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Shakespeare Without Class: Misappropriations of Cultural Capital
 
 
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Shakespeare Without Class: Misappropriations of Cultural Capital [Hardcover]

Donald K. Hedrick (Editor), Bryan Reynolds (Editor)
5.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

November 18, 2000
Classless, tasteless, and unclassifiable uses of Shakespeare, from the Bad Quarto of Hamlet to contemporary “post-queer” same-sex version of Romeo and Juliet, join each other through this collection of intriguing new essays that capture the essence of what its editors term “Shakespace.” An alternative to “appropriation,” “Shakespace” describes uses involving not a defined, ideological boundary patrolling but a creative, often dissident or transgressive, social space of transformation.

Editorial Reviews

Review

...really lively, engaged criticism...
-Bibliotheque d'Humanisme et Renaissance

About the Author

Donald K. Hedrick is Professor of English at Kansas State University.

Bryan Reynolds is Professor and Head of Doctoral Studies in the Department of Drama at the University of California, Irvine, USA.

Product Details

  • Hardcover: 304 pages
  • Publisher: Palgrave Macmillan (November 18, 2000)
  • Language: English
  • ISBN-10: 0312222718
  • ISBN-13: 978-0312222710
  • Product Dimensions: 8.6 x 5.8 x 1 inches
  • Shipping Weight: 1.1 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #2,284,682 in Books (See Top 100 in Books)

 

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4 of 7 people found the following review helpful:
5.0 out of 5 stars nudge nudge wink wink, July 19, 2001
By A Customer
This review is from: Shakespeare Without Class: Misappropriations of Cultural Capital (Hardcover)
accomplished contribution, adding new insights to the well worked field, at times relentlessly funny, ...idiosyncratic, and deeply felt. an absolute must-read!
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Inside This Book (learn more)
First Sentence:
"Shakespace" is our name for the territory within discourses, adaptations, and uses of Shakespeare that is marked by a dynamic of what we call "transversality," a dynamic insufficiently captured by a term now familiar in cultural criticism, "appropriation," as in the appropriation of property. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
transversal territory, experimental alterity, transversal pedagogy, transversal power, subjective territory, emulate pride, subjective territories, transversal movement, gay desire, heteronormative culture, second witch, queer critique, first witch, mimetic desire, ethical turn, conceptual territory, state machinery, weird sisters, romance novelists
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Van Sant, African Theatre, The Tempest, African American, William Shakespeare, Cambridge University Press, Prospero's Books, Bryan Reynolds, Martin's Press, Cornell University Press, First Quarto, Pere Ubu, Shakespeare's Coriolanus, Harvard University Press, University of California Press, University of Minnesota Press, First Citizen, National Advocate, The Object of My Affection, Ubu Roi, Oxford University Press, Shakespeare Quarterly, Stephen Greenblatt, Twelfth Night
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