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Shadowland [Paperback]

Kim Deitch (Author)
2.8 out of 5 stars  See all reviews (4 customer reviews)


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Book Description

November 22, 2006
A graphic novel of unsolved murders, crazed ambitions and lost fortunes.

Over a hundred years ago, a scout ship from a mysterious alien vessel crash-landed on Earth, where it was discovered by a seven-year-old boy named Al Ledicker. And so begins the confounding series of events that Kim Deitch, veteran underground cartoonist and creator of Pantheon's acclaimed graphic novel The Boulevard of Broken Dreams, has been chronicling for the last 20 years in a series of interrelated stories that have appeared in a variety of magazines—and now finally collected into one book.

Shadowland, whose narrative ranges from the late 19th century to (more or less) the present day, from Hollywood to an alien spacecraft 30,000 miles from Earth, tells the story of the Ledickers—Al Ledicker, the sleazy carnival owner whose mysterious disappearance has an astonishing resolution; Al Jr., his unfortunate, clown-faced son; his sister Emily Ledicker, now the whip-wielding Lady Wyndham; Ledicker's ex-wife, the midget Kewpie—and a supporting cast that includes Molly O'Dare, adorable ingénue and movie star (particularly in the eyes of the mysterious "Grey Ones," aliens obsessed with vintage American pop culture).

Delineated in Deitch's charming, uniquely retro style, Shadowland is a tumble down the rabbit hole of sexy Hollywood starlets, little green (actually, gray) aliens, flying pigs and performing elephants, incest, murder, and eternal youth.

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Editorial Reviews

From Booklist

Besides Waldo the cat (All Waldo Comics, 1992; The Boulevard of Broken Dreams, 2002), first-wave underground comics creator Deitch has another compelling recurring character in traveling-carnival operator Al Ledecker, whose adventures this oversize volume collects. Actually A. L. Ledecker Jr., Al's been in the business ever since his father, Buffalo Bill look-alike Doc Ledecker, decked him out, as a small boy, in clown togs and a rather sinister, leering face-paint job that, while he grew into checkered long pants, he kept on pretty constantly until his 1951 death. Deitch's preface to the collection uneasily owns up to how he may have come up with Al's look (he honestly can't recall for sure) by seeing pictures of serial killer John Wayne Gacy's eerily similar clown makeup. That strikes a chilling note that is quite in keeping with the strange, often fatal events in the Al Ledecker stories, which Deitch deliciously tricks out in compositions and with details reminiscent of turn-of-the-twentieth-century carnival posters and early suspense-movie-serial decor. Ray Olson
Copyright © American Library Association. All rights reserved

About the Author

Kim Deitch lives in New York City with his wife, the artist Pamela Butler.

Product Details

  • Paperback: 176 pages
  • Publisher: Fantagraphics Books; First Edition edition (November 22, 2006)
  • Language: English
  • ISBN-10: 156097771X
  • ISBN-13: 978-1560977711
  • Product Dimensions: 11.9 x 9 x 0.8 inches
  • Shipping Weight: 1.8 pounds
  • Average Customer Review: 2.8 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #768,623 in Books (See Top 100 in Books)

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Customer Reviews

4 Reviews
5 star:
 (1)
4 star:    (0)
3 star:
 (1)
2 star:
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Average Customer Review
2.8 out of 5 stars (4 customer reviews)
 
 
 
 
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2 of 2 people found the following review helpful:
5.0 out of 5 stars This is the one!, January 17, 2010
This review is from: Shadowland (Paperback)
I read this 'out of sequence' : after Boulevard and Alias. In my opinion it far surpasses them both. This is Deitch's DaVinci code.
This is the one that makes everything else fall into place. I put the book down and it all made sense, I could see all the minute connections, the loose ends were in fact major plot developments. The workings of the universe lay unfolded before me. I could see for miles. It was like looking through a window pane illuminated by white lightening: clear light!

Believe me, this is a masterpiece. I can't believe it's out of print. This is Deitch at the peak of his god-like powers. If you have and like the other titles mentioned above you MUST get this or your life will be a sad and utter failure.
It's great.
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3.0 out of 5 stars Approach with an Open Mind..., July 5, 2007
This review is from: Shadowland (Paperback)
This was the first graphic novel I have read by Kim Deitch, and in the beginning I was unsure if I was missing parts of the serial "Shadowland." The storyline of this novel doesn't just jump around, it jumps inside of every facet of a story that at times seems disjointed and confusing, but is actually an enjoyable ride through American folklore and sci-fi fantasy.

The 'plot' of the novel is not important (but still entertaining), but the psychedelic, imaginative drawings are entertaining and Deitch's artistic style is original and very imitated.
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0 of 1 people found the following review helpful:
2.0 out of 5 stars Excellent Cartoons with Some Disturbing Tales, May 20, 2010
By 
This review is from: Shadowland (Paperback)
What drew me to this graphic novel was the amazing pictures that had such fantastic details and were so skillfully drawn. Of course, I can also never resist a book on the circus/carnival. At first glance, the crowded and overwhelming number of pictures seemed perfect for the circus atmosphere that often time has multiple acts all running simultaneously. However, I felt that the plot and characters in this graphic novel left a lot to be desired.

Shadlowland includes ten different stories that are all set in either the circus or a carnival with the characters that are larger than life such as clowns, midgets, bearded ladies, voodoo witches the size of one's thumb and many more true "characters". The first story is about a sideshow high diving pig that has past his prime and must watch as he is replaced by a younger pig. Another story is told by the circus owner's wife, who is a midget, and the sketchy dealings that her husband (a clown who is always in makeup) makes in order to keep the circus afloat.

Deitch gives the reader an interesting cast of characters and tells each of their stories in vignettes. Still, this was not enough to keep my attention. Some of the story lines turned extremely sexually graphic which deterred me from reading them while others felt as if they had been done before. While the illustrations are what first won me over, I soon found myself overwhelmed by what was going on in the illustrations. The more time I spent hunched over the graphics, the more I forget what the plot was and had to go back to the beginning. Though each page truly embodied the atmosphere of a circus/carnival is also left the reader feeling as if there is not enough time in the world to absorb all of the pictures and their meanings. While this is not in my top list of graphic novels, I still think that it is worth the time to flip through and at least look at the illustrations.
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