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The Shakespeare Trade: Performances and Appropriations (New Cultural Studies) [Paperback]

Barbara Hodgdon (Author)


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Book Description

January 1, 1998 New Cultural Studies

In 1623 Ben Jonson touted Shakespeare as the soul of his age; three centuries later, a newspaper advertisement used Shakespeare's reputation to market Budweiser, "The King of All Bottled Beers." Spanning the past hundred years, The Shakespeare Trade looks at how present-day representations of Shakespeare borrow from and negotiate with his cultural authority to shore up particular obsessions, preoccupations, and myths while making and remaking Anglo-American images of gender and subjectivity.

In these provocative case studies, Barbara Hodgdon examines not only how Shakespeare's plays are staged and restaged by readers and critics as well as by performers and directors but also how the Elizabethan age itself is recirculated and marketed.

Hodgdon's look at "The Taming of the Shrew" scans from silent films to the Shrew episode of the eighties television show Moonlighting, to the most recent Royal Shakespeare Company productions. Moving beyond Shakespeare's plays themselves, she considers how film and television have marketed Queen Elizabeth I's popular cultural memory and how Stratford's various museum spaces celebrate and exhibit an "authentic" Shakespeare side by side with the "Shakespeare kitsch": T-shirts, ties, thimbles, savings banks, and other mass market souvenirs. Styled as a "collector's history," The Shakespeare Trade offers an absorbing and timely account of the means through which Shakespeare's plays, the figure of Shakespeare, and Elizabethan England function in twentieth-century British and American cultures.


Editorial Reviews

Review

"A wonderfully high-spirited and illuminating book. Looking at everything from Shakespeare souvenirs to the U.S. news media's reading of O.J. Simpson as Othello, Hodgdon trenchantly examines the myriad ways in which 'Shakespeare' is perpetually rewritten through the performances and practices by which his name and texts circulate in culture."—Jean E. Howard, Columbia University



"Hodgdon's work should be required reading for anyone concerned with Shakespeare's cultural capital at the end of the twentieth century."—South Atlantic Review

About the Author

Barbara Hodgdon is Ellis and Nelle Levitt Professor of English at Duke University and author of The End Crowns All: Closure and Contradiction in Shakespeare's History.

Product Details

  • Paperback: 328 pages
  • Publisher: University of Pennsylvania Press; First Edition, First Printing edition (January 1, 1998)
  • Language: English
  • ISBN-10: 0812213890
  • ISBN-13: 978-0812213898
  • Product Dimensions: 9.3 x 6.2 x 0.8 inches
  • Shipping Weight: 1.2 pounds
  • Amazon Best Sellers Rank: #2,836,621 in Books (See Top 100 in Books)

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Inside This Book (learn more)
First Sentence:
WHEN KATE DELINEATES a wife's duties to "her loving lord" within a hierarchical configuration of marriage, The Taming of the Shrew closes on an image of "woman" that the play's male characters use as a means of speaking to each other about themselves. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
obedience speech, white imaginary, wonder cabinet, feminist spectator, theatrical culture, reading formations, ring story, women viewers
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Queen Elizabeth, Bette Davis, Picture Gallery, Lepage's Dream, Errol Flynn, New Place, New York, William Shakespeare, National Theatre, Hall's Croft, Secret History, Nash's House, Royal Shakespeare Company, Sarah Bernhardt, Anne Hathaway's Cottage, Courtesy of The Shakespeare Centre Library, Elizabeth Taylor, Shakespeare's Shrew, University of Wisconsin-Madison, Glenda Jackson, Holy Trinity, The Taming of the Shrew, Laurence Olivier, Peter Brook, Virginia Woolf
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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