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Sexing the Cherry (Winterson, Jeanette) [Paperback]

Jeanette Winterson
3.7 out of 5 stars  See all reviews (47 customer reviews)

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Book Description

August 10, 1998 Winterson, Jeanette
In a fantastic world that is and is not seventeenth-century England, a baby is found floating in the Thames. The child, Jordan, is rescued by Dog Woman and grows up to travel the world like Gulliver, though he finds that the world’s most curious oddities come from his own mind. Winterson leads the reader from discussions on the nature of time to Jordan’s fascination with journeys concealed within other journeys, all with a dizzying speed that shoots the reader from epiphany to shimmering epiphany.

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Editorial Reviews

From Publishers Weekly

Evoking modern physics and antique metaphysics, Winterson's ambitiously eccentric narrative challenges her readers to rupture the boundaries of conventional perceptions and linear experience of time. Her narrative voices, alternating between a Rabelaisian giantess and her foundling son, collapse at times into one another and the characters plunge vertiginously through time and space. On the one hand reworking fairy tales, and on the other evoking the filth, squalor and exuberant bawdiness of 17th-century England in the throes of civil war, Winterson ( The Passion ) eventually locates her characters in present-day London. Graced with striking similes and poetic cadences, the author's prose is clean and strong, and the disjunctive elements of her narrative are integrated elegantly. But the novel's freakish characters and flights of surreal fancy are insufficient to redeem its overwrought artifice. The work is further limited by its stridently dogmatic feminism, which, contemptuously belittling all men as arrogantly stupid bullies who are vastly women's inferiors in maturity and moral fiber, vitiates its ostensible intent to transcend the narrowness of human perception.
Copyright 1990 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Library Journal

Bizarre images and bawdy laughter galvanize this splendid English farce about a prodigious giantess and her explorer son in 17th-century London. Jordan fetches the first pineapple to the court of Charles II, while his mother, The Dog Woman, wreaks vengeance upon Puritans in a brothel. The plague; the flying princesses who defy laws of the courts and gravity; Jordan's travels to the floating city and the botanical wonders of the New World--the tale nips easily in and out of history and fantasy. The two characters eventually merge into the grievously polluted life of modern London. Metaphors abound with polemics on environmental concerns and politics of past and present. Not for the Jackie Collins set: readers need a background in surrealism to follow this story.
- Maurice Taylor, Brunswick Cty. Lib., Southport, N.C.
Copyright 1990 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 192 pages
  • Publisher: Grove Press; Reissue edition (August 10, 1998)
  • Language: English
  • ISBN-10: 0802135781
  • ISBN-13: 978-0802135780
  • Product Dimensions: 8.8 x 4.6 x 0.5 inches
  • Shipping Weight: 7.2 ounces (View shipping rates and policies)
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (47 customer reviews)
  • Amazon Best Sellers Rank: #118,906 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews
25 of 26 people found the following review helpful
4.0 out of 5 stars Sexing the Cherry July 29, 2002
By Megami
Format:Paperback
One of the first things that struck me about this book is how it was so similar to Virginia Woolf's 'Orlando'. Both books are based on the premise that time is flexible, rather than a linear progression, and both combine fantastical elements with historical fiction. They even both use the Thames as an allegory for main themes. Whether this similarity will put off other readers, I don't know, but I felt that it did not detract from the merit of 'Sexing the Cherry'.

This is foremostly a grown-ups fairy tale - there are dancing princesses, a giant woman, magic, towns dying of love. Set (mainly) in England at the time of Cromwell, the tale is told in alternating sections by Dog-Woman (the giant woman) and Jordan. Dog Woman, who is a loner living with her many dogs, discovered Jordan as a child on the bank of the Thames. They have some amazing experiences, though this is what you would expect to happen to such an amazing woman. This is a grown-up's fairy tale in that there is a lot of sex and violence (this book is not for the squemish!) Winterson explores some very 'heavy' topics, such as the construction of identity and reality, and the realities of time. However, this doesn't read as a deep book - it is beautifully written in places, and could be enjoyed for the prose alone.

There are modern day characters included in this story, and I didn't feel that this worked as well as the historical characters. However, this is a very good book. It is not particulary long, so even if you don't enjoy it, at least you haven't wasted your time wading through a thick tome! I would definately suggest that anyone interested gives it a go.

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20 of 23 people found the following review helpful
5.0 out of 5 stars fabulesque! September 5, 1997
By A Customer
Format:Paperback
It's been a few months since I read this book, but I want to comment on it and correct a few earlier comments made by others. The setting is neither medieval nor Elizabethan; it is the Cromwellian and Restoration periods of the mid-17th century in England, if indeed it is anywhere concrete at all. The story's hero, Jordan, weaves in and out of time and myth, encountering the wonders of the new world and the Twelve Dancing Princesses of the fairytale (each of whom have the opportunity to describe their failed marriages, some in surprisingly - suspiciously - modern ways). His foster-mother, The Dog Woman, is an astounding creation. Winterson manages to whimsically weave all these threads together; however, this book doesn't *quite* rate a 10. Most readers will be a bit bewildered by the time-travel near then end, and one certainly smells a Woolf in retrospect, but the trip is so much well-crafted and linguistically compelling fun that they shouldn't mind. One does not, after all, ask a magician how they do t
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17 of 20 people found the following review helpful
Format:Paperback
"Thinking about time is to acknowledge two contradictory certainties: that our outward lives are governed by the seasons and the clock; that our inward lives are governed by something much less regular -- an imaginative impulse cutting through the dictates of daily time, and leaving us free to ignore the boundaries of here and now and pass like lightning along the coil of our time, that is, the circle of the universe and whatever it does or does not contain." -Jane Winterson

This work is an exploration of fantasy and reality -- and of which may be which. Starting out at a certain point in time, veering backwards and forwards from that point, and all along the way, sampling little vignettes about the situation at that point and of how fantasies might come to bear. What a magical journey of discovery there is in this wonderfully written work. What sparkling characters there are inside, with multi-faceted dimensions to each one. What a thought-provoking odyssey this book is, and what a fresh way to present these travels.

This author is exquisitely talented, and is eminently capable of producing wonderfully beautiful prose. Reading her words is a joy in and of itself. Her settings are bold, her characters are compelling, and she does not fill either her pages or her plots with minutia. This work is very much like an opera -- breathtakingly beautiful arias abound, strung together with plot-enhancing threads which glitter and glimmer. Take the journey, and savor it -- and think about the inherent themes and concepts. Highly recommended!

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18 of 22 people found the following review helpful
By N. Wong
Format:Paperback
Winterson has already stunned the readers with the blend of her power of imagination and lesbian narrative in the first book, Oranges Are Not the Only Fruit (winner of Whitebread Prize for the best first fiction). In Sexing the Cherry, she extends her talent and keeps giving the readers surprises. The beginning of the novel is set in the early seventeenth century with two major characters: Jordan, a young man in Renaissance England, and the Dog Woman, who is gigantic in size and adopts Jordan in the way Mosses is in Bible. With the author's fantasy, the closure of the novel brings the readers to the late twentieth century. Winterson uses less than two hundred pages of words to tell an amazing story which lasts for over three hundred years.

The book is about different kinds of timeless loves including the passion between a woman and an adopted son, the hidden gay desire between Tradescant and Jordan, the elusive but beautiful heterosexual love between Jordan and Fortunata, and also the lesbianism found in the reconstruction of fairy tale of The Twelve Dancing Princesses. The novel is like a dream told with interruptions. The author alternates the narrative with two different points of views, which exposes the readers to the deeper thoughts of the characters while we are also shifting between different times and spaces. Sexing the Cherry is more ambitious more Oranges Are Not the Only Fruit in representing lesbianism. The reconstruction of The Twelve Dancing Princesses offers a feminist perspective in reading the novel. The dancing princesses are empowered by the author during the process of reconstruction to choose their own fates and rewrite the their predetermined heterosexual endings. Men are no longer the final destination of women's romance....

Winterson is smart in presenting different points of view in her novel. in Sexing the Cherry, she uses the images of a banana and a pineapple to represent the voices of Dog Woman and Jordan respectively. The images help alert the readers that there will be a shift in narrative voice and they should prepare to read the passages from the perspective of that particular character. When the story reaches the contemporary setting, Winterson presents the voices of modern Jordan and Dog Woman with a split banana and pineapple. So the split signals the transformation of time, and her fictional imagination goes beyond the level of words. The split images also lead the readers to think whether there is connection between the deformed food with the deformed narrative or characters. Brevity and concision should be the right words to describe Winterson's writing style. She aims at presenting the deepest thoughts with the simplest words, which is why she is canonical author in contemporary British, or maybe World, literature. Different from any realist novels in the Victorian period whose authors tell as much as they can for fear that they may miss any uninteresting details, Winterson tells as less as she can. When she is not telling all what she wants to say ...the words leave space for the readers to think. Though it is demanding to read to Winterson's Sexing the Cherry, it is absolutely pleasurable as nothing is the truth in her book.

Winterson is a bohemian going against convention in Sexing the Cherry. Apart from the heterosexual norm I have mentioned, she also challenges other conventions, like truth and lies, and also the idea of time and space. "Time has no meaning, and space and place have no meaning". This quote from the novel may self-explain why the story is not fixedly set at a time and why the author brings back Greek homosexual mythologies to her narrative with Britain as the setting. Winterson is also troubling what are truth and time. She denies all the institutionalized concepts in our minds. The narrator puts a list of lies in the novel, renouncing that, for example, "time is a straight line" and that "we can only be in one place at a time". These denials fit the style of the novel, which is a fantasy across different times and spaces. Winterson rejects all the preoccupied conventions and addresses them directly to the audiences. ... with her power of imagination and might of words on paper and give readers an incredible contemporary masterpiece.Jeanette Winterson is the queen of fantasy and imagination. She links the impossible together and makes them possible in her books. She rejects the right and makes them seem wrong that demands a second of consideration before taking them for granted. Sexing the Cherry is a must to read and should be listed as an important text in contemporary lesbian or fantasy fiction. Read more ›

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Most Recent Customer Reviews
3.0 out of 5 stars Sexing the Cherry
I had to read this book for our book group. It was hard because I only read at night before bed, not every day, and so there were gaps between my times of reading. Read more
Published 12 months ago by J. Koskenmaki
2.0 out of 5 stars Just plain weird
This one was chosen as a book club read. It was a strange book. Sometimes it seemed like the author was in a drug induced state when writing certain scenes, like the suspended... Read more
Published 13 months ago by SkyBlue
4.0 out of 5 stars "Empty Space and Points of Light..."
Well, that was...different. I've read my fair share of books that utilize either farce or magic realism to get their point across, but never together, and never to this extent. Read more
Published 22 months ago by R. M. Fisher
5.0 out of 5 stars Interesting...
I've never been more confused than when I was reading this book. It's short, which is definitely a good thing because you're going to have to read it several times. Read more
Published on April 22, 2011 by xo
3.0 out of 5 stars Empty Space and Points of Light
Jeanette Winterson's, Sexing the Cherry, one woman's mythic journey of discovering her own sexuality. Read more
Published on April 11, 2011 by Tige Lewis Quintina
2.0 out of 5 stars From the book group - much discussion, not all of it good, and more...
In October 2010, the book discussion group at the LGBT Center in NYC read "Sexing the Cherry," which led to a diverse range of opinions. Read more
Published on October 10, 2010 by HWilliams
3.0 out of 5 stars my least favorite winterson novel
In general, I love Jeanette Winterson. Her style reminds me vaguely of Joyce, and some of her other books really resonate for me. Read more
Published on July 27, 2010 by C. Allen
4.0 out of 5 stars The Bookschlepper Recommends
Jordan, fished from the mud, lives in Cromwell's London with his "mother," a large woman who breeds Great Danes, known as the Dog-Woman, and she brooks neither fools or Puritans. Read more
Published on September 11, 2009 by Jean Sue Libkind
1.0 out of 5 stars What the heck
I'm very open to experimental fiction, but I just couldn't get into this one. The book had absolutely no focus; there were plenty of dots, but no lines connecting them. Read more
Published on August 6, 2009 by Michael
2.0 out of 5 stars Had potential. Lots of it. But never got realized.
That's my one-line summary. But let me go at least a little beyond that for the sake of completeness. Big picture: there's really not really actually. Read more
Published on January 21, 2008 by Sheetal Bahl
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