Product Details

• Actors: Toshirô Mifune, Takashi Shimura, Keiko Tsushima, Yukiko Shimazaki, Kamatari Fujiwara
• Directors: Akira Kurosawa
• Writers: Akira Kurosawa, Hideo Oguni, Shinobu Hashimoto
• Producers: Sôjirô Motoki
• Format: Blu-ray, Black & White, Full Screen, NTSC, Special Edition, Subtitled
• Language: Japanese (PCM)
• Subtitles: English
• Region: Region A/1 (Read more about DVD/Blu-ray formats.)
• Aspect Ratio: 1.33:1
• Number of discs: 2
• Rated: Unrated
• Studio: Criterion
• DVD Release Date: October 19, 2010
• Run Time: 207 minutes
• Average Customer Review: 4.7 out of 5 stars  See all reviews (586 customer reviews)
• ASIN: B003KGBISY
• Amazon Best Sellers Rank: #5,959 in Movies & TV (See Top 100 in Movies & TV)
  • #19 in Movies & TV > Blu-ray > Foreign Films
• Learn more about "Seven Samurai (The Criterion Collection) [Blu-ray]" on IMDb

Editorial Reviews

Amazon.com

Unanimously hailed as one of the greatest masterpieces in the history of the motion picture, Seven Samurai has inspired countless films modeled after its basic premise. But Akira Kurosawa's classic 1954 action drama has never been surpassed in terms of sheer power of emotion, kinetic energy, and dynamic character development. The story is set in the 1600s, when the residents of a small Japanese village are seeking protection against repeated attacks by a band of marauding thieves. Offering mere handfuls of rice as payment, they hire seven unemployed "ronin" (masterless samurai), including a boastful swordsman (Toshiro Mifune) who is actually a farmer's son desperately seeking glory and acceptance. The samurai get acquainted with but remain distant from the villagers, knowing that their assignment may prove to be fatal. The climactic battle with the raiding thieves remains one of the most breathtaking sequences ever filmed. It's poetry in hyperactive motion and one of Kurosawa's crowning cinematic achievements. This is not a film that can be well served by any synopsis; it must be seen to be appreciated (accept nothing less than its complete 203-minute version) and belongs on the short list of any definitive home-video library. --Jeff Shannon

Product Description

One of the most thrilling movie epics of all time, SEVEN SAMURAI (Shichinin no samurai) tells the story of a sixteenth-century village whose desperate inhabitants hire the eponymous warriors to protect them from invading bandits. This three-hour ride from Akira Kurosawa (Rashomon, Yojimbo, Ran)—featuring legendary actors Toshiro Mifune (Stray Dog, Yojimbo) and Takashi Shimura (Ikiru, The Hidden Fortress)—seamlessly weaves philosophy and entertainment, delicate human emotions and relentless action, into a rich, evocative, and unforgettable tale of courage and hope.

Most Helpful Customer Reviews

422 of 434 people found the following review helpful

5.0 out of 5 stars Thinking about upgrading? September 13, 2006

By mega Tron

Format:DVD

As a huge fan of older films and music, I am very aware of the many attempts of studios and record companies to reissue and re-market a previously released product in a new and improved format. While many of these reissues are often superior to their previously released counterparts, I have never been one to buy into the "upgrades". I feel that you don't need to have the best sound, the crispest picture, or the excess of supplemental materials in order to enjoy a film and have it affect you. In all my years collecting music CD's (particularly jazz) and DVDs, I think I've upgraded no more than three items from my collections.

I had been hearing for a while now about a new version of Seven Samurai coming out on Criterion that was supposed to have a brand new transfer from a recently discovered source that was to be greatly improved from any other previous edition. Being one of the most beloved films of all time (and one of mine as well), this has been creating alot of excitement in the world of film lovers. Being perfectly satisfied with my version of the Seven Samurai DVD from 1998, I had no plans to upgrade, but a side by side comparison on an internet site peaked my curiosity. And yesterday, being at a local retailer, I saw it on the shelf and decided to spring for it.

Let me tell you....if ANY of you are on the fence about this one, particularly those of you who are big fans of this amazing film, I advise you to go for it. The difference between this edition and the previous edition is so drastic that I could not believe my eyes and ears. I have never had this experience with a DVD before, but the improvements in picture and sound quality are SO great that I actually felt like I was watching Seven Samurai for the first time. The clarity of the picture is absolutely amazing. The glorious black and white tones are much richer, but what's most impressive is how nearly all the imperfections, scratches, and blemishes that were so prevalent on the previous edition have been removed. You can tell why this edition took so long to get released....Criterion obviously took alot of time with this one. Their efforts paid off. Also, the sound has been greatly improved as well. Not only have they cleaned up the original mono soundtrack, but they've added a stereo surround track as well. Normally, I cringe at these "new and improved" soundtracks on old films, but this track does not sound artificial at all, but rather more like an enhanced version of the mono track. The stereo surround track together with the gorgeous new picture made for a unique experience watching the film. You are still watching the great Kurosawa classic that you know and love, but at the same time it seems that even more life has been breathed into it. Didn't think that was possible for such a perfect film, but Criterion proved any doubter wrong.

Please keep in mind that I haven't even gotten to the bonus materials, the commentary tracks, nor the very attractive book yet. And there isn't much more that I can say about this amazing film that hasn't already been said. Just based on the presentation of the film itself in this new package from Criterion, I would highly recommend to everybody who loves this film and is thinking about upgrading their version of the film, that you do so. Its beautiful. And remember, this is coming from someone who doesn't generaly care for "upgrades".

364 of 386 people found the following review helpful

5.0 out of 5 stars THE 1:33:1 ASPECT RATIO ON THIS DVD IS CORRECT!!!!!!!!!!!!!! December 26, 1998

By A Customer

Format:DVD

Lest anyone be dissuaded from purchasing this masterpiece because they believe it is not presented in its original aspect ratio, it should be known that THE 1:33:1 ASPECT RATIO ON THIS DVD IS CORRECT. Akira Kurosawa did not begin working with the widescreen format until later in the 1950s. Anyone who asserts otherwise is mistaken.

This is a true 5 star films that ANYONE will enjoy. It's particulary recommended to those who would never dream of watching a movie with subtitles. Anyone looking for a great action movie should take a chance on this. Unlike that copy of Armageddon you watched once and is now collecting dust on your shelf, this is something you'll watch again and again. For those who love John Ford-type westerns, The Seven Samurai puts a marvelous spin on that classic genre. Even if you don't like action movies, you'll respond to this movie. It offers genuine human drama with an insight into a different culture and time that becomes increasingly fascinating with repeated viewings.

Of course, it's also recommended to those who already know and love this film. The picture on this DVD is much sharper and crisper than the one you're used to seeing on that worn-out VHS tape. As a bonus, it has a very insightful secondary audio track with commentary from a Japanese film historian that will help you develop a new appreciation for one of your old favorites.

294 of 312 people found the following review helpful

5.0 out of 5 stars Take a second look at one of the greatest films ever made January 19, 2002

By Lawrance M. Bernabo HALL OF FAMETOP 1000 REVIEWERVINE™ VOICE

Format:DVD

Akira Kurosawa made "Seven Samurai" because he wanted to make a real "jidai-geki," a real period-film that would present the past as meaningful, while also being an entertaining film. Kurosawa considered "Rashomon," the film rightfully credited with making the West aware of the Japanese cinema, with being neither. But in his attempt to make a truly "realistic" film, Kurosawa redefined the conflict at the heart of Japanese films. Before "Seven Samurai" this conflict was that of love versus duty, where the central character is compelled by fate to sacrifice what he loves in the name of duty. In "Seven Samurai" the focus remains on duty, yet the conflict is now between the real and the pretended. Calling yourself a samurai does not make you one, something proven time and time again in the film, from the test of skill turned deadly between Kyuzo (Seiji Miyaguchi) and the tall samurai to the first appearance of Kikuchiyo (Toshirô Mifune), with his stolen pedigree. Like Katshushiro (Ko Kimura), the youngster who wants to learn from the master, Kambei (Takashi Shimura), the audience is educated as to the true nature of the samurai.

For me this film deals with the heroic, albeit in realistic terms. I have shown the film in World Literature classes, after students have read Homer's "Iliad" and as they begin reading Cervantes' "Don Quixote." Within that context, compared to the brutal arrogance of Achilles and the gentle insanity of Quixote, the heroic qualities of the seven samurai become clear. Their inspiration extends to some of the villagers. Manzo (Kamatari Fujiwara) is crazed with fear over the virtue of his daughter, Shino (Keiko Tsushima), and Rikichi (Yoshio Tsuchiya) fights to avenge the disgrace of his wife and his precipitating the death of Heihachi (Minoru Chiaki), but it is the comic Yohei (Bokuzen Hidari), who finds within himself the ability to fight, a die a tragic death, who is the true barometer for what the samurai mean to the village. But the greatest tragedy is that despite this most noble effort and the bodies buried in honor at the top of the village cemetery, this has been but a temporary union between the villagers and the samurai. When Kambei declares, "We have lost again," he redefines the battles: it was not to kill all the bandits, it was to find a true place in the world. Yet we should have already known this, for the painful truth was driven home when Kyuzo, the master swordsman, is gunned down from behind. No better proof is needed in this film of the bitter truth that the world is not fair.

Mifune is the maniacal spirit of this film, as the faux-samurai Kikuchiyo, the dancing whirlwind whose emotions overwhelm everything including himself. But it is Shimura as Kambei, who embodies the mentor mentality with a minimum of effort, evoking more by rubbing his hand over his shaved head or giving a single piercing look than by any spoken dialogue. Even in a strong ensemble these performances stand out, for clearly different reasons. To fully appreciate Kurosawa's mastery in "Seven Samurai" you need to watch the film several times to better appreciate the way he constructs scenes, using contrasting images, evocative music and varying the length of cuts to affect tempo. For example, look carefully at how the early scene of the farmers searching the streets for samurai and the later sequence where Katsushiro watches Kyuzo and Kikuchiyo waiting for the bandit scouts to return to their horses. Both of these scenes are superb primers to Kurosawa's style.

For years we had to put with the 160-minute version of the film that was made for export, which was actually called "The Magnificent Seven" until John Strugis's Western remake. Fortunately, "Seven Samurai" has been restored to full 208-minute glory, saved from being a lamentable cinematic tragedy on a par with "Greed," "The Magnificent Ambersons," and "Ivan the Terrible." There is a sense in which "Seven Samurai" is truly my favorite film, because it was the one that instilled in me a love of cinema, of the craft and art of movie making, of compelling me to understand intellectually how Kurosawa was skillfully manipulating my emotions. The final battle sequences, fought and filmed in a torrent of rain, exhausting characters and audience alike with its increasingly relentless tempo, is given its potency because of the human elements that have been established in all that has taken place before hand. "Seven Samurai" is a magnificent film against which the vast majority of epics pale in comparison. Not even Kurosawa scaled these heights ever again.