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23 of 27 people found the following review helpful:
4.0 out of 5 stars
Impressive debut: an anti-fantasy fantasy, August 23, 2006
The Cities of the Khaiem shine like jewels in the East, and the brightest is the port of Saraykeht. The realm's profitable cotton trade flows through the city, quickened by the artistry of the poet Heshai. For in the East, a poet's art can become incarnate as a powerful spirit-slave (andat), and it is on the shoulders of Heshai, master of the andat Seedless, that the weight of Saraykeht's continuing prosperity balances ... a weight outsiders would gladly topple.
In these delicate times, first-time novelist Daniel Abraham chronicles the poignant choices of a handful of characters seldom seen in the "fantasy" genre: a middle-aged, female overseer of a foreign merchant house; her aging employer, the house's lord; her young assistant; the assistant's lover (a common dock-laborer); and Heshai's newly-arrived apprentice. Together and individually, without sword or spell, these elegantly-realized few will determine Saraykeht's fate.
Mr. Abraham, quite often a poet himself in fashioning the novel's lacquer-smooth prose, has written a marvelous novel--a "fantasy" by virtue of its setting and the andat's power, but a fantasy that can be gleefully dropped in the lap of anyone complaining of generic, Arthurian or Tolkien-esque settings; paper-deep protagonists; or unrestrained gore. "Shadow" (Book One of the planned "Long Price Quartet") is both fresh and literary, and as Mr. Abraham has spent years writing short fiction and honing his craft, he deserves every compliment that comes his way.
Although "Shadow" is not a perfect book--some will no doubt label the communicative custom of "poses" (e.g. "[he] took a pose half query and half command") as a device to cheat and tell emotions instead of showing them; and there is a plot issue as mentioned after the spoiler alert--it is a book worth owning and, likely, re-reading. Fans of Barry Hughart ("Bridge of Birds") and Guy Gavriel Kay ("Tigana") should take special note of this tale. Four summer-bright stars.
** Spoiler Alert **
The plot is driven by a Western conspiracy to remove the poet and andat and thus cripple the city. The execution of the story is solid enough that one may not pause to consider the larger picture; but in retrospect, it seems implausible that the conspirators would adopt their complex, innocent-life-taking scheme when assassinating the poet would work just as well. Of course, it could not be a blatant, traceable act, but a well-planned "accident"--perhaps a roof tile falling on the strolling poet (as it does on others in an actual scene), a mugging, or the consumption of "bad" liquor or drugs--would work equally well and with fewer contortions.
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9 of 10 people found the following review helpful:
5.0 out of 5 stars
Familiar elements, all new story., April 4, 2006
I am in love with this book. The characters, which in some ways are familiar (the Hidden Prince, for example) are richly written, real people with real lives rather than fleshed out stick-figures who only serve to advance the plot. The relationships are complex, both friendships and emnities are well founded, and the interactions are genuine, almost making the reader feel embarrassed to be evesdropping on conversations rather than reading them in a work of fiction.
Mr. Abraham amazes me with his ability to paint details into scenes with an economy of words, relying on mastery of vocabulary rather than volume of prose. Having only read of the place in this book, I feel I know Saraykeht. It's seedy dockside, it's glorious noble quarter, it's teahouses, inns, and places where workers toil at their labors are all familiar territory to me. I can hear the beggars singing for alms, the the prostitutes singing for clients, and the food vendors hawking parchment wrapped parcels of fish and ginger or sugar-glazed almonds. The climate of the place is so well detailed that it too seems like another character.
The plot and storyline are also impressive. I have read enough novels to this point to be tired of over-reaching tales of high improbability. Mr. Abraham's story is above all things believable, written on a scale that takes no great leaps of faith to bring to life in the mind's eye. Normal people doing business, living and working in a world where the greatest magic is not wizards raising armies of undead or lobbing fireballs about the firmament, but that of the Poet, who once in his lifetime chants a song that's taken him years to write, to capture a thought and make that thought flesh and purpose. Court intrigue is at play here, not high wizardry and grand adventure, and I applaud the author for it. This story is pure, well considered, and believable.
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8 of 9 people found the following review helpful:
5.0 out of 5 stars
an extraordinary world with lively characters, March 9, 2006
As a fantasy writer, I find it very hard to get involved in someone else's world, but this book really blew me away. I kept trying to figure out how he did it--and how I could write more like that. The characters are marvelously believable and sympathetic--complex, with mixed emotions and motivations. I wanted them all to succeed, and knew that they could not.
Abraham is a master of resonance, building in layers of meaning and echoes that return throughout the work. Definitely not your standard fantasy. The plot moves slowly, on the one hand, and yet I was engaged by the characters & didn't mind the pace. I did find the ending a bit of a let down--but I am eager for the next book to see where the brewing troubles will lead.
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