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Shakespeare's Face: Unraveling the Legend and History of Shakespeare's Mysterious Portrait
 
 
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Shakespeare's Face: Unraveling the Legend and History of Shakespeare's Mysterious Portrait [Hardcover]

Stephanie Nolen (Author)
3.8 out of 5 stars  See all reviews (5 customer reviews)


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Book Description

March 30, 2004

A fascinating literary detective story charting the surprising, true history of a recently discovered painting of Shakespeare held by the same family for 400 years -- adding new drama to the Bard's life. When author Stephanie Nolen reported the discovery of the only portrait of William Shakespeare painted while he was alive, the announcement ignited furious controversy around the world.

Now, in this provocative biography of the portrait, she tells the riveting story of how a rare image of the young Bard at thirty-nine came to reside in the suburban home of a retired engineer, whose grandmother kept the family treasure under her bed, and how he embarked on authenticating it. The ultimate Antiques Roadshow dream, the portrait has been confirmed by six years of painstaking forensic studies to date from around 1600, and it has not been altered since.


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Editorial Reviews

From Publishers Weekly

Nolen's scoop about the rediscovery of what is reputedly the only portrait of the Bard painted in his lifetime appeared in 2001 on the front page of the Toronto Globe and Mail and sparked international debate within the Shakespeare industry. Almost a century ago, the "Sanders portrait" was brought to the attention of a prominent Shakespeare scholar and was officially—and incorrectly—dismissed as an altered portrait with a comparatively recent label affixed to it. Its current owner, Lloyd Sullivan, a retired engineer from Ontario, believed that he had inherited a genuine artifact from his grandmother (who kept it under her bed), and Nolen follows his decade-long attempt to confirm the family tradition that it was painted by Sullivan's ancestor, Elizabethan actor-artist John Sanders. Sullivan enlisted chemical and radiological experts to rule out retouching and even one of the world's leading specialists in dendrochronology (the science of dating wood by the tree rings) to situate the portrait's wood panel at the turn of the 17th century. Although Sullivan could never confirm the portrait's provenance, this book's alternating chapters ballast Nolen's account of his quixotic quest with eight essays by such scholarly heavy hitters as Stanley Wells (on the Bard's fame), Jonathan Bate (on the "anti-Stratford" author conspiracies) and Marjorie Garber (on how we read significance into Shakespearean iconography). Nolen refreshingly includes well-considered counterarguments. Encompassing the very debate that its story sparked, Shakespeare's Facecombines potentially dry art history with agreeable historical and journalistic investigation. 16 pages of color and b&w illus. not seen by PW.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

The New York Times Behold that special face. Is it Shakespeare's?

The Globe and Mail He is mischievous, keen-eyed, almost flirtatious. Half twinkle, half smirk, he looks out from his portrait with a tolerant, world-weary air. This is Shakespeare. Perhaps you thought you knew him: bald pate, thin brows, stiff white ruff. You thought wrong. --This text refers to the Paperback edition.

Product Details

  • Hardcover: 384 pages
  • Publisher: Free Press (March 30, 2004)
  • Language: English
  • ISBN-10: 0743249321
  • ISBN-13: 978-0743249324
  • Product Dimensions: 9.3 x 6.3 x 1.2 inches
  • Shipping Weight: 1.3 pounds
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #3,069,699 in Books (See Top 100 in Books)

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Customer Reviews

5 Reviews
5 star:
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4 star:
 (2)
3 star:
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Average Customer Review
3.8 out of 5 stars (5 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

1 of 1 people found the following review helpful:
4.0 out of 5 stars Who cares what the experts think. I say it's him!, June 11, 2004
By A Customer
I'm not an Elizabethan scholar, but I've been reading the Great Man's work since the age of 10 when I found my mother's copy of his Collected Plays. His other portraits do nothing for me. They don't convey the spirit, the fun, the tragedy and frivolity of life. I saw this picture and...it's him!!! Like the woman who saw the portrait in Canada..."This guy is fun!" I think Ms. Nolen makes quite a good case that this may be Shakespeare's portrait. Just because there is no provenance that certifies William Shakespeare sat for the portrait---this is the best we have to date.
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5.0 out of 5 stars This Is Shakespeare!, July 10, 2008
This review is from: Shakespeare's Face (Hardcover)
This book makes an excellent argument for this being a true portrait of Shakespeare. I was convinced that this is Shakespeare. I do not understand why this image does not become the standard illustration in Shakespeare books and plays, and why Shakespeare scholars and enthusiast and actors have not embraced this image, which has more claim to authenticity than any other. The book is well researched and written with clear facts and thoughtful points.Shakespeare's Face
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1 of 2 people found the following review helpful:
4.0 out of 5 stars Fascinating, January 19, 2005
By 
E. Minkovitch (Montreal, Quebec) - See all my reviews
(REAL NAME)   
This review is from: Shakespeare's Face: Unraveling the Legend and History of Shakespeare's Mysterious Portrait (Hardcover)
This book is fast-paced and reads like a detective novel, and is very entertainting, yet at the same time is educational. I have learned many interesting facts about life in the Elizabethan times, the strange history of Shakespeare's portraiture and about Shakespeare himself - in particular, how little is known about him. However, enough is known to tear down the whole Oxfordian authorship hysteria. One of the contributors offers a fascinating essay that destroys the Oxfordian myth with clear, indisputable facts. The same is true of the portrait - after reading this book, no one with a sound mind will believe that it is of Shakespeare, despite the author's naive attempts at exploiting the layman's gullibility (how typical of mass-media journalism) - there is enough scientific and historical evidence presented in the book to make it obvious that this is seriously unlikely to be the case. Ironically, the more I read, the less I believed in the possibility. The book undermines the author's intent to generate excitement in the portrait, which I found interesting and even amusing. Definitely a keeper.
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Inside This Book (learn more)
First Sentence:
SHAKESPEARE KNEW US. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
courtly portraits, new portrait, surviving portraits, unknown boy, oak panel
Key Phrases - Capitalized Phrases (CAPs): (learn more)
William Shakespeare, First Folio, Ben Jonson, Lloyd Sullivan, King's Men, Canadian Conservation Institute, Thomas Hales-Sanders, Martin Droeshout, National Portrait Gallery, New York, Richard Burbage, Stanley Wells, Andrew Gurr, John Fletcher, King Lear, Dover Wilson, John Shakespeare, Lord Chamberlain's Men, Queen Elizabeth, National Gallery, University of Toronto, Willy Shake, Earl of Oxford, Globe Theatre, King James
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