From Publishers Weekly
The protagonist of Leddick's second novel (after My Worst Date) is Harry Potter, who danced in the corps de ballet for the Metropolitan Opera Company in the 1950s (as did Leddick himself). The story is related mainly in flashback by a present-day Potter?now a doctor, husband and father?who begins and ends the novel at the deathbed of an ex-lover from the Met. Leddick's well-turned phrases and apt apercus never answer the question that drives his novel: What could have turned the youthful Harry's passionate, exclusive, quite open early sexual interest in men into Dr. Potter's dutiful, heterosexual domesticity? By the end, we're told that the dissolution of one "all-consuming love" for fellow dancer Rex Ames robbed Harry of all his passion and much of his volition. Leddick gets across the trauma of their breakup, but too little of their love. Young Harry seems so lacking in self-awareness that his story conveys little more than his aesthetic and sexual appreciation for his lovers' bodies. This failure leaves the novel without a center, and the would-be tragedy on which it ends comes across flat and vaguely confusing.
Copyright 1998 Reed Business Information, Inc.
The author of
My Worst Date (1996) now tells the engaging story of Harry Potter, son of a woman rendered semi-senseless by Moira Shearer in
The Red Shoes. In thrall to her passion, she dragged Harry into the world of ballet, in which a part of him remains forever after. Doing rounds in 1989, Harry, now Dr. Potter, happens on suicidal, AIDS-stricken Siegfried Ilquist, once, with his perfect nose and sculpted lips, the most handsome man in New York. Leddick then flashes back to the 1950s. Siegfried and Harry both danced with the Metropolitan Opera and formed a volatile triangle with Rex Ames, who later became Harry's lover. The three danced together in a Met production of
Aida as members of "the sex squad" --male dancers sufficiently, uh, developed to wear the tiny
Aida costumes to best advantage. Leddick uses an in-group of both (in)famous and imaginary characters to recall a memorable era in New York culture. The mixed cast will especially please opera queens of all persuasions.
Whitney Scott