Customer Reviews

The Shadow of Venus (Claire Reynier Mysteries)

5 star:		(3)
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2 star:		(1)
1 star:		(0)

 

 

Claire, a middle aged librarian works at the Center for Southwest Research at the University of New Mexico. At a poetry reading she arranged, a young woman she met once before offers her a seat and admires her looks. When a belligerent homeless woman bursts into the room, the campus police escort her out and Claire closes the door. The young lady who saved her a seat bolts from the room because she is claustrophobic.

Claire is disturbed when the young woman, who saved her a seat, a street person named Maia, is found dead in the basement, the victim of a heroin overdose. Claire feels connected to Maia and starts researching who she is, a journey that takes her to an Anasazi structure known as Special Rocks and to a commune in Taos. She learns that Maia was running from the man who abused her and Claire is determined that Maia's death will be avenged even though it means putting her own life on the line.

The heroine is a warm caring individual who hates to see a crime go unpunished. She starts a bit on her voyage of discovery because Maia could never willing stay in a room that locks from the outside. She also wonders why the victim was on heroin because she was supposedly clean. Judith Van Gieson weaves very ugly social problems into the main storyline yet still manages to entertain her audience with an absolutely enthralling and believable amateur sleuth novel.

Harriet Klausner

This unusual mystery touched me because Judith Van Gieson addresses powerful issues that are close to my heart from the power of art, architecture, mythology, books, "library as sanctuary" (the library is where I discovered this book although I have gone on a "Van Gieson shopping spree"), to my daily encounters with people that are homeless and witnessing their struggles here in NYC. The back drop of the stunning visions of New Mexico, Colorado and starry nights that hold clues was a fascinating vacation from my New York landscape and Van Gieson isn't going to leave you down hearted. There is a lot of sadness in this story but I enjoyed the leading character being an intelligent empowered woman who delves deeply into what appears to be a superficial open and shut case that reveals reflections on the universe, human nature, deep dark secrets, guilt or the lack of. The librarian turned sleuth takes the reader on mysteries both internal and outward. As an artist I was deeply moved at how much the author thought out and expressed about artists. When Van Gieson briefly contrasts artists to debate whether there is an on going attachment to one's art, I had a chuckle and a passionate internal response; for me, always. The mystery is about the death of a homeless woman by drug overdose so this is just a hint at disturbing topics addressed. This book surprised me with it's depth yet it did not depress me. I was diverted and interested more than anything on television as I sat and read this book from cover to cover. In fact this would make a good tv movie but I don't imagine any male director for this film. How Van Gieson uses art as a key to the mystery and her finely tuned sensitivity to the passion of "the artist" really was touching. I even had to laugh because I am dealing with a moth infestation here in NYC as does her heroic librarian, Claire, although she takes it all in stride. Bravo for the art homage and the touching tribute to the beautiful humanity of lost souls, sometimes found. Despite the sadness of the story -- this is an entertaining mystery and a quick read.

Was happy to find another Judith Van Gieson. Her Claire Reynier mysteries have always been well written and with good characters.

This is a rather amateur sounding book. I read it through because I had started it, but I will not read other books by this author. In many cases the narrative was redundant. It was slow paced and predictable.