The Shakespeare Stealer [Library Binding]

Gary L. Blackwood (Author)

Book Description

Publication Date: April 18, 2008

THIS EDITION IS INTENDED FOR USE IN SCHOOLS AND LIBRARIES ONLY. A young orphan boy is ordered by his master to infiltrate Shakespeare's acting troupe in order to steal the script of Hamlet, but he discovers instead the meaning of friendship and loyalty.

--This text refers to the School & Library Binding edition.

Editorial Reviews

From Publishers Weekly

A myriad of anachronisms mar this predictable tale of a Yorkshire orphan. Widge, the 14-year-old narrator, is sent by a rival theater manager to steal the as-yet-unpublished Hamlet in 1601 London and ends up an apprenticing actor instead. Blackwood (Wild Timothy), a playwright and amateur actor himself, clearly knows Shakespeare, but is a bit cloudy on some details of the Elizabethan era. Widge mentions square city blocks, describes his dinner kept warm on the back of the stove and notes that a man wounded in a duel had recovered in a hospitalAthis in an age of unplanned cities, meals cooked over open fires and hospitals that were for terminally ill paupers. Blackwood excels, however, in the lively depictions of Elizabethan stagecraft and street life. Lonely outcast Widge is a sympathetic character, but his frequent shifts in voice from Yorkshire dialect to 20th-century American slang may be disconcerting to readers, and the villainy of Widge's nemesis seems all too familiar. Ages 9-12.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From School Library Journal

Grade 4-7AYoung Widge is an Elizabethan Oliver Twist with a talent for shorthand. Raised in an orphanage, he is apprenticed to an unprincipled clergyman who trains Widge to use a cryptic writing system that he's invented to pirate sermons from other rectors. Hired by a mysterious traveler, the boy is hauled off to London to attend performances of Hamlet in order to transcribe the script for another theater company. Naturally, all does not go smoothly, and in the course of trying to recover his stolen notebook, Widge goes to work at the Globe, eventually donning a dress and wig to play Ophelia before the queen. The true identity of the mysterious traveler provides a neat twist at the end. As in Wild Timothy (Atheneum, 1987; o.p.) and several of his other books, Blackwood puts a young boy in a sink-or-swim predicament in alien territory where he discovers his own strength. It's a formula with endless appeal. Not only must Widge survive physically, but he must also find his own ethical path having had no role models. When he is befriended by members of the acting company, he blossoms as he struggles with moral dilemmas that would never have dawned on him before. Tentative readers might be put off by Widge's Yorkshire dialect, but the words are explained in context. Wisely, much of the theater lingo is not explained and becomes just one more part of the vivid background through which the action moves. This is a fast-moving historical novel that introduces an important era with casual familiarity.ASally Margolis, Barton Public Library, VT
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Library Binding: 216 pages
• Publisher: Paw Prints 2008-04-18 (April 18, 2008)
• Language: English
• ISBN-10: 143524690X
• ISBN-13: 978-1435246904
• Product Dimensions: 7.6 x 4.9 x 0.8 inches
• Shipping Weight: 6.4 ounces (View shipping rates and policies)
• Average Customer Review: 4.4 out of 5 stars  See all reviews (65 customer reviews)
• Amazon Best Sellers Rank: #5,007,991 in Books (See Top 100 in Books)

More About the Author

Gary L. Blackwood sold his first story when he was nineteen, and has been writing and publishing stories, articles, plays, novels, and nonfiction books regularly ever since. His stage plays have won awards and been produced in university and regional theatre. Nonfiction subjects he's covered include biography, history, and paranormal phenomena. His juvenile novels, which include WILD TIMOTHY, THE DYING SUN, and THE SHAKESPEARE STEALER, are set in a wide range of times and places, from Elizabethan England to a parallel universe. Several have received special recognition and been translated into other languages. He lives near Tatamagouche, Nova Scotia.

Customer Reviews

Most Helpful Customer Reviews

32 of 34 people found the following review helpful:

4.0 out of 5 stars The Shakespeare Stealer, May 29, 2002

A Kid's Review

This review is from: The Shakespeare Stealer (Mass Market Paperback)

The Shakespeare Stealer is a book about a poor orphan boy, called Widge, living in Shakespearean England who can write a rare coded language in which symbols for each word can be written as the words are said. His forceful master, taking advantage of his ability, orders him to go to the Globe Theater to steal Shakespeare's Hamlet by writing down the lines of the play as the actors are acting them out. Though Widge, the poor, nameless orphan boy feels stealing the play is wrong, he enters the Globe Theater to copy down the play Hamlet. He is found by the players at the theater and they take him in and treat them as one of their own, while also being trained as an actor. While living with one of the men from the Lord Chamberlain's Men (the playing troupe) Widge, a country boy, adjusts to city life. However, Widge has not forgotten the threat his master made to him if he did not bring him a copy of Hamlet, and Widge knows that he has sent someone to London to find him and bring him back to the country. While living in London, Widge's accent is not the only thing that changes. For the first time in his life Widge can make decisions on his own. He learns about the meaning of words such as honesty, trust, loyalty, and friendship. He begins to realize that by working and living with the Lord Chamberlain's men, he is betraying them. The real reason he came to the theater was not to become a player, but to steal from Shakespeare himself, and consequently hurting the people who he is now closest to. Widge tries to decide whether he should betray his friends and copy the play or betray his master and stay in the Lord Chamberlain's Men for acting, not for the purpose of stealing a play, even though it means if his master finds him, Widge will receive severe punishment. Widge also learns that the playing troupe has become like family to him, something he has never experienced, but loves very much. Now he wonders: If his master finds him, will the only family he's ever known disappear from him forever?
I felt as though I could relate with the main character, Widge, for one main reason. All through his life, Widge tries to search for, or feel, a sense of belonging. I have moved between two continents and a dozen more houses during my life. I know how important it is to have a sense of belonging somewhere, because having a sense of belonging somewhere makes people unique and who they are. Widge learns that as long as everybody has people who love and care for them it doesn't matter where they live, they will always feel at home and as though thewy belong. That is why I think that Widge's "family" at the Globe Theater is so important and dear to him. I think The Shakespeare Stealer has a good message about family, and how no matter what it is lie, it is important to everybody's sense of belonging, is a good message.
I loved this book. It not only has action, such as duels and manhunts, it had a great perspective of Elizabethan life in the late fifteen hundreds from a teenager's point of view. My favorite part of the book is when Widge gets his first chance at acting on stage with the players. He was so nervous, he was sure he would forget everything, but once he was on stage he made a great performance. I think it proves that if anyone tries hard they can conquer just about anything. My least favorite part of the book was when an actor from The Lord Chamberlain's Men was forced to leave because she had disguised herself as a boy, because it was illegal for women to act. If I could change any part of the book, it would be that Julian, were allowed to stay on and act with the players, even though she was a girl. I think the fact that Julia was not allowed to stay on with the players, even if they wanted her to, shows the general sexism against women in England at the time, even though it was getting better because the sole ruler of England was a queen (Queen Elizabeth).
I would definitely recommend The Shakespeare Stealer to others because it has action, emotion, drama, and it is a great historical-fiction. It also shows a lot of aspects of Elizabethan England, but it is definitely not a bore. I think someone who likes excitement and historical fiction would greatly enjoy this book, and I highly recommend it.

27 of 29 people found the following review helpful:

5.0 out of 5 stars Containing a boy who frets his hour upon the stage, August 18, 2005

By 

E. R. Bird "Ramseelbird" (Manhattan, NY) - See all my reviews
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This review is from: The Shakespeare Stealer (Mass Market Paperback)

Children's works of historical fiction often suffer from a common malady. If the writer is not completely comfortable with the time period they're writing about, they'll hang everything on a famous person and leave it at that. When I saw that this book was entitled, "The Shakespeare Stealer", I was sure that it would be a book in which a young boy befriended the great William Shakespeare and had an impact on history, yadda yadda yadda. But Gary Blackwood's not your everyday run-of-the-mill writer. There's a truly interesting story at the heart of this tale and a truly talented hand behind the writing. Blackwood doesn't just place his book in the past. He authenticates it by drawing you back into a fully realized historical moment in time. The result is a whole lot of fun and a book that I'll be shoving into the hands of any kid forced to read something realisitic for a book report.

Widge received his odd name when the mistress of an orphanage took one look at him as a babe and said, "Och, the poor little pigwidgeon" (thereby surprising anybody who thought that J.K. Rowling had made up the name). Since birth the boy has been either an orphan or a lowly apprentice. He was put under the thumb of one Dr. Bright when he was seven, and through this master he learned a form of shorthand that no one else in the world knew. Such a talent is bound to attract interest, however, and at the age of fourteen Widge is bought by a man who needs the boy's talents professionally. Sent to London, Widge is told to watch a performance of Hamlet and take down every word. A series of small mishaps land him not in the audience, however, but as a member of the acting troupe. Now the boy who never had a family must learn about courage, trust, and friendship from a group of people who prance about in silly clothes all day. The only question is, will his old master give him up so easily?

The book plunges you headfirst into the late 1500s/early 1600s without further ado. Reading Blackwood, you become acutely aware of just how dirty, dank, and smelly England was during that time. Because Widge is such a greenhorn to the sophistications of London, Blackwood has a perfect excuse for explaining everything. Our hero doesn't understand the presence of drainage ditches alongside busy streets, or how to fence, or what a duel constitutes, so kids can learn alongside him. What was most impressive in my eyes, though, was Blackwood's command of language. Poorly written novels set during Elizabethan England like to throw around a lot of "thees", "thys" and "thous" for good measure. Widge, for his part, is from Yorkshire, so his words and accent are different from even those Londoners he comes to join. The book remains readable for 9-year-olds but also feels authentically Shakespearean. No mean task.

At its heart, the book is really about the beauty of performing on a stage. If you know any kid that's lured time and again to the glory of the limelight, they'll have little problem identifying with Widge. This is a book that celebrates the stage, while couching its tale in murder, fast-paced action, likable characters, and a certain amount of dramatic tension. And for those of you who'd be disappointed if Mr. Shakespeare didn't appear in a book bearing his name, rest assured that he does put in a couple appearances when the fancy strikes. Altogether, this is one of those rare titles that'll appeal to both boys and girls equally. Fine reading.

17 of 19 people found the following review helpful:

5.0 out of 5 stars Terrific, November 27, 2004

By 

Glenn Miller (Minneapolis, MN USA) - See all my reviews
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This review is from: The Shakespeare Stealer (Mass Market Paperback)

This is a book I picked up to read to my sons prior to a trip to London, in the hopes of giving them a sense of, not only the history of London, but of one of the world's greatest playwrites. I could not have picked a better series. The book is extremly well-written, very much in the feel of a Robert Louis Stevenson adventure, both in tone and language. It is clear that Blackwood did a fair amount of research into the life and times of Shakespeare. Although the bard is by no means a central character in this first book of the series, he is a tangential figure. And while there is a great deal of adventure and suspense within this novel, with each of the short chapters ending with a mild cliff-hanger, the beauty of the book comes in the main character's -- Widge's -- search for belonging and community. By book's end, he finds it within the theatre, Shakespeare's Globe. The book succeeds on many levels, not the least of which is giving the reader a good sense of what a player's life was like at the beginning of the 17th century. While I, as an adult reader, thoroughly enjoyed how tightly written this novel was, it should be pointed out that my enjoyment spread to re-reading a couple of Shakespeare's plays, as well as some recently-issued biographies of the Bard. Well done, Blackwood.