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Having sent his wife Helen and son Ricky to Maine to avoid the scorching July Manhattan summer, Richard Sherman, "keymaster" of a pocket edition publisher, stays behind to work, promising his wife to abstain from drinking and smoking. "Some husbands think just because their wives are away for the summer, they can run wild." However, the appearance of a young blonde renting his upstairs neighbours' apartment turns his life topsy-turvy, turning him into a bundle of nerves.
Sherman approves the covers of the pulp books: "Soup up the title a little, get yourself a cheerful and interesting cover. It's a question of imagination, and Mr. Sherman has a lot of it," says the narrator. To quote his wife and as a promoting film technology gag, "lately, you've been imagining in Cinemascope and Stereophonic sound." From his imagination, including a parody of the beach scene in From Here To Eternity, we learn that he doesn't feel he's good-looking or charismatic. It's his time with The Girl that changes him. His imagination ranges from the humorous, ridiculous, even paranoid. And he reveals his thoughts in soliloquys, which at times resemble trains-of-thought or even his subconscious.
The Girl turns out to be a typical blonde, but fun-loving, friendly, with simple tastes, understanding, trusting, and as it turns out, compassionate as seen from her sympathy for the creature of the black lagoon: "He wasn't really all bad. I think he just craved a little affection, you know. A sense of being wanted and needed." Oh, and she's definitely not a Rachmaninoff girl.
My take on the skirt scene?
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