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Shadowplay: The Hidden Beliefs and Coded Politics of William Shakespeare
 
 
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Shadowplay: The Hidden Beliefs and Coded Politics of William Shakespeare [Paperback]

Clare Asquith (Author)
4.6 out of 5 stars  See all reviews (17 customer reviews)

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Book Description

June 27, 2006
In 16th century England many loyal subjects to the crown were asked to make a terrible choice: to follow their monarch or their God. The era was one of unprecedented authoritarianism: England, it seemed, had become a police state, fearful of threats from abroad and plotters at home. This age of terror was also the era of the greatest creative genius the world has ever known: William Shakespeare. How, then, could such a remarkable man born into such violently volatile times apparently make no comment about the state of England in his work?

He did. But it was hidden. Revealing Shakespeare's sophisticated version of a forgotten code developed by 16th-century dissidents, Clare Asquith shows how he was both a genius for all time and utterly a creature of his own era: a writer who was supported by dissident Catholic aristocrats, who agonized about the fate of England's spiritual and political life and who used the stage to attack and expose a regime which he believed had seized illegal control of the country he loved.

Shakespeare's plays offer an acute insight into the politics and personalities of his era. And Clare Asquith's decoding of them offers answers to several mysteries surrounding Shakespeare's own life, including most notably why he stopped writing while still at the height of his powers. An utterly compelling combination of literary detection and political revelation, Shadowplay is the definitive expose of how Shakespeare lived through and understood the agonies of his time, and what he had to say about them.


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Editorial Reviews

From Publishers Weekly

The wife of a British diplomat who was posted to Moscow during the Cold War, Asquith first started to suspect that Shakespeare's plays possessed an unexamined political and religious subtext while watching a seemingly innocuous performance in a Soviet theater and realizing that it was embedded with secret meanings and double entendres. In a tome both literary and dense, though thankfully not prohibitively so, Asquith shines an extraordinary light on the symbolism and possible intentions of Shakespeare's work. The Catholic playwright, Asquith contends, wrote to outsmart the "Queen's men," who caught up to him only after he had written dozens of plays reflecting the mournful frustration of Catholics oppressed by Elizabethan Protestantism. Asquith uses Shakesepeare's plays as prisms through which to observe the tremendous upheaval of the times. A second look at Julius Caesar reveals the Roman conspirators to be Protestant instigators, and Troilus and Cressida is, according to the author, a commentary on the state of Catholic opposition to the Reformation. Described as "an upstart Crow" by Robert Greene-playwright for the rival theater company Queen's Men, which Asquith characterizes as a Protestant propaganda machine-Shakespeare found protection in the patronage of Lady Magdalen Montague, a Catholic, and even worked her into a number of his plays, including A Winter's Tale, Romeo and Juliet and Comedy of Errors. Though occasionally didactic, Asquith's multifaceted examination reveals as much about the history of 17th-century England as it does about the playwright and his plays, and should intrigue admirers of both.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

From Booklist

*Starred Review* In David Riggs' excellent World of Christopher Marlowe (2005), we learn that late Elizabethan London was extremely dangerous, especially for the brightest and best who weren't aristocrats or wealthy gentry. In her revelatory survey of the Shakespearean corpus, Asquith imparts that all of Great Britain was as or more perilous long before and after Marlowe's short life (1564-93). During the throes of the Reformation, three primary factions vied for England's soul: Catholics, Church of England supporters, and radicals inspired by John Calvin, who became known as Puritans. Asquith contends that Shakespeare was a recusant Catholic who, supported by and writing for the pleasure of influential political players, eventually including King James I, advocated tolerance, for Puritans as well as Catholics, in his work. She descries a system of words and images that carry messages about the three-way struggle in Shakespeare's plays and poems. Consisting of such things as the opposition of light and dark, terms possessing special meanings for certain people, and recurring plot predicaments and character relationships, this system wasn't Shakespeare's invention and was broadly known because it suited late-medieval, allegorical habits of thought. Moreover, applying the meanings of the system to the texts clears up many obscurities and illuminates entire plays (Titus Andronicus, Cymbeline) and characters (Shylock, Mercutio) that modern audiences don't quite get, without vitiating Shakespeare's universality. Demanding reading at times, but altogether magnificent. Ray Olson
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 368 pages
  • Publisher: PublicAffairs (June 27, 2006)
  • Language: English
  • ISBN-10: 1586483870
  • ISBN-13: 978-1586483876
  • Product Dimensions: 8.3 x 5.6 x 0.8 inches
  • Shipping Weight: 13.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (17 customer reviews)
  • Amazon Best Sellers Rank: #1,164,629 in Books (See Top 100 in Books)

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Customer Reviews

17 Reviews
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4 star:
 (2)
3 star:
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Average Customer Review
4.6 out of 5 stars (17 customer reviews)
 
 
 
 
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92 of 95 people found the following review helpful:
5.0 out of 5 stars Profound and original work ; diagree with previous review, July 23, 2005
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John Guy, Fellow of History at Clare College, Cambridge, and winner of the Whitebread Prize, has written that if even half of the insights in this wonderful book are true, it is the most visceral, challenging, and compelling work on Shakespeare's place in history in twenty years. I agree with this perpective: Clare Asquith's insights are profound, and this book has the potentially to fundamentally change how we view Shakespeare and the plays, in a way that only adds to their majesty.

"Shadowplay" is a very strong work in an area that is only beginning to gain academic attention--namely, the heretofore hidden or suppressed history of a persecuted minority during one of the more fascinating and influential periods in English (and European) history. Historians and literary scholars have only recently focused on this topic, their early work is highly compelling, and it bears much future promise.

As the above suggests, I admire this book very much, and am hoping that it will gain greater attenion in the mainstream media and in academia. It's argument is original and compelling; it also beautifully and succinctly written, often quite moving in its insights, and an overall pleasure to read. Highly recommended to anyone that is interested in Shakespeare, the culture of the English Renaissance, and England under Elizabeth I and James I, it deserves the starred reviews it has received so far as well as the endorsements from well-regarded, thoughtful scholars (see above in summary of reviews to date provided by Amazon).

One comment on the previous review--even a superficial reading on Asquith's book makes it clear that the author knows. very well, that Elizabeth and James' church is not Puritan, but is engaged in the decades-long process of hammering out what would become the "Anglican solution" or "the middle way" between Catholicism and Calivinism/Puritanism. According to the book's hypothesis, Shakespeare's very strong motivation throughout his plays is to bring to his audience's (and the Crown's) attention the importance of traditional English Chrisitanity--i.e., the Roman Catholic faith and culture that had produced the English Renaissance and the humanism of Thomas More, and which carried within its mores a proto-Reformation that anticipated some of the demands of the Protestant refomers as well as the Roman Catholic reforms implemented at the Council of Trent. Over time, this motivation is coupled with a plea to Elizabeth and James to modify the regime's suppresion of this traditional Catholicism and allow for the toleration of the different, competing forms of Christianity--Catholicism, Calvinism, and emerging Anglicanism. This toleration, Shakespeare believes, will enable the traditional Catholicism to which he is so devoted to continue to flower (rather than to wilt under the suppression of what today would be called a police state and to eventually be forgotten or scorned).

Asquith knows the political, social, and literary history of the era quite well, her reading of the plays is detailed and nuanced, and her argument comprehensive and often quite subtle. I think it is important to take these into account in assessing the book's strengths and weaknesses.

Bottom line: one of the best books I have read in a very long-time, and one that adds immeasurably to my appreciation of William Shakespeare and my enjoyment of his plays and poetry.

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29 of 34 people found the following review helpful:
5.0 out of 5 stars A fascinating study, September 5, 2005
In 16th century England loyal subjects were asked to either serve their monarch or their God, creating a break between God and country which widened into a vast theological/political conflict under Elizabeth 1. Executions and terror arise - through it all one of the most famous figures of his times, William Shakespeare, seemingly made no comment about affairs - or did he? Clare Asquith, a Shakespeare scholar, traces the common code used covertly by writers of his times and reveals the master of the code himself - Shakespeare. His attacks and exposes of the crown are seen from a new perspective, examining his work and his code and its impact. A fascinating study.
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12 of 13 people found the following review helpful:
5.0 out of 5 stars If you love Shakespeare and you are passionate about history., June 8, 2006
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This book is an incredible accomplishment. Clare Asquith has revealed a history of the Protestant reformation in late 16th century England that must have some of the persecuted dead rejoicing from their graves. This is less a book than a revelation. It hardly seems possible that Shakespeares' plays could be even more brilliant and more penetrating then they are already reveared ro be. But that is exactly the case. Mrs. Asquith shows us that with allegory and uncanny symbolism Shakespeare chronicles the history of his country's persecution of Catholics. Written from the vantage point of his own family's persecuted Catholic roots, his plays were a guarded appeal to the Queen herself and the nobility of the day to heal the deep wound suffered when England's faithful became divided.
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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
hidden level, sad shepherd, hidden language
Key Phrases - Capitalized Phrases (CAPs): (learn more)
English Catholics, William Cecil, Robert Cecil, Magdalen Montague, English Catholicism, Lord Strange, Privy Council, King Lear, Ben Jonson, Gunpowder Plot, Robert Persons, Robert Southwell, Earl of Essex, Earl of Southampton, The Winter's Tale, John Nobody, Midsummer Night's Dream, The Two Gentlemen of Verona, Twelfth Night, Catholic Church, King James, Queen Elizabeth, Titus Andronicus, Viscount Montague, Love's Labour's Lost
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