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110 in the Shade (2007 Broadway Revival Cast) [Cast Recording]

Tom Jones, Audra McDonald, Harvey Schmidt, John CullumAudio CD
4.4 out of 5 stars  See all reviews (28 customer reviews)

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110 in the Shade (2007 Broadway Revival Cast) + Go Back Home + Porgy and Bess (New Broadway Cast)
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Product Details

  • Audio CD (June 12, 2007)
  • Original Release Date: 2007
  • Number of Discs: 1
  • Format: Cast Recording
  • Label: P.S. Classics
  • ASIN: B000PMG9GW
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (28 customer reviews)
  • Amazon Best Sellers Rank: #104,256 in Music (See Top 100 in Music)

1. Another Hot Day
2. Lizzie's Comin' Home
3. Love, Don't Turn Away
4. Poker Polka
5. The Hungry Men
6. The Rain Song
7. You're Not Fooling Me
8. Cinderella
9. Raunchy
10. A Man and a Woman
11. "She Walked Out On Me..."
12. Old Maid
13. Evenin' Star
14. Everything Beautiful
15. "Stay and Talk..."
16. Melisande
17. Simple Little Things
18. Little Red Hat
19. Is It Really Me?
20. Wonderful Music
See all 21 tracks on this disc

Editorial Reviews

More than four decades after its Broadway debut, the Roundabout Theatre's 2007 revival of 110 in the Shade is a glorious showcase for soprano Audra McDonald, and an eloquent statement for an underrated and neglected work. Based on N. Richard Nash's play The Rainmaker, 110 in the Shade tells the story of a Texas town stuck in a blistering heat wave. Lizzie (McDonald), the daughter of a local widower (Broadway veteran and TV star John Cullum), has resisted all suitors, including the sheriff (Christopher Innvar), until a potential huckster named Starbuck (Steve Kazee) arrives in town promising to bring rain ("The Rain Song"). Just like Marian the librarian, Lizzie thinks she sees right through the scam ("You're Not Fooling Me"). McDonald shines in her solos ("Love, Don't Turn Away," "Old Maid"), but Cullum, Innvar, and Kazee also get their moments either in duets with McDonald ("A Man and a Woman," "Simple Little Things," "Is It Really Me?") or by themselves. 110 in the Shade is obscure compared to Tom Jones and Harvey Schmidt's most famous work, The Fantasticks--none of its songs ever entered the popular culture like "Try to Remember"--but it's a beautiful, evocative score that is tailor-made for McDonald's rich voice. It's also much more sumptuous than The Fantasticks, even in Jonathan Tunick's pared-down, Tony-nominated orchestrations. (Also nominated were McDonald, Cullum, lighting designer Christopher Akerlind, and the show itself for Best Revival of a Musical.) P.S. Classics puts out its usual first-rate package, with color photos, introduction by Peter Filichia, synopsis, and libretto. --David Horiuchi

Product Description

Four-time Tony Award-winner Audra McDonald triumphantly returns to Broadway in the role she was born to play: Lizzie Curry in 110 in the Shade, Tom Jones and Harvey Schmidt’s heartrending musical adaptation of N. Richard Nash's classic play The Rainmaker. Amidst a heat wave in 1930's Texas, Lizzie – despite her wit, intelligence and homemaking skills – is on the verge of becoming an old maid, until a charismatic rainmaker named Starbuck enters town and her world is shaken. 110 in the Shade originally premiered in 1963 – Jones and Schmidt’s first Broadway musical following their unprecedented off-Broadway triumph with The Fantasticks. Joining McDonald for the new Roundabout Theatre Company revival are two-time Tony Award-winner John Cullum and, fresh from Spamalot, Steve Kazee as Starbuck. PS Classics and the Roundabout previously collaborated on Grammy-nominated and top-selling recordings of Nine: The Musical and Assassins; this latest CD is sure to result in another definitive Broadway cast album, this time headed by one of Broadway's brightest crown jewels.

Customer Reviews

Most Helpful Customer Reviews
11 of 14 people found the following review helpful
5.0 out of 5 stars 110 in the Shade: The Definitive Recording June 12, 2007
Format:Audio CD
What a thrill it is to finally have a first-rate recording of the glorious 110 in the Shade.

The original Broadway cast, which has been out of print for years, has significant limitations, mainly the dramatically challenged Inga Swenson in the lead role of Lizzie. Her line readings on the spoken parts of the album are unbelievable and amateurish. Plus the break between her chest- and head-voice is jarring. On the recent concert-cast recording, the otherwise redoubtable Karen Ziemba is miscast in the Lizzie role, at least with respect to her upper range.

Finally, we have Audra.

What more can be said about the dazzling Audra McDonald? Audra has officially joined the pantheon of musical-theater legends, demonstrating not merely the gravitas of her four Tony-Award-winning performances (Carousel, Master Class, Ragtime, and Raisin in the Sun) but also the charming playfulness of Mary Martin and the eye-catching ability to fill an entire stage merely with her presence, like Chita Rivera or Gwen Verdon.

As for the other key performers, Steve Kazee, who was underwhelming on stage, acquits himself partially in the recording studio. His presence seemed small in the theater, but on the CD his voice is somewhat richer and his intonation is a bit more accurate. He's still not the magical Starbuck that the role requires, but he's at least serviceable. Christopher Innvar's smoldering performance as File doesn't quite come through on the CD, but Innvar remains vocally rich and highly sympathetic.

Overall, this CD for me becomes the definitive recording of a glorious and underrated show. The score is chockablock with gorgeous and heartrending pieces (including "Is It Really Me?
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4 of 5 people found the following review helpful
5.0 out of 5 stars a good show reconsidered September 24, 2007
Format:Audio CD|Verified Purchase
Some of the other reviewers here lamented the changes made to the score in this revival of 110 in the Shade. Personally, I found the differences between this performance and the original quite refreshing and a tribute to the material itself--that it can be rethought and presented afresh with no fundamental loss to its spirit. One writer, for example, felt that the orchestrations had been reduced, suggesting that they sounded undernourished. I heard arrangements that were not simply pared down but entirely reconsidered to suit a very different approach to the score. They were warm and appealing, making up in subtlety what they lost in sheer volume. They also allowed the singers, especially Ms. MacDonald, an opportunity to explore the lyrics in a more personal way. But make no mistake; the big numbers still "peak" as they should and provide all the excitement one could want.

All in all this cd makes it appear that the theater that was used perhaps was much smaller and intimate, eliminating the need for everyone to play to the back of the house. This seems evident especially in the extended dialog given here. It was understated but for all of that no less characterful. I will keep both the original cast and this album for a long time. They prove that when the material has real quality, it allows new interpretations and benefits from various viewpoints.
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9 of 13 people found the following review helpful
5.0 out of 5 stars Small show, big emotions June 15, 2007
Format:Audio CD|Verified Purchase
I've been a fan of Jones and Schmidt's music since the original cast recording of THE FANTASTICKS came out in 1960. All of their scores for the theatre are wonderful and 110 IN THE SHADE is one of their very best. The original production of 110 was before I lived in New York, but I did see the City Opera revival in the 1990s with Karen Ziemba, which I liked a lot. But the new production is far and away more moving. In the theatre there was not a dry eye in the house at intermission or at the final curtain. To my surprise this new recording had the same effect on me. In a perfect world there would have been a bigger cast. (I think there are five, count `em, five townspeople.) The only place the new recording suffers in comparison to the original is in the choral numbers. These songs demand a bigger chorus. But to my surprise, the streamlined orchestrations work just fine. I always felt that the orchestrations on the original cast recording at times overwhelmed the songs, but I think these new Jonathan Tunick orchestrations really support and emphasize the gorgeous Harvey Schmidt melodies. There have been a few minor lyric changes that I found jarring at first simply because I'm so used to the original ones. I understand that these were made in order to accommodate Political Correctness and to make certain high vowels easier to sing. Fortunately there are only a few of them. There's a song included in this version that was not on the original recording, "Evening Star," sung by Starbuck. It has the same melody as the beginning of "Another Hot Day." I like the song because it adds depth to Starbuck's character. Alas, the overture is not included in this version. (The overture was left off the original vinyl LP because there wasn't room for it, but was included on the CD reissue. Read more ›
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1 of 1 people found the following review helpful
5.0 out of 5 stars Fabulous recording of a terrific score July 12, 2007
Format:Audio CD|Verified Purchase
This is simply the best recording of 110 In The Shade, a sadly neglected show by the composer and lyricist of The Fantasticks. It's a far superior score to The Fantasticks, but the original show didn't enjoy a long run on Broadway. Listen to the original broadway cast and I think you can hear why. The original cast sounds pallid in comparison to the cast on this terrific recording led by Audra MacDonald, who seems to have finally found a great part for herself. The supporting cast does not disappoint and the orchestra plays brightly. The only competition to this set is a British recording (now out of print) with cast that featured Karen Ziemba. That's a good set but Audra MacDonald's performance makes this recording the definitive version.
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Most Recent Customer Reviews
5.0 out of 5 stars Five Stars
great cast album
Published 2 months ago by Henry Lew
5.0 out of 5 stars a prima donna reaches new heights
How could Audra do any wrong for this show comes to life with her and John Callum's magnificent voices. Worth every penny spent.
Published 5 months ago by tnt
2.0 out of 5 stars Updated?
Imagine this. Some modern genius decides that "Porgy and Bess" is out-dated. Let's make those characters (and everybody else in Catfish Row) white! Read more
Published 20 months ago by Michael Miano
5.0 out of 5 stars 110 in the Shade cast recording
My daughter and I saw Audra and Wes in a production of this show last summer in Utah. Audra is amazing and this recording proves her abilities in musical theater. Read more
Published on January 19, 2011 by Sandra V. Jozef
5.0 out of 5 stars Simply beautiful
I was not expecting much out of this recording; however, it has impressed me a lot. Based on "The Rainmaker", which became a popular movie with Katharine Hepbun and Burt Lancaster... Read more
Published on June 23, 2009 by Julio Lopez
4.0 out of 5 stars Fantastic Recording of an Underrated Show with a Glorious Lead...
What more can be said about the glorious Audra McDonald that hasn't been said already? The woman is a gift; a bizarrely immense talent of truly legendary proportions. Read more
Published on January 7, 2008 by Joseph A. Gomez
4.0 out of 5 stars Audra McDonald Lifts Quality of CD
When it opened originally the show didn't do well, so it seemed anodd choice to revive. When the Tony Awards aired, it became evident how much the show gained from Audra McDonald's... Read more
Published on December 6, 2007 by Peter F. Holm
1.0 out of 5 stars This show was a stinker
I saw the NY production a few months ago. Huge disappointment. I recall there was one good number in the second act. Read more
Published on November 6, 2007 by Broadway Theater Critic
5.0 out of 5 stars Faithful revival
I saw the original production of this musical twice and just love it. And I loved Inga Swenson in the leading role. Read more
Published on October 26, 2007 by Lorna Doone
5.0 out of 5 stars Even hotter than 110, shade or no shade
This recent revival had a short life at Studio 54 and garnered mixed reviews. Audra McDonald's performance took focus and rightly so. Read more
Published on September 13, 2007 by Daniel Fergus Tamulonis
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