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The Shadow’s Horse [Paperback]

Diane Glancy (Author)
3.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

September 1, 2003
There is a saying in Native American tradition that "wholeness is when the shadow of the rider and his horse are one." Although we usually focus our attention on what seems most real, Diane Glancy shows us that the shadow of our past has substance as well.

The Shadow's Horse is a new collection of poems in which Glancy walks the margin between her white and Indian heritage. In poems that conjure the persistence of fallen leaves or juxtapose images of Christ and the stockyards, she powerfully evokes place and spirit to address with intelligence and beauty issues of family, work, and faith.

In some of these poems Glancy recalls growing up with her Cherokee father, who worked in a stockyard, radically applying Christian theology to the slaughter of non-human creatures: The cattle go up the ramp
dragging their crosses.
Their voices are Gregorian chants
rising to the blue sky,
the cold clouds.

In others she examines the walk of history through the ordinary details of life-history seen from two points of view, early Euro-American and contemporary Native American. She sees her Native heritage as shortlived and fragile, yet as enduring as leaves, and she asks, "If you line up all the leaves that fall / how many times will they go around the earth?"

Writing in a cross-boundaried, fragmented voice-a voice based on the memory of the way language sounded when it was stretched across the cultures or walked in both worlds-Glancy has fashioned a book about speaking oneself into existence. The Shadow's Horse is the story of one culture made to sing the song of another until the Native voice is so erased it is nearly an illusion. Yet as readers of these poems will discover, the shadow of the past is as real as the horse it rides.


Editorial Reviews

From Publishers Weekly

Since her 1996 novel Pushing the Bear, Glancy has established herself as one of the country's most versatile and prolific writers; this seventh book of verse (her first since 2000's The Relief of America) focuses on the stockyards of mid-century Kansas City, where Glancy's father worked. A central sequence brings together his career, the mechanics of the trade ("the cattle go up the ramp/ dragging their crosses") and its eventual diminishment ("tumbleweed blows across the feedlots now"; "We became the cows we killed"). In counterpoint to these poems (and scattered throughout the volume) are lyrical and meditative poems reflecting Cherokee heritage, Christian belief, and contemplating domesticity and womanhood, here reflected here by houses, yards and leaves: "What if your place in heaven depends on the leaves you rake?" As in earlier volumes of poetry, Glancy mixes straightforward, storytelling free verse with more evasive, figurative fragments; though this collection on the whole favors the former, its laconic honesty and descriptive force offers something for almost everyone.
Copyright 2003 Reed Business Information, Inc.

Review

"Imaginative bursts of stunning insight and beauty." —Ruminator Review "Its laconic honesty and descriptive force offers something for almost everyone." —Publishers Weekly

Product Details

  • Paperback: 70 pages
  • Publisher: University of Arizona Press (September 1, 2003)
  • Language: English
  • ISBN-10: 0816523282
  • ISBN-13: 978-0816523283
  • Product Dimensions: 8.1 x 6 x 0.2 inches
  • Shipping Weight: 4.2 ounces (View shipping rates and policies)
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #4,876,647 in Books (See Top 100 in Books)

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3.0 out of 5 stars Lyrical but unsubstantial, January 21, 2004
By A Customer
This review is from: The Shadow’s Horse (Paperback)
Glancy has a unique and lyrical style that gives a wonderful sense of reverie to her verse: as if the poet and her readers were half-in, and half-out, of the waking world. Such a tone lends itself well to this book's meditations on subjects as different as night and day: the white vs. the Native world, Christianity vs. earth spirituality, ancestral pride vs. family shame.

But "The Shadow's Horse" is also just as fleeting and forgettable as the state of reverie itself. It's a small collection of very short poems, and many...particularly those that use the act of leaf-raking to symbolize fruitless efforts to control our lives and the natural world...seem like variant versions of one another.

Also annoying are the number of poems in which the inspiration is attributed to paintings, photographs, films, websites, etc. Although fine as stand-alone poems within the pages of a literary magazine, they become glaring under the slim covers of a collection such as this one; the reader feels as if he/she is reading student assignments from an art appreciation class. And if the reader of such a book truly feels as he or she has been transported into a Native dreamworld, nothing breaks that trance quite like seeing an Internet domain name referenced beneath one of the titles!

Released during the same year as the author's high-profile novel on Sacajawea, as well as Louise Erdrich's poetry collection "Original Fire", this book will probably be seen as more of a shadow than the horse in 2003's contributions to Native literature.

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