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Shakespeare After All Paperback – September 20, 2005

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Editorial Reviews

From The New Yorker

In recent years, Garber, a professor at Harvard, has attracted notice with offbeat work about such subjects as dogs and cross-dressing, but this book—a collection of her lectures on each of Shakespeare's plays—marks a return to the core curriculum. Garber is appealingly undogmatic, deploying insights from textual scholarship, post-colonial theory, and Elizabethan stage history, without being beholden to any single approach. Although she has no blockbuster Bard thesis to prove, her introduction is an exemplary account of what is known about Shakespeare and how his work has been read and regarded through the centuries, while the individual essays display scrupulous and subtle close reading. It is well known that Romeo and Juliet's first lines to each other form a sonnet, but Garber adds that it reverses the Petrarchan tradition of unrequited love: it is "a sonnet that works. It results in a kiss."
Copyright © 2005 The New Yorker --This text refers to an out of print or unavailable edition of this title.

From Bookmarks Magazine

Remember the last time you read a work of literary criticism and actually understood it? The tide has changed with Shakespeare After All. Forgoing cultural studies jargon for an eclectic approach that draws from gender studies, post-colonial theory, and Elizabethan stage history, Garber focuses on close, erudite readings of the Bard’s work. Comparing her tome to Harold Bloom’s Shakespeare: The Invention of the Human (1998), critics agree that Garber is more readable and enjoyable; Stephen Greenblatt’s Will in the World (**** Nov/Dec 2004) will give her a run for the money, however. A few reviewers wondered why Garber omitted discussion of Shakespeare’s sonnets and poems; others criticized the book’s significant length. Yet, until "somebody even smarter than Garber comes along with a 1,200-pager, this is the indispensable introduction to the indispensable writer" (Newsweek).Copyright © 2004 Phillips & Nelson Media, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

  • Paperback: 1008 pages
  • Publisher: Anchor; Reprint edition (September 20, 2005)
  • Language: English
  • ISBN-10: 0385722141
  • ISBN-13: 978-0385722148
  • Product Dimensions: 5.2 x 1.8 x 8 inches
  • Shipping Weight: 1.6 pounds (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (54 customer reviews)
  • Amazon Best Sellers Rank: #79,396 in Books (See Top 100 in Books)

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Most Helpful Customer Reviews

199 of 214 people found the following review helpful By Q on January 23, 2005
Format: Hardcover Verified Purchase
I bought this book on the strength of Marjorie Garber's excellent past Renaissance scholarship. I was expecting something more theoretically informed and original, but as it is this is a very worthwhile book, and I predict it will be an essential reference book for teachers and students. It's a BIG book with a substantial chapter on each play (but not the sonnets), as with Harold Bloom's book on Shakespeare. Garber, however, is less idiosyncratic than Bloom; She synthesizes the best of recent scholarship, but without footnotes or extensive theorizing a la Derrida and Lacan. Garber combines close attention to language with valuable historical background and context. For example, in her chapter on Macbeth, she relates a "new critical" analysis of the clothing imagery to sumptuary laws regarding clothing (laws which served to enforce the social hierachy of Renaissance England). The strengths of this book are her comprehensive discussions of the play, which sum up what we know for sure about the plays including the relevant historical contexts, and her brilliant analysis of Shakespeare's language, i.e., close reading. While her work is illuminated by recent scholarship, she avoids the Stalinesque imperatives of political correctness. Compare Garber's intelligent discussion of the problem of gender in Macbeth with Stephen Orgel's "introduction" in The Complete Pelican Shakespeare, in which he reductively reads the play as a "misogynist fantasy." The only reason I docked the book one star is that, based on the chapters I've read so far, she doesn't really make a major original contribution to Shakespeare studies (in contrast to, for example, Greenblatt's recent bio of Shakespeare, Will in the World) so much as synthesize what we already know. All in all, a very valuable reference book that I will be consulting regularly in my college teaching. Highly recommended for high school teachers, English majors (undergraduate and graduate), and all fans of Shakespeare.
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97 of 102 people found the following review helpful By Sara on March 6, 2006
Format: Paperback
My husband and I are lawyers who have recently returned to reading Shakesepare, decades after college. We wanted literary criticism that was qualitative superior to the plot summary readers guide--criticism that would help us explore the imagery, themes and metaphors of the plays. Marjorie Garber is the answer to our prayers. We recommend to readers returning to Shakespeare that they purchase a paperback edition of each play with good notes to help with line specific language issues--the Arden series is the best-and then supplement/enrich the experience with Garbers insights. It is a pleasure for us to carefully read each play and then see what treasures she has mined based on her own reading and that of prior critics. We considerably prefer Garber to Bloom as a single compendium. Garber packs an enormous amount of insight into a single 30 page chapter. Shakespeare is surely worth the detail she provides. I would also suggest that you purchase the Ambrose DVD set of tapes of the great BBC plays--after you have read the plays it is wonderful to watch Jacobi et al. The DVD format enables captions which is very helful to savoring every line.
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43 of 45 people found the following review helpful By The Chalcenteric Kid on December 7, 2005
Format: Hardcover Verified Purchase
This is a monster of a book packed full of insight into the plays of William Shakespeare. Another reviewer has criticized the way Professor Gerber tackles each play, but I think she pitches her analyses pretty spot on. As she describes a play she will stop and detour into some aspect of the cultural mores of the England of Shakespeare's day and come back. I find ( as a layman ) that is exactly what I wanted. I wasn't looking for Heavy Textual Criticism that might only be understandable to other Eng Lit Professors. This is an excellent book for the layman - if you are prepared to concentrate and forgive Professor Gerber when she does occasionally throw in a semantics term that you have never heard of - USUALLY she explains them. But not always.
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38 of 40 people found the following review helpful By Rex Slater on September 26, 2005
Format: Paperback
This is a wonderful, rich, exploratory book that holds nothing back; a meditation about the Shakespeare canon that resonates in all planes at once. It is certain to be [...] by college teachers everywhere, and so it should be; together with Shapiro's 1599 as a biography and a solid encyclopaedia like the Oxford Companion to Shakespeare, this is one of the only supplementary volumes you'd ever want to shelf next to the Complete Works. This is the kind of full-service critical homage and investigation Shakespeare has been waiting for all these years. I hope he and Marjorie Garber meet in Heaven, and that someone leaks the resulting sonnets.
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25 of 26 people found the following review helpful By C. M Mills on January 25, 2006
Format: Paperback Verified Purchase
William Shakespeare's immortal words will live forever. In this excellent book of criticism Professor Garber of Harvard

examines each of the 38 plays from "The Two Gentlemen of Verona" through "The Two Noble Kinsman." Her work is detailed and insightful for anyone who seeks more knowledge and understanding of Shakepeare and his plays. As we explore Shakespeare we also learn more about what it is to be human being in the world!

Garber writes about each play as she analyzes the characters and their motivation; the history of the play's production and how the play is related to other plays and characters in the Shakespearean canon. Along the way we learn the derivation of words used by the bard; what was going on in England and the world at the time the play was written and such various topics as sumptuary laws (dealing with clothing); class structure and the growth of the English language.

Shakespeare's life is covered in an insightful introduction.

Marjorie Garber must be a brilliant person to listen to in the lecture hall! I wish these insighful looks at each play would be available in tape format! Her book is a classic which should be required reading for anyone teaching Shakespeare in high school, college and adult education classes.

I was fascinated by her depth of scholarship and ability to relate Shakespeare to our day. My highest appreciation to this wonderful book on our great treasure of poetry and the art of

drama William Shakespeare!
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