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Seven men [Paperback]

Max Beerbohm (Author)
2.8 out of 5 stars  See all reviews (5 customer reviews)

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Book Description

August 10, 2009
Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: HILARY MALTBY AND STEPHEN BRAXTON PEOPLE still go on comparing Thackeray and Dickens, quite cheerfully. But the fashion of comparing Maltby and Braxton went out so long ago as 1795. No, I am wrong. But anything that happened in the bland old days before the war does seem to be a hundred more years ago than actually it is. The year I mean is the one in whose spring-time we all went bicycling (O thrill!) in Battersea Park, and ladies wore sleeves that billowed enormously out from their shoulders, and Lord Rosebery was Prime Minister. In that Park, in that spring-time, in that sea of sleeves, there was almost as much talk about the respective merits of Braxton and Maltby as there was about those of Rudge and Humber. For the benefit of my younger readers, and perhaps, so feeble is human memory, for the benefit of their elders too, let me state that Rudge and Humber were rival makers of bicycles, that Hilary Maltby was the author of 'Ariel in Mayfair,' and Stephen Braxton of 'A Faun on the Cotswolds.' 'Which do you think is really the best—"Ariel" or "A Faun"?' Ladies were always asking one that question. 'Oh, well, you know, the two are so different. It's really very hard to comparethem.' One was always giving that answer. One was not very brilliant perhaps. The vogue of the two novels lasted throughout the summer. As both were 'firstlings,' and Great Britain had therefore nothing else of Braxton's or Maltby's to fall back on, the horizon was much scanned for what Maltby, and what Braxton, would give us next. In the autumn Braxton gave us his secondling. It was an instantaneous failure. No more was he compared with Maltby. In the spring of '96 came Maltby's secondling. Its failure was instantaneous. Maltby might once more have been compared with Braxton. But Braxton was no...

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Editorial Reviews

Review

"In the case of [Seven Men] it is difficult to restrain praise...for its beneficent, limpid ridicule is an undiluted joy." -- The Spectator

''As a parodist, he is probably the finest in English.'' -- W.H.Auden

''The most faultless of my contemporaries. . .I prefer Seven Men to all his other books.'' -- Bertrand Russell --This text refers to an alternate Paperback edition.

About the Author

Sir Henry Maximilian Beerbohm (1872-1956) was born in London and studied at Oxford. He published his first collection of essays, entitled The Works of Max Beerbohm, in 1896 and soon established a reputation as a brilliant caricaturist and critic. He was married to the American actress Florence Kahn and lived in Rapallo, Italy, for most of his life. --This text refers to an alternate Paperback edition.

Product Details

  • Paperback: 102 pages
  • Publisher: General Books LLC (August 10, 2009)
  • Language: English
  • ISBN-10: 0217253083
  • ISBN-13: 978-0217253086
  • Product Dimensions: 9 x 6 x 0.2 inches
  • Shipping Weight: 5.8 ounces (View shipping rates and policies)
  • Average Customer Review: 2.8 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #6,384,112 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
2.8 out of 5 stars (5 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

13 of 14 people found the following review helpful:
1.0 out of 5 stars Do Not Buy This Edition!, March 24, 2008
This review is from: Seven Men (Dodo Press) (Paperback)
This is not a review of Seven Men, which is a wonderful book, well worth reading. Instead, this is a review of the Dodo Press edition of the book. Hard to believe, but it is not a complete version of the book, and is missing two chapters! It's not "Seven Men" but instead, just"Five Men!" Definitely read this book, but purchase the NYRBC edition instead -- it's actually the complete book!
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9 of 10 people found the following review helpful:
4.0 out of 5 stars The juggler vs. the strong man, February 10, 2001
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I first read "Seven Men" a few years back when Harold Bloom listed it as essential reading in his book on the Western canon.

The book consists of short fictional portraits of various characters in the world of Edwardian arts and letters. Beerbohm was a satirist with a nimble touch -- he had the ability to poke fun at the pretensions of the art world while maintaining a gentle, bemused humanism.

Sir Max seemed to view the vanity and foibles of human nature not so much with scorn as with an endless amusement, and reading any of his essays or parodies or satires is like spending the evening chatting with a wise and witty friend.

Beerbohm once wrote, "How many charming talents have been spoiled by the instilled desire to do 'important' work! Some people are born to lift heavy weights. Some are born to juggle with golden balls." Beerbohm was an admitted juggler, and yet his seemingly "light" work is ultimately more insightful than most so-called serious projects. And often much funnier.

Beerbohm was also quite a caricaturist, and his theater reviews (many out of print) are still great to read all these decades later.

Get hold of this book and start off with the classics "Enoch Soames," the story of a third-rate poet who, convinced of his own greatness, makes a deal with the Devil in order to travel to the future to enjoy his posthumous success (with comic results), and "Savonarola Brown," a hilarious sketch of a frustrated playwright and his great "unfinished" opus.

Beerbohm's contemporaries referred to him as "the incomparable Max," and it's a title that fits. I wish I could've met him.

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4 of 4 people found the following review helpful:
5.0 out of 5 stars The Divine Max, August 24, 2001
Bernard Shaw called Beerbohm "the divine Max," and this collection of short pieces will tell you why. The book consists of short character sketches of six men (Beerbohm is the ever present seventh), and each one is a small masterpiece of Edwardian parody and humour. Beerbohm's line sketches of each one of his (imaginary?!) characters are included at the end of the book. Some of the tales have an unexpectedly supernatural twist (the neo-Faustian bargain struck by Enoch Soames being the best of the lot). Three cheers for the NYRB Press for bringing these forgotten gems back into print.
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