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Shakespeare and Cognition: Aristotle's Legacy and Shakespearean Drama
 
 
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Shakespeare and Cognition: Aristotle's Legacy and Shakespearean Drama [Paperback]

Arthur F. Kinney (Author)

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Book Description

0415977533 978-0415977531 July 13, 2006 New edition
Shakespeare and Cognition examines the essential relationship between vision, knowledge, and memory in Renaissance models of cognition as seen in Shakespeare's plays. Drawing on both Aristotle's Metaphysics and contemporary cognitive literary theory, Arthur F. Kinney explores five key objects/images in Shakespeare's plays – crowns, bells, rings, graves and ghosts – that are not actually seen (or, in the case of the latter, not meant to be seen), but are central to the imagination of both the playwright and the playgoers.

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Editorial Reviews

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'Shakespeare and Cognition is a fascinating and wide-ranging examination of why his plays, whilst rooted in the late sixteenth-early seventeenth century, have retained their appeal for four centuries.' - British Theatre Guide

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Inside This Book (learn more)
First Sentence:
"All men by nature desire to know" (980al):1 the foundation of all Aristotle's thought is the opening sentence of his Metaphysics. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
betrothal ring, passing bell, mourning rings, stage properties
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Julius Caesar, The Merchant of Venice, All's Well That Ends Well, King John, King Lear, David Cressy, Gerard de Narbon, King of France, Lady Macbeth, Shrove Tuesday, Thomas Dekker, Titus Andronicus, Count of Rossillion, Simon Eyre, John Lyly, Lloyd Davis, Love's Labor's Lost, New World, The Merry Wives of Windsor, Twelfth Night
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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