2 of 3 people found the following review helpful:
5.0 out of 5 stars
Rock Steady., January 22, 2006
I came of age during the 1960s, when the foreboding
glare of the previous decade's McCarthyism gave way
to both the hope of a new day's tolerance, and the
despair that Peace and Justice didn't come all at
once.
Vietnam was a deadly cancer of that despair, but
that misguided conflict was but a terrible symptom
of the larger conflict waged within our hearts
between ethical clarity and convenient viewpoints.
The names may be different from Nixon, Faubus,
Falwell and Hoover, and many of the places are a
distance from Southeast Asia, but make no mistake:
That conflict, as old as Creation, still wages as
hotly today within and without our minds and our
souls.
What, you may ask, does all this have to do with
a fresh tale about an Army Sergeant from World
War II? In the vertigo of 1960s comics, much fuss
was stirred over a war comic at Marvel, about a
bunch of superheroes in khakis who whooped it up
whenever they went into battle. Interesting band
that SGT. FURY AND HIS HOWLING COMMNADOS
were, they never quite came across as soldiers.
Even when the element of Death was introduced
into their narrative, it always came across as
an afterthought for the sake of plot, never as
the grim, steady product that War is so efficient
at producing.
A purely 1960s production, SGT. FURY would
be eclipsed by the looming landscape of
the very real, highly traumatic real-life
subject painting a deadlier drama on the
day's nightly news than anything the Howlers
breezed through.
Over at DC, however, War was depicted as the
nasty business that it has always been. No flag-
waving propaganda machine here, the War comics
which came from DC (ENEMY ACE, THE LOSERS, OUR
FIGHTING FORCES, etc.) always depicted the blunt
& ugly reality of what a dirty business War
is, and how the only good of War is in its
ending.
The tales of SGT. ROCK and EASY CO. rank as
pinnacles of this genre, its original tales by
author Robert Kanigher and illustrator Joe Kubert
a worthy complement to the 1940s chronicles of
master cartoonist Bill Maudlin, and his tireless
reporting of what was happening with ordinary
Joes sweating it out on the Front.
Laughter in the midst of despair, courage in the
crucibles of white-hot fear, compassion delivered
in tension-filled moments between blood to be
spilled and turf to be held. All this and more
spell the exploits of EASY CO. and its battle-
tested non-com; getting it done in the hope that,
maybe, they'll live to get home.
This is the powerful heart that beats through
BETWEEN HELL AND A HARD PLACE, the gripping
DC/Vertigo Sequential Novel which places ROCK
and EASY in the thick of even deeper conflict,
with burning questions about prisoner abuse and
combat honor which are as pertinent in days of
holy terror and oil-pimping as it was in the
days of "good wars".
Acclaimed Vertigo Editor Karen Berger brought
the legendary Joe Kubert aboard for a new project
on SGT. ROCK, some 45 years after co-creating
the character! It was Kubert who suggested a
hardcover graphic novel, as well as the choice
of Brian Azzarello to write this chronicle.
Kubert couldn't have picked a more versatile author
to upgrade the gritty exploits of EASY. Widely
renowned for his award-winning film noir-rooted
crime drama, 100 BULLETS, Azzarello is as at home
writing about the cosmos-spanning derring-do of
SUPERMAN as he is denoting the driven manipulations
of LEX LUTHOR, or spinning the gangbanging urban
blight confronted by LUKE CAGE.
Anyone thinking that Azzarello's work with recognized
characters is a sell-out, a watering-down of his edgy
style needs to stop looking for trends to proclaim or
fall into, and read the man's work. All of it.
Kubert, one of the giants of Sequential literature,
displays the depth of his finely-chiseled pictorals
in his return to one of his most famous characters.
In the years since his last SGT. ROCK tale, the
creator of TOR, co-creator of WWI's RITTMEISTER
von HAMMER,and acclaimed interpreter of HAWKMAN
and TARZAN established a world-renowned school
for Cartoon and Graphic Art, conceived two
exceptional books on the horrors of Hate and
shapings of War (FAX FROM SARAJEVO and YOSSEL:
APRIL 19, 1943 ), and has witnessed two of his
children grow up to master the Sequential field
for which he has given so much over the long
decades.
Each man brandishes the full dynamic range of their
expressive wizardry to conceive a tough-minded,
heart-gripping tale of conflict, the camaraderie it
breeds, the wariness always at one's shoulder, and
the awful shock of what one moment can tear asunder.
Films such as Spielberg's SAVING PRIVATE RYAN and
Samuel Fuller's THE BIG RED ONE are aptly reflected
in this saga's earthy dialogue and sharp intrigues,
but BETWEEN HELL AND A HARD PLACE is far more than a
mirror of post-WWII cinematic recollection.
In BETWEEN HELL AND A HARD PLACE, we bear witness
to the communicative power that this idiom can command.
For longtime readers, you will see familiar
characters dealing with familiar horrors as never
before. For new readers, a more honest depiction of
conflict is at your grasp.
When a casual conversation takes place amidst a
freshly-discovered mine field, we lose the privilege
of taking any moment for granted. In an explosive
outburst of temper, we feel the madness that sane
people must court in surmounting insane situations.
In a pivotal exchange between a haughty aristocrat
and a weather-beaten grunt, a captured woman's
fate projects the true folly and utter pointlessness
of War as a bearer of Truth.
The only Truth about War, whether for the warrior,
the conquered, or the pacifist, is that it's raw
Hell. Once more, the exploits of EASY CO. bring
this brutal Truth home with rock-steady clarity.
If the earliest signs on Kubert's 2006 project,
SGT. ROCK: THE PROPHECY, are any indication,
the clarity which distinguished BETWEEN HELL
AND A HARD PLACE will become even more
dangerously crystal-clear.
For a world too often befuddled by peril
cloaked in comfortable catch-phrases, economic
spin doctoring, and murderously comforting
prejudices, such clarity has never been more
desperately needed than right now.
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