Customer Reviews

The Seventh Seal [Dubbed]

5 star:		(7)
4 star:		(0)
3 star:		(0)
2 star:		(1)
1 star:		(1)

 

 

This is a technically striking and visually pleasing restoration of four of Bergman's key works. The extras on the disks are sparse, as might be expected. My personal choice was to skip the learned commentary for now, as I wanted to re-experience the three dramas (after about four decades) from my own recollections, though I did enjoy the technical comparisons illustrating the depth and detail of the restoration work. The quality of these disks highlights Bergman's mastery of monochrome cinema, and heightened both my enjoyment and understanding of the works. The favorite of my youth, "The Seventh Seal," is still amazing, though the symbolism is somewhat lessened by the passage of [my] years and, sadly, the broad and often comedic imitation of Bergman's personification of death in others' work. Several of the iconic scenes are even more powerful thanks to the quality of the print. My current favorite is "Virgin Spring," the story of the tragic consequences proceeding from a young girl's innocence and budding romantic awareness leading to rape, murder and brutal revenge. Bergman's skill left me with the heartbreaking picture not only of selfish brutality and young life lost but of the death of beauty itself. "Wild Strawberries" is the work that rose the most in my estimation. It is the fantasy-laced story of an elderly and accomplished man forced to confront the emotional poverty of his youth more directly and deeply than Mr. Scrooge or Professor Unrath. A change of pace is the "Smiles of a Summer Night," an amusing comedy of the absurd which, taken with the other works, shows how Bergman's eye for beautiful young women surely imprinted the image of Swedish womanhood in the west of the last half-century. Excellent sound quality, nicely subtitled in English, and worth every penny, even (perhaps especially) if you already have one or two of the works in poorer prints.

Four of Ingmar Bergman's greatest films should be on everyone's "Life List," and they are all here in this Criterion Collection, "Four Masterworks." Each film is on its own disc accompanied by many special features, including an introduction by Bergman to "Smiles of a Summer Night;" interviews with some of his favorite actors; and commentary by film historian Peter Cowie. Video about film restoration too, for the techies in the art world. Picture, audio and subtitles are all crisp - no disappointment in quality that you might find in cheap movie reproductions. Ingmar Bergman was a genius of cinema, and these films are worth passing on to many generations.

After viewing these 4 films once again, I realize how important some twentieth century films are to our understanding of ourselves, our religons, the way we love one another, and the way we deal with death.
The artistry is within every frame.
There is one interview documentry with Bergman in 1998 with one of his assocites, it is clear that as Bergman got older and older, he wanted to dis-associate himself from these early acheivements. Why? He states that although he knew he was master of the medium (and theater as well)that his personal life, was just a series of bitter disappointments ending with the death of his last wife, Ingrid I beleive. So, he assumed himself to be just an anonymous technician, or at least that's what he wished.
The only compliant I have is that the subtitles are inside of the visual image instead of being letter boxed and the subtitles are sloppily inserted. Not up to Criterion criteria.
One new observation is that the ensamble cast that Bergman uses throughout most of these films are one of the reasons these movies are the classics that they are.
Lastly, Bergman films aren't made to be watched once and discarded, they are made to be re-inestigated year-in and year-out.
Skoal!

I don't know about the other people that bought this box set, but in my case there aren't any bonus features on The Seventh Seal disc at all, despite what it says on the cover about commentary and other stuff...
5 stars for these masterpieces but I have to say it is the first time Criterion disappointed me...Is there anyone else in this situation?

There is little a reviewer can say about Ingmar Bergman's 1957 film DET SJUNDE INSEGLET ("The Seventh Seal") that hasn't already been said. Its plot of a knight playing chess with Death has been so widely alluded to or parodied that it securely has a place in the canon of classic films, and enough praise has been heaped on it that it's quite obviously a masterpiece.

In spite of the inevitability of repetition, the film invites effusive comment. The struggles of the knight Antonius Block (Max von Sydow) to find meaning in his doomed life stands in the spotlight for most viewers on the first run throug, but Bergman's script is of such depth that there's always more thought-provoking facets to be found. Block is gripped by an existential crisis at the thought of death. His squire Jons (Gunnar Björnstrand) and the traveling couple and acting partners Jof and Mia (Nils Poppe and Bibi Andersson), on the other hand, each react differently to the mortal fate common to all. Which one should the viewer identify with? Or is it possible to find some other way of confronting the inevitable? Bergman claims that filming DET SJUNDE INSEGLET let him find peace, and if the film won't give comfort to all, it surely confronts all with a question that must be answered.

Acting here is of the highest order. Gunnar Bjornstrand was commonly cast in severe, upright roles, for example as a priest in Bergman's later chamber film NATTVARDSGAESTERNA ("Winter Light"). Here, however, he plays a bawdy commoner who lives for wine, women, and song. While Bengt Ekerot generally continues the traditional portrayal of Death as a dark, threatening character, he adds just the right amount of droll humour to the role to comment on the Knight's search for meaning in an absurd world.

And the climax, where the straightforward narrative fades and the theoretical musings of each character are made real, the Knight praying in torment and the Squire acting as his foil one last time but more convincingly than ever... well, it's a tour de force. One of the most memorable films I've ever seen, just like for so many of the rest of the reviewers here, DET SJUNDE INSEGLET is a must-see film.

There's little to add regarding the brilliance of these films - see their individual write-ups if you need convincing that they're all masterworks. The key here is getting them for effectively $20 apiece vs. their usual price of $30 and up. As usual, Criterion did an exceptional job in the presentation of all these films, and they will make proud additions to any collection.

I am by no means a mega-collector - I only accumulate films very gradually (though I started collecting way back in the 70s on 16mm film), and I only purchase films that I know have the staying power to watch repeatedly. But it was a no-brainer to pounce on this set - for $20 each, these classics are too good to resist!

If you already love Bergman, you know how remarkable these films are. If you are a curious, adventurous film fan who wants to see what the shouting is about, then by all means, give them a try!

I first saw these films when I was a young college student in the 60's. They were shown at various art houses. Much of the time, projectors were not the sharpest. Even so, I was greatly impressed by the films at that time. Imagine how I feel with digitally remastered DVD's. It is like seeing them for the first time. The film images are exceptionally sharp. I would highly recommend this Collection.

the movie is in black and weight and not in English it fail to tell u that before u rent it

I love Black And White Films,especially those with Meaning but..when I saw this movie after hearing/reading great acclaim(with the exception of Woody Allen a strange sicklittle man.)Bergman apparently had some daddy issues and that in turn influenced him in Matters of Faith sadly(I don't blame him his dad was a so-called "Minister" that's protestantTalk for unqualified and no tradition.)You can tell his Bias stretches into his "work" and while the movie has it's merits(the Man is a Crusader back from the Crusade,but sadly is questioning everything and God.)The movie fails for me it might appeal to the so-called intellectual crowd i.e., those who question God and God's Existence and read Castroite Sarte's work(who later on had to admit The failure of the so-called Revolution),The movie is drawn-out long and not even the beautiful camera work and scenes can save it and what is with the Jesus on The cross. It was as although some intentionally made Jesus to look bad on the cross..just a beard.. Add to the movie Chess and you have a egghead's revolution.Watching the movie was an experience I will not forget and will not repeat,given it's NeoPagan/New age(dancing at the end with death and Making the Dark Ages Dark just to fulfill historical myths.)