Shakespeare and Co.: Christopher Marlowe, Thomas Dekker, Ben Jonson, Thomas Middleton, John Fletcher and the Other Players in His Story (Hardcover)

~ Stanley Wells (Author)

Editorial Reviews

From Booklist

The chairman of the Shakespeare Birthplace Trust, general editor of the Oxford and Penguin Shakespeares, and coeditor of The Oxford Companion to Shakespeare presents Shakespeare's professional context brilliantly. The curtain rises on boys dashing about London posting playbills. That is succeeded by engaging reviews of the rapid rise of theater under Elizabeth, the constituency of a typical London theater audience, and the modus operandi of what was very much an entertainment industry that included plenty of collaboration among playwrights to meet deadlines. The actor of the time in general, and the great stars of Shakespeare's company in particular, occupy the second chapter; Shakespeare's fellow dramatists, the succeeding six. Marlowe receives the most notice among Shakespeare's early peers, Jonson among the later ones. Chapters are organized around Dekker, Middleton, Fletcher, and Webster, too, because each collaborated with Shakespeare. Wells whets appetites for new performances of the plays he discusses most thoroughly, such as Marlowe's Jew of Malta, Dekker's Shoemaker's Holiday, and The Revenger's Tragedy, by, it now seems, Middleton--and Shakespeare. Essential Shakespeareana. Ray Olson
Copyright © American Library Association. All rights reserved

Review

Praise from Great Britain:

“Fascinating… An enthralling work of popular scholarship.”
–Robert McCrum, The Observer

“Ingenious… [Shakespeare’s London] was a time and a place teeming with excitement, anecdote and incident, and Wells, in this richly enjoyable work, brings it to life with a novelist’s sense of the telling detail.”
–Dominic Dromgoole, The Sunday Times

“Comprehensive and colorful… This is illuminating, well-planned and suggestive work, not only for those readers who have little acquaintance with the subject, but also for those already familiar with it. One of the greatest gifts of this book… is to re-astonish readers with the simple fact of the newness of all this.”
–Min Wild, The Independent on Sunday

“A valuable contribution to popular Shakespeare scholarship… A feat of synthesis… Each page is dense with well-chosen information and sensible, sensitive interpretation.”
–Peter Wentworth, The Literary Times Supplement

“This collaborative Shakespeare makes a refreshing change from the autistic monarch of the stage… Wit its lightly worn learning and its refreshing argument, this is a rewarding and readable book. Anyone who wants to understand Shakespeare will learn from it.”
–Colin Burrow, Evening Standard

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Product Details

• Hardcover: 304 pages
• Publisher: Pantheon (April 10, 2007)
• Language: English
• ISBN-10: 0375424946
• ISBN-13: 978-0375424946
• Product Dimensions: 9 x 6.3 x 1.3 inches
• Shipping Weight: 1.3 pounds (View shipping rates and policies)
• Average Customer Review: 4.0 out of 5 stars  See all reviews (6 customer reviews)
• Amazon.com Sales Rank: #133,028 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

25 of 26 people found the following review helpful:

5.0 out of 5 stars Shakespeare & Co., July 15, 2007

By	Terry A. Gray "ever reader" (Escondido, CA) - See all my reviews (REAL NAME)

Stanley Wells is one of the great Shakespeare scholars of this, or any other, generation. His work on the Oxford edition of the Complete Works, the Textual Companion, the Dictionary of Shakespeare and, if I can mention a personal favorite, Shakespeare for All Time, assure his enduring reputation. It was with keen anticipation I picked up this book, then, and I was not disappointed. The book is not groundbreaking, by any means, but is pleasant, erudite, and consistently interesting. It is the best introduction I know to placing Shakespeare in the theatrical currents of his time and tracing his interactions, such as they can be known, with his less famous, though greatly gifted, contemporaries Marlowe, Jonson, Dekker, Middleton, Fletcher, Webster and the rest.

In an age such as ours where otherwise serious people can become preoccupied with crank, dilettantish ideas like the Oxford wrote Shakespeare nonsense so much in circulation, how likely is it those same serious people have taken the time to read Shakespeare's less well known fellows? They have, perhaps, read Dr. Faustus in an English lit survey class, and know about Marlowe because, after all, HE might, just maybe, be the one who really wrote at least some of Shakespeare's plays, but certainly they have not read either part of Tamburlaine, or A Trick To Catch The Old One, or The Shoemakers Holiday. Need enough, then, that a thoroughgoing, popular introduction to the lives and masterpieces of some of Shakespeare's contemporaries deserves a home on our bulging Shakespeare bookshelves.

The first sentence of the Preface says "This book attempts to place Shakespeare in relation to the actors and other writers, mainly playwrights, of his time in an accessible and where possible entertaining manner" (ix). And so it does, with, speaking for myself, at least, emphasis on "entertaining." I found the book enormously likable. If you are familiar with the period and the authors being treated, you will find nothing new, but a non-specialists book surveying a rather broad field does not attempt to present novel interpretations, but rather can be relied on to deliver the state-of-the-art scholarly understanding of these authors and their works in a pleasant style. Wells's scholarly status guarantees the most dependable understanding of the times and writers, and his gifts as a writer makes reading a joy.

9 of 9 people found the following review helpful:

5.0 out of 5 stars Excellent overview, January 12, 2008

By	Paul R. Estridge (Roseville, CA) - See all my reviews (REAL NAME)

This study of the circle of writers that made up the theatre world during Shakespeare's career provides both an excellent entry into the subject and also a refreshing reminder to students of the period of the diverse talent that surrounded and interacted with Shakespeare. I particularly enjoyed the opening chapter that gives us a sense of the theatre business in the Elizabethan/Jacobean period and a flesh and blood kind of context for the writers that subsequent chapters will illuminate. I found the study quite readable and well-paced, as well as useful to understanding and evaluating some of the more polemical studies of the period and its most prominent writer. The greatest attribute of the study may be that it makes one want to go back and read or re-read many of the works of Shakespeare's contemporaries.

7 of 7 people found the following review helpful:

4.0 out of 5 stars Setting the Context, January 5, 2008

By	SBO - See all my reviews

This book is excellent in establishing Shakespeare's context among the other playwrights of his time. I only wish the author had devoted as much time and energy to discussing the later writers (especially Middleton and Webster) as he did with the earlier chapters on Marlowe and Jonson. But for those who think Shakespeare was the only fellow writing plays at the end of the 16th and beginning of the 17th centuries, this is a must-read. Hopefully, someone out there will now read the works of these lesser-known (but wonderful!) English Renaissance dramatists.