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Special Features
- Shakespeare In Love and On Film
- 1998 Academy Award Winning Costumes
- Deleted Scenes
- Shakespeare Facts
Editorial Reviews
Amazon.com
The way that Oscar-winning screenwriters Marc Norman and Tom Stoppard enfold their story within the parameters of Romeo and Juliet (and even Twelfth Night) is nothing short of brilliant--it would take a Shakespearean scholar to dissect the innumerable parallels, oft-quoted lines, plot developments, and thematic borrowings. And most amazingly, Norman and Stoppard haven't forgotten to entertain their audience in addition to riding a Shakespearean roller coaster, with director John Madden (Mrs. Brown) reigning in his huge ensemble with rollicking energy. Along the way there are small gems to be found, including Judi Dench's eight-minute, Oscar-winning turn as a truly regal Queen Elizabeth, but the key element of Shakespeare in Love's success rests on the milky-white shoulders of its two stars. Fiennes, inexplicably overlooked at Oscar time, is a dashing, heartfelt Will, and as for Best Actress winner Paltrow, well, nothing she'd done before could have prepared viewers for how amazing she is here. Breathtakingly beautiful, fiercely intelligent, strong-willed, and lovestruck--it's a performance worthy of Shakespeare in more ways than one. By the film's end, you'll be thoroughly won over--and brushing up your Shakespeare with newfound ardor. --Mark Englehart
Product Description
Customer Reviews
with a passion. Aside from being a beautiful love story, the film
itself is a "love letter" to the arts. I can only describe
it as a "golden" film, because that's what I think of when I
picture scenes from the movie...pure gold. I love Shakespeare, and
the brilliant screenplay manages to make a flesh and blood person out
of such an enigmatic historical figure - it may not be real, but it's
a lot of fun nonetheless. The acting is superb - Gwyneth Paltrow is
glorious, Judi Dench is fabulous, Geoffrey Rush is hilarious, and
Joseph Fiennes is the hottest thing to come along since his older
brother! I love the ending especially - Twelfth Night is my favorite
Shakespearean play, and the last line just speaks volumes: "For
she will be my heroine for all time, and her name will be Viola."
Perhaps the best thing about the film is the way it blends comedy and
tragedy together in such a bittersweet way.
One final note: I too
was surprised that this film won Best Picture, because I also loved
Saving Private Ryan. Both films were cinematic masterpieces of very
different kinds, and both were equally worthy. I'm glad the Academy
shook things up a little.bfounded while the final credits rolled. Marc
Norman and Tom Stoppard must have loved their subject matter,
researched the period with zeal as well as having the ability to
create a moving romantic drama.
The whole thing was created
out of the barest glimmer of fact concerning Shakespeare's life. It
focuses on the gap between his marriage in London as a young man and
his eventual return to London as a successful playwright. The theory
states that "suffering is the mother of creativity", so
Young William must have had a great deal of hardship indeed. Hence,
the opportunity for a wonderful movie to be made.
A handsome
young Shakespeare is introduced to us during a black period of
writer's block. He is portrayed as any other writer we could imagine;
poor, horny, suffering from professional jealousy and not particularly
respectable. He's over-committed to two theatres and selling vaporware
for all he's worth. Poorly named vaporware at that, "Romeo and
Ethyl the Pirate's Daughter".
But fate has more in store
for this hopeful scribbler than even he would dream. Enter stage left,
the love of his life, in the guise of an actor, shyly auditioning for
a part in his new play. (Shades of Blackadder here). He is immediately
taken by this youthfull stage strutter because of a seeming preference
for Bill's work over that of the leading playwright of the day,
Christopher Marlowe.
This interest takes him to the actor's
home, where Tomas Kent transforms himself into Viola De Lesseps the
refined daughter of a wealthy merchant. This magic act is only
possible because of the artful protection offered by Viola's nurse and
part time confidant, played by Imelda Staunton. And as with Clarke
Kent, no one can penetrate the cunning disguise of Mr Thomas Kent,
except for a friendly ferryman. And it is this very ferryman that puts
William on the right path in his pursuit of the lady Viola.
And so we get the privilege of watching William Shakespeare give
birth to the Famous Romeo and Juliet as a counterpoint to his torrid
and dangerous affair with a woman betrothed to Lord Wessex; one of the
most influential and powerful men in the city. The ups and downs, ins
and outs of this relationship, and its eventual end, are all
delightful to watch as well as being grist for the mill of
Shakespeare's future plays.
For anyone that has even a passing
familiarity with the Bard's work or just likes a good romance, take
the time to enjoy this special movie. In fact, take a few times
because it gets better with every viewing.
Gywenth Paltrow plays a young noblewoman who is expected to be demurely betrothed, but who wants none of the life ahead of her. She yearns for the theater, and, in her headstrong, ambitious drive, dresses like a boy to obtain a part in Will Shakespeare's newest drama. Of course, the two fall in love (hence the title!) and their duplicity leads to plot complications that get more and more outrageous. Literary jokes abound, but you don't need to know a whit about Shakespeare to enjoy this romp. This is a romantic comedy cloaked in Elizabethian times, an anachronism that is thoroughly satisfying.
Paltrow's Viola is gutsy, intelligent, and torn, a portrayal that deservedly earned her an Oscar. Joseph Fiennes makes a lovable, bumbling Will Shakespeare. The two display a chemistry that brings the witty script to life and elevates this film to a level above most romantic comedies.
This film should appeal to a wide range of viewers - even those who hated studying Shakespeare in school.
I also felt Joseph Fiennes should have got a Best Actor gong. Gwyneth was great but Joseph's performance of Will was exceptional to say the least.
The highlights for me were the unfolding of the two stories, (Romeo and Juliet & Will and Viola). Then the actual performance of Romeo and Juliet and the intertwining tragedy of Will and Viola. The way the audience reacted at the end said it all.
I think that 'Shakespeare In Love' is mainly a movie that females thoroughly love. The males in my circle of friends and family didn't quite GET IT so to speak.
Also deserving of mention were Colin Firth and the actor with the the stutter, which miraculously disappeared at the start of the play.
Delightful and extraordinary and hysterically funny writing on an historical figure and era. Incredible acting, great casting. Read more
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