From Publishers Weekly
Loss, guilt and regret are conquered and transformed in McGhee's graceful second novel (after Rainlight), a poignant tale of family history regained. Events of her past year are narrated by 12 1/2-year-old Clara winter, who spells her surname with a lowercase "w" as "a rejection of winter, an acknowledgment of what winter really is and how it can kill." Though Clara's mother, Tamar, never speaks about the past, refusing even to name the father and grandfather Clara has never met, Clara knows she was born in a blizzard that probably killed her twin sister. Her grandfather, driving her mother to the hospital from their remote North Sterns home in upstate New York, took the wrong road and ran his truck into a ditch. Stranded, Tamar delivered her own babies, and only Clara survived. Obsessed by her mysterious past, Clara tries to create her own world, reading avidly, writing brilliant school reports on imaginary works, creating story lives for real people. When she meets a solitary old man who hangs his beautiful, hand-crafted lanterns in the dark Adirondack woods, she feels she has found a "compadre." Immigrant metalworker Georg Kominsky also knows the power of winter; as a youth, the lantern he left with his younger brother failed to guide the boy through a deadly snowstorm. Clara becomes Georg's apprentice in "the art of possibility," scavenging with him discarded tin cans he transforms into "objects of light." Gradually, gently, Georg points Clara toward the answers she craves, and teaches her to see beauty in the overlooked and forgotten, even in past tragedy. With a mix of deadpan humor and pathos, McGhee perfectly captures the voice of a sensitive, wise child on the cusp of adulthood, at once knowing and na?ve. Agent, Doug Stewart. (Apr.)
Copyright 2000 Reed Business Information, Inc.
From School Library Journal
Adult/High School-Clara Winter, 11, narrates this flashback about her friendship with elderly Georg Kominsky, an immigrant living in her upstate New York village. Their relationship begins as a school oral-history project, and the two form a bond over hot chocolate and cookie baking. Georg is a good match for Clara, who is anything but an ordinary child. She creates extravagant book reports for nonexistent books and makes up such vivid family history that she forgets it is fantasy. Mr. Kominsky teaches the girl to scavenge for discarded materials to make into useful and beautiful objects, like the intricately patterned lanterns he designs and hangs, lighted, throughout winter for the local people. Through their friendship, the child learns, "the art of possibility; and the possibility of beauty." They also share secrets. Clara yearns for her twin sister who died at birth, and for her grandfather whose mistake caused the twins to be born in a stranded car in a blizzard. Georg had to leave his injured brother in a blizzard on the trip to America and never saw him again. When Georg dies saving Clara from a fire in his trailer, his guidance enables her to talk to her mother about her twin and to bring her grandfather back into their lives. Clara's insights bring both introspection and humor to this skillfully told story about seeing and finding the possibilities in life.
Becky Ferrall, Stonewall Jackson High School, Manassas, VA
Copyright 2001 Cahners Business Information, Inc.