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Shakespeare and the Politics of Culture in Late Victorian England
 
 
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Shakespeare and the Politics of Culture in Late Victorian England [Hardcover]

Dr. Linda Rozmovits (Author)
4.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

June 25, 1998

For today's lovers of Shakespeare, Hamlet, The Tempest, and King Lear signal the incomparable vision of the bard. But a century ago it was The Merchant of Venice, more than any other Shakespeare play, that captured the popular imagination. Heralded as one of Shakespeare's greatest achievements, the play was enshrined in the school curriculum, widely discussed in the popular and scholarly press, and performed as a long-running smash hit on the London stage.

In Shakespeare and the Politics of Culture in Late Victorian England, Linda Rozmovits considers how and why The Merchant of Venice came to exercise such a powerful hold on late Victorian society. From debates about Portia and the politics of the New Woman to emerging concerns about the changing nature of citizenship, capital, and the longstanding Jewish Question, The Merchant of Venice served as a lens through which people filtered their experience of social life and social change. The relationship between the play and the people who studied it, read it, and watched it being performed, was an extraordinarily dynamic one, and it is the nature of this strange and dynamic relationship that this book explores.

"In this impressive book, Linda Rozmovits explores both why and how The Merchant of Venice spoke to late Victorian concerns -- about the role of women, the use of wealth, and the place of the alien within English culture -- more directly than any other play by Shakespeare (and probably any other work besides the Bible). Rozmovits succeeds in showing not only how the play reflected these concerns, but also how it was appropriated by Victorian writers in order to promote conservative notions of social, sexual, and economic identity." -- James Shapiro, Columbia University

"Lively, original, well-conceived, and well written, this book is extremely readable, even fascinating, in its development of the cultural idea of reception. The late Victorian Merchant of Venice Rozmovits describes is a revelation, and she makes it clear why Henry Irving's Shylock was such an extraordinary success. We are plunged into Victorian cultural history and offered a new understanding of the intellectual world in which Shakespeare was received." -- Maurice Charney, Rutgers University


Editorial Reviews

Review

"Rozmovits's book raises important questions about how a play treating the highly charged social issues of The Merchant of Venice may be understood within a specific cultural milieu." -- Georgianna Ziegler, Shakespeare Quarterly



"This book's primary research makes it a valuable contribution to the understanding of Shakespeare's afterlife... In its treatment of texts such as children's books, school editions, sermons, and periodical literature, it brings new resources to studies of the construction of Shakespeare... It illuminates obsessions and controversies that are historically important and in some cases -- though in a different form -- still with us." -- Marianne Novy, Modern Philology



"A thoughtful book, written in a graceful jargon-free prose." -- Michael Shapiro, Shofar

About the Author

Linda Rozmovits is a lecturer in the Department of Cultural Studies at the University of East London.


Product Details

  • Hardcover: 184 pages
  • Publisher: The Johns Hopkins University Press (June 25, 1998)
  • Language: English
  • ISBN-10: 0801858364
  • ISBN-13: 978-0801858369
  • Product Dimensions: 8.7 x 5.7 x 0.6 inches
  • Shipping Weight: 13.6 ounces
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #3,696,169 in Books (See Top 100 in Books)

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4.0 out of 5 stars A new approach to Shakespeare, June 19, 2008
This review is from: Shakespeare and the Politics of Culture in Late Victorian England (Hardcover)
This book offers a new perspective on Shakespeare. Rather than look at Shakespeare merely from our own time or from his time, we're transported to the Victorian era where we learn which characters inspired the Victorians and which themes were most important to them. History and literature are always subjective to the times and this book is the perfect example of that.
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Inside This Book (learn more)
First Sentence:
While contemporary anxieties about race and moral relativism have relegated The Merchant of Venice to the second division of Shakespearian drama, throughout the late nineteenth and early twentieth centuries (roughly speaking from about the 1870s to the 1920s), the play was considered to represent the height of Shakespeare's achievement. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Mary Cowden Clarke, Politics of Culture, Ellen Terry, Cowden Clarkes, Henry Irving, Irving's Shylock, Lady Macbeth, New Woman, The White Woman's Burden, Girl's Friend, Irving's Merchant of Venice, John Earle, Kathleen Knox, Old Testament, Portia of Belmont, Stanley Wood, Charles Wordsworth, Dramatic Opinions, Girl's Own Paper, Lamb's Tales, Lord Bassanio, The Girlhood of Shakespeare's Heroines, Victorian Shakespeare
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