (Paperback)

I am fascinated by the genius of Jorge Luis Borges. "Seven Nights" is a short collection (121 pages) of seven lectures given over seven evenings in the summer of 1977 in Buenos Aires. Borges was almost fully blind and spoke informally, without notes, as was his usual style. He exercised his great memory with skill; he shifted effortlessly across literary genre, across the centuries, across languages, occasionally making unexpected connections. I almost believed that I was present at his lectures.

Each lecture can stand alone, but references to prior topics abound.

I first encountered "Seven Nights" some years ago. Having just read Dante's Inferno for the first time, I was having difficulty articulating the powerful impact that Dante's great work had made on me. In his first lecture, "The Divine Comedy", Borges provided the words.

He says, the Middle Ages "gave us, above all, the Divine Comedy, which we continue to read, and which continues to astonish us, which will last beyond our lives, far beyond our waking lives." He describes the joy of reading Dante's work as a narrative, ignoring - at least during the first reading - the extensively documented literary and historical criticism. "The Commedia is a book everyone ought to read. Not to do so is to deprive oneself of the greatest gift that literature can give us."

"Dreams are the genus; nightmares are the species. I will speak first of dreams, and then of nightmares." So begins lecture two. Borges takes us on a journey through history, literature, and poetry in search for understanding of that so common, but so unusual event, that we call dreams.

"A major event in the history of the West was the discovery of the East." And so begins lecture three on that great work that defines the mystery that is Arabia. "These tales have had a strange history. They were first told in India, then in Persia, then in Asia Minor, and finally were written down in Arabic and compiled in Cairo. They became The Book of a Thousand and One Nights."

Borges lectures travel an elliptical orbit around his topic, sometimes approaching directly, other times looking outward, away from his stated subject. In his lecture on poetry (number five) he comments on literature in general: "A bibliography is unimportant - after all, Shakespeare knew nothing of Shakespearean criticism. Why not study the texts directly? If you like the book, fine. If you don't, don't read it. The idea of compulsory reading is absurd. Literature is rich enough to offer you some other author worthy of your attention - or one today unworthy of your attention whom you will read tomorrow."

His other lectures, "Buddhism", "The Kabbalah", and "Blindness", are equally intriguing. In once more rereading "Seven Nights" I found myself again astounded by Borges, by his seemingly inexhaustible knowledge of literature, by his capability to forge unexpected connections, and by his provocative statements. He has obviously given considerable thought to his conclusions, although Borges is anything but dogmatic. I enjoy a quote from a concluding paragraph in NIghtmares. "We may draw two conclusions, at least tonight; later we can change our minds."

Whether you are familiar with Borges or not, I highly recommend "Seven Nights". Borges is simply without peer, and I do not expect to change my mind later.

19 of 19 people found the following review helpful:

5.0 out of 5 stars A leisurely intellectual journey with Borges, January 19, 2001

By 

Michael J. Mazza - See all my reviews
(HALL OF FAME REVIEWER)    (COMMUNITY FORUM 04)    (REAL NAME)   

This review is from: Seven Nights (Paperback)

"Seven Nights" brings together seven lectures delivered by Jorge Luis Borges in Buenos Aires in 1977. They have been translated into a straightforward English by Eliot Weinberger. Despite the wealth of literary and cultural references made in the lectures, they have an informal feel to them: you can imagine the Argentine master writer sitting across from you at a coffee shop and speaking these words.

In the lectures Borges discusses, in turn, Dante's "Divine Comedy," nightmares, the "Thousand and One Nights," Buddhism, poetry, the Kabbalah, and his own blindness. The book thus has a multicultural aspect that spans time and language. Along the way, Borges references many other writers: Homer, Shakespeare, Cervantes, Nietzsche, Poe, and others.

The book, although rambling at times, is full of characteristically "Borgesian" gems. Consider, for example, the passages where he reflects on the translations of the word "nightmare" ("pesadilla" in Spanish) in various languages. I was also intrigued by his attempt to define magic. Particularly moving and thought-provoking are his thoughts on blindness. Borges suggests that, for him, blindness is no mere handicap, but rather "a way of life: one of the styles of living" that has actually brought to him "some gifts."

Borges is sometimes playful, often witty, and always learned. In the lecture on blindness, Borges notes, "I had always imagined Paradise as a kind of library." I, too, imagine my personal Paradise to contain a library--and among that library's contents would be the complete works of Borges.

15 of 15 people found the following review helpful:

5.0 out of 5 stars Seven Nights - I wish there were eight, January 4, 1998

By 

[e-mail] (Seattle WA) - See all my reviews

This review is from: Seven Nights (Paperback)

I have tried to be fair & descriptive in this
reveiw but I fail here & there...

Seven Nights gives you a quick and unavoidably
engaging look into the some of Borges'
favorite themes and ideas.

The text is taken from lectures and has a
pleasant verbal style. Because of the format
used, (the lecture) this book is quite
different from any other Borges you may have
read.

If you have read Borges and found his
novels a little dense you will find this
slim volume well leavened. If you have never
read his works then this is a great place to
begin.

Each chapter of Seven Nights explores a
different topic. Topics include: Date's Divine
Comedy, Buddhism, Nightmares, Blindness,
Poetry, The Thousand and One Nights, and
The Kabbalah.

My favorite moment occurs in the in the
chapter on Poetry. Borges compares the words
for 'moon' in English, Spanish, Greek,
French, Portugese, and German for their
aesthetic effects and the degree to which
they fit with the the moon itself. He
concludes that the English 'moon' is best
because of the slowness & roundness of the
sound when spoken.

Seven Nights is melodious and occasionally
sublime.