Like thousands of teenagers, I came of age with *The Lord of the Rings*. The rather ugly Bakshi movie was the first one I went to see without my parents, and the novel was virtually the first one I ever read that was not a children's book, except for Jules Verne's *Mysterious Island*. Just like many Tolkien fans, I became a lifelong devotee of the fantasy genre, and explored the more promising of the other Middle-Earths, from Lankhmar to the Dark Shore, Lyonesse, Majipoor, Amber, Earthsea and the world of the Hyborean Age.
But of all the fantasy series I ever read, the only that ever compared to Tolkien's masterpiece in my opinion was Gene Wolfe's *New Urth* tetralogy. The others were fun, imaginative, full of action and adventure, but they either failed to maintain throughout the literary and spiritual power I had found in *The Lord of the Rings* or to equal the richness of its world-building.
Interestingly enough, however different Tolkien's and Wolfe's epics might be, they share two profound similarities. First, both were written by Catholics and infused with their author's faith. With Tolkien, all the trappings of religion are evacuated from the world itself while the story is saturated with religious symbolism. With Wolfe, on the contrary, Christianity is still very present but transformed, as if through layers and layers of rewriting, into a distant shadow of itself. There is only one God, Pancreator or Panjudicator ; an almost legendary «Conciliator» walked the earth eons ago and is still venerated by the order of the Pelerines ; and priests, rituals, sacred items and guilds abound, as in the Golden Age of Christianity.
The other similarity between the two sagas is the spiritual nature of their ultimate magical item. In *The Lord of the Rings*, the object is the ring itself, each successive use of which is a step on the path to damnation - conferring power on Earth in exchange for another fraction of the user's soul, as witnessed in the various states of spiritual decrepitude of those who have succumbed to the temptation. In *The Book of the New Sun*, the most powerful item is the Claw of the Conciliator - «the most valuable relic in existence», a gem that «performs miraculous cures... forgives injuries, raises the dead, draws new races of beings from the soil, purifies lust and so on. All the things [the Conciliator] is supposed to have done himself.»
In other words, Tolkien's ring is the Devil ; Wolfe's Claw is God : an interesting symmetry.
The texture of the two worlds, however, is very different. Middle Earth seems to be set in a distant past, barely threatened by the first premises of industrialization. Urth on the other hand is our own world millenia hence, a decaying planet waiting for a promised rebirth, frozen in some static medieval social order, incapable of producing any complex artefact except by magic, and borrowing fragments of more advanced technologies from its own past or from the mysterious hierodules, elusive offworlders who only have transactions with selected individuals on Urth and seem to be guiding the world's destiny in some occult fashion.
Tolkien was obviously not Wolfe's major influence. The world Severian, his first-person narrator, so entrancingly describes seems to be a mixture of Jack Vance's Dying Earth and Peake's Gormenghast, a labyrinthine urban world rather than an enchanted primeval setting, filled with Lovecraftian horrors and filtered through the literary sensibilities of an admirer of Jorge Luis Borges.
So if you know that you will not recapture the wonder of *The Lord of the Rings* by reading any of its countless rehashes, and are seeking for an original voice of comparable eloquence, the *New Sun* cycle is for you : open the gate to the necropolis, unsheathe *Terminus Est* and come drink the analeptic alzabo.
*Shadow and Claw* brings together in one volume the first two novels in the series, *The Shadow of the Torturer* and *The Claw of the Conciliator*. It is followed by *Sword and Citadel*, the conclusion of the original series, initially published in two volumes, and *Urth of the New Sun*, which I have not read yet. Wolfe further expanded the saga with the books of the Long Sun and Short Sun, comprising seven volumes so far. And readers who have fallen in love with his universe will also be interested in *The Castle of the Otter* (1983), a collection of essays he wrote on the *New Sun* cycle ; *Lexicon Urthus*, a New Sun encyclopedia ; and GURPS New Sun, the role playing game based on the series.