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58 of 64 people found the following review helpful:
4.0 out of 5 stars
The Next Great Political SF Novel?, January 2, 2001
Orson Scott Card says in the afterword to "Shadow of the Hegemon" that this book is as different from "Ender's Shadow" as "Speaker for the Dead" was from "Ender's Game". He's right. Where "Speaker for the Dead" turned and looked at the universe 3000 years hence and examined, in great detail, religion and life, "Shadow of the Hegemon" turns and looks at political interplay and fear in this world 150 years from now. What made "Shadow of the Hegemon" stand out for me was the political aspect of the novel. Orson Scott Card has done a better job of painting national politics and intrigue across a worldwide scale better than any science fiction or fantasy writer I've seen since George R.R. Martin's "A Game of Thrones". The scope that he uses is very impressive as he takes the political action of the novel across most of the Asian continent and shows situations that are, on the whole, relatively plausible. Card's work in blending national policy with personal motivation is very impressive. However, there are a few small areas I quibble with. I think that the world community he paints one hundred and fifty years hence is a little tainted by personal bitterness, both to the US and China. Whether he meant it to or not, it does, to me, detract a bit from both the plausibilty of the book and the overall quality of the writing. Likewise, while I am not a student of South and Southeast Asia, I question his wisdom in using just once source apiece - as he states in the afterword - when creating his India and Thailand circa 2150. This fact appears rather obvious when reading characters' discussions of these two countries. Card trys very hard to make the countries he creates plausible extrapolations of today's countries, and they suffer for these two reasons. Nonetheless, the novel is still a wonderful read. Card takes a couple of classic premises for novels and blends them into a story that, if it occaisonally lacks for original plot twists, one that shows how well he grasps both individual struggle and national interplay. On the individual side of the novel, Bean, Peter and Petra all take on additional depth in this novel and all three become characters that I am eager to read more about in the remaining two novels in Card's "Shadow" series. As adolescents and teenagers, they are as believable as they were as children in "Ender's Game" and "Ender's Shadow". As people, they develop more depth to their character - especially Peter - and move in directions that are, if predictable, certainly arrived at unpredictably. In retrospect, what definitely stands out for me in this book, are the political machinations. I'm sure that will be what primarily stands out one, five, or ten years from now. Anyone with an interest in political struggle should read this book, as well as any Orson Scott Card fan who wants to see him successfully tackle new areas of writing. While I do have minor reservations about the world as he creates it, I have none about the way his characters move it and move through it.
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27 of 30 people found the following review helpful:
4.0 out of 5 stars
Satisfying, January 12, 2001
How do I review this book? Do I review it on the basis of the craftmanship of the storytelling? In that case, five stars without question. Do I review it on the basis of the fact that I stayed up five hours past my normal bedtime to finish it because I was so involved in the story? Again, five stars without question. You'll notice, though, that I gave it four stars. Without giving too much away, here is why: 1) In reading the scene with Bean and Ender's mother, there was a point at which I no longer heard Ender's mother, but heard Orson Scott Card. Normally, he does not do this... I think that his passion for that particular belief was so strong that it overwhelmed the character. I may be wrong, of course, but that is how I percieved it. 2) As another reviewer has mentioned, the plot relies heavily on the notion that a nation would follow Achilles in a situation where it is highly unbelievable that that nation would do so. 3) There is a major continuity flaw in the book with the other ones. When Peter reveals to the world that he was Locke and Valentine was Demosthenes, it breaks the confidentiality that Demosthenes appears to enjoy in the Speaker for the Dead trilogy. That could be explained by Jane cleaning up the references as she does later, but unless I misremember there is a point where Ender and Valentine are travelling, Valentine is writing as the "unknown" Demosthenes, and Jane had not yet been introduced. If you have read and enjoyed the earlier books, of course you should read this one regardless of the minor flaws. If you haven't read Ender's Game, though, do not read this one yet. Go, now, and buy that book. You will not regret it.
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22 of 25 people found the following review helpful:
5.0 out of 5 stars
Card does it again!, January 7, 2001
When I picked this book up, frankly, I was worried. Several months ago, I read Ender's Game, and loved it. Not long after that, I devoured Ender's Shadow with gusto, becoming ridiculously enamored of the main character, Bean. But... how could this book, Shadow of the Hegemon, possibly live up to the high standard of the earlier novels? Well...it did! Card weaves a thick, suspensful plot about the political intrigue on Earth after the Formic Wars. We learn more about each character, their personalies, their secrets, their motives. Sort of an insight of why they do what they do. Petra and Peter in particular become far more in focus than in Card's other books. The storyline was surprisingly good, and not at all predictable. Do I recommend this book? Of course. But first, read Ender's Shadow, which is equally good (if not slightly better). Card's a great writer for people who don't like SF books, and those that know they do. Don't worry. You won't be disapointed.
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