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Shahid Reads His Own Palm
 
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Shahid Reads His Own Palm [Paperback]

Reginald Dwayne Betts (Author)
3.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

June 1, 2010

"Inside silence there is a sliver of light that is the seed of the music of these poems, the origin of a melodic range we seldom see in a poet's first collection. These melodies move in a harmonic range affirming human struggle with an extraordinary elegance. This collection of song is definite evidence of the gift."—Afaa Michael Weaver

Gripping and terrifying, eloquent and heartwrenching, this debut collection delves into hellish territory: prison life. Soulful poems somberly capture time-bending experiences and the survivalist mentality needed to live a contradiction, confronting both daily torment and one's illogical fear of freedom.

From "Tell this to the people you love":

or think about—the young boy,
     whose name you won't say,
his name written in dirt by
     the fence closest the weight
pit, 'cause
     prison cells drive men to practice
history, writing names—their own,
someone else's—into
     myth—on walls, benches, even
dirt . . .

Reginald Dwayne Betts received the Holden Fellowship from the Warren Wilson MFA Program for Writers. A Cave Canem fellow, Breadloaf Writer's Conference scholarship recipient, and graduate of Prince George's Community College and the University of Maryland, his poetry has appeared in such journals as Ploughshares and Poet Lore. His memoir A Question of Freedom has just been published by Avery Books/Penguin.


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Editorial Reviews

From Publishers Weekly

Betts's debut begins and ends with a ghazal. The strictness of this traditional Arabic form (a favorite of the late poet Agha Shahid Ali, to whom the title pays homage) is fitting—both to Betts's restrained though fierce talent, and to his autobiographical subject matter, introduced in the opening lines as the blues of life in prison. Confinement and restlessness, understanding and disbelief cycle through these clear, smart, brave, and often painful poems. The recurring motif of a hand on a gun surfaces throughout like a hallucination or a premonition, an image at once terribly real and frighteningly unreal. Sometimes it does the work of blunt narrative: one night// a trigger tucked under/ my index like a/ spliff. Elsewhere it veers into the surreal: everyday the small muscles in my finger threaten to pull/ a trigger, slight and curved like my woman's eyelashes. The unlikely word mistletoe, which appears more than once, exemplifies Betts's talent for surprising and emotionally resonant juxtapositions; he describes small/ ruined cells where ten thousand// years of sentences/ beckon over heads & hearts,/ silent, a promise, like mistletoe. Finally, it is not the omnipotence of silence—whether of hope or fear—but the power of writing that is this book's true subject: Some men never pray at night in prison.// Blame me. Write another poem, a sad psalm./ Shahid, sing for the Gods, right in prison. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author

Reginald Dwayne Betts received the Holden Fellowship from Warren Wilson MFA Program for Writers. A Cave Canem fellow, Breadloaf Writer?s Conference scholarship recipient and graduate of Prince George's Community College and the University of Maryland, his poetry has appeared in such journals as "Ploughshares" and "Poet Lore". His memoir "A Question of Freedom" has just been published by Avery/Penguin.

Product Details

  • Paperback: 80 pages
  • Publisher: Alice James Books (June 1, 2010)
  • Language: English
  • ISBN-10: 1882295811
  • ISBN-13: 978-1882295814
  • Product Dimensions: 8.4 x 5.6 x 0.2 inches
  • Shipping Weight: 4.6 ounces (View shipping rates and policies)
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #317,153 in Books (See Top 100 in Books)

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1 of 1 people found the following review helpful:
3.0 out of 5 stars Great for ghazal fans., July 18, 2011
This review is from: Shahid Reads His Own Palm (Paperback)
Reginald Dwayne Betts, <strong>Shahid Reads His Own Palm</strong> (Alice James Books, 2010)

This was a rollercoaster of a book for me. I started out not really feeling it; Betts is a solid poet, no doubt, and it's fantastic to see a poet using formal verse these days, but (a) one-author collections that deal with one subject throughout tend to sound more obsessive than expressive, and (b) Betts has a fondness for ghazals, a form so painfully artificial that it's next to impossible to get to sound natural. (That Betts never succeeds does not get him points off; I've read books of ghazals by acknowledged masters of the form who've been writing them for decades where not a one has been readable.) They're like the Boston Terriers of poetry; sometimes you can see where they came from, but are so badly mutated now they're only good for taking out and showing off now and again around other enthusiasts.

All of which is going to make the next bit of this review sound entirely hypocritical, and so be it. You're not writing this review, you don't get to make that call, as long as I tell you up front I know how hypocritical it is, right? Because what finally sold me on this volume is another painfully artificial form, but one that's a little easier to do right: the pantoum, a Malay-by-way-of-France form that consists of repeating full lines (ABAB BCBC CDCD ... ZAZA). It's still tough, but I've read a lot more workable pantoums than I have ghazals, so I have at least a point of reference. And the one time Betts tries it in here, it's the best poem in the book.

"The cracked walls of cell B8 swore
broken men peeled back tattoos to cry
and some lean shoulders on past highs
after, clank! then yoke followed closed door.

Broken men peeled back tattoos to cry,
touched dirt as some wild man's whore
after, clank! then yoke followed closed door...."
("A Cell Houses a One-Sided War")

It's hit-and-miss, and I rush to add that people who can appreciate ghazals for what they are will have a very different opinion on that than I do, but when you get to the last page of this one, you won't regret having given it a go. ***
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