Shakey: Neil Young's Biography [Paperback]

Jimmy McDonough (Author)

Book Description

Release date: May 13, 2003

Neil Young is one of rock and roll’s most important and enigmatic figures, a legend from the sixties who is still hugely influential today. He has never granted a writer access to his inner life – until now. Based on six years of interviews with more than three hundred of Young’s associates, and on more than fifty hours of interviews with Young himself, Shakey is a fascinating, prodigious account of the singer’s life and career. Jimmy McDonough follows Young from his childhood in Canada to his cofounding of Buffalo Springfield to the huge success of Crosby, Stills, Nash and Young to his comeback in the nineties. Filled with never-before-published words directly from the artist himself, Shakey is an essential addition to the top shelf of rock biographies.

Editorial Reviews

Amazon.com Review

Cantankerous and secretive, Neil Young has banished authors from his inner sanctum--until now. In Shakey, Jimmy McDonough distills more than 300 interviews (including guarded yet revealing interrogations of Young himself) into the definitive biography: the skyrocket success, willful disasters, health horrors and triumphs, stunning comebacks, and highly colorful scuffles with equally impossible characters like Stephen Stills, David Crosby, and the incompetent yet brilliant musicians of Crazy Horse. Young is not quite the noble soul some thought--he's an astounding control freak. But he is never less than fascinating. "As ruthless as I may seem to be," Young tells McDonough, "you gotta do what ya gotta do. Just like a f-----' vampire. Heh heh heh." --Tim Appelo --This text refers to the Hardcover edition.

From Library Journal

More than a biography, this work from journalist McDonough (Village Voice, Variety, Spin) is the re-creation of an era.

Copyright 2002 Cahners Business Information, Inc.

--This text refers to the Hardcover edition.

See all Editorial Reviews

Product Details

• Paperback: 786 pages
• Publisher: Anchor (May 13, 2003)
• Language: English
• ISBN-10: 0679750967
• ISBN-13: 978-0679750963
• Product Dimensions: 6.1 x 1.1 x 9.2 inches
• Shipping Weight: 2.2 pounds (View shipping rates and policies)
• Average Customer Review: 3.9 out of 5 stars  See all reviews (150 customer reviews)
• Amazon Best Sellers Rank: #125,464 in Books (See Top 100 in Books)
  • #5 in Books > Biographies & Memoirs > People, A-Z > ( Y ) > Young, Neil

More About the Author

Jimmy McDonough's biography of Neil Young, Shakey, was critically acclaimed The New York Times bestseller. He has also written biographies of Russ Meyer and Andy Milligan, and has written for publications including The Village Voice and Variety.

Most Helpful Customer Reviews

66 of 75 people found the following review helpful

3.0 out of 5 stars Well researched, but poorly edited and in the end, bombastic June 8, 2002

By Dan Ryan

Format:Hardcover

For Neil Young fans only. Read with patience.

McDonough deserves credit for researching Neil Young's life, particularly his early days. His early days in Canada are particularly revealing, showing how Neil's hard-driven personality propelled into great success.

McDonough also deserves credit for getting the always obscure Neil to be about as open as he gets. The interviews are at their best when Neil is describing events in the past. Neil is at times very candid about his failings in his personal life (two divorces) and in his professional life (over-producing "Mr. Soul").

Unfortunately, the book suffers on a few fronts.

First of all, it is poorly edited. The length of the book could have easily been cut 200 pages without much loss. Several times the book will describe events, then have length quotes from Neil exactly describing the same event.

Second, McDonough's status as a hard-core Neil Young fan makes some of his prose rather silly. His exhaltations of "Tonight's the Night" just seem silly. For Pete's sake, Jimmy, it's just Rock and Roll, not the second coming of Jesus.

Finally, the last 100 pages or so are really regrettable. McDonough inserts himself into the biography. Suddenly, it's Jimmy teaching Neil about Nirvana, Jimmy trying to save Neil from the evils of being a Lionel Trains Tycoon. Most annoying is McDonough's whining about Neil giving lots of interviews. Oh, boo hoo, Jimmy's interviews with Niel aren't that exclusive.

But, for a Neil Young fan, this book is indispensible. After reading this book, I have a better understanding of the folks in Neil's sometime backup band, "Crazy Horse". I understand more what is involved with producing an album, and what impact producer David Briggs had on Neil's work. I now know that Neil's unique sound is the result of an ancient guitar dubbed "Ol' Black".

I now have an idea of who Carrie Snodgrass is, although, to be honest, I think McDonough is very unfair with her, along with Neil's first wife. Neil himself seems to be more even-handed with his ex-wives. McDonough seems to hold any woman in who didn't put up with Neil's shenanigans in contempt.

61 of 69 people found the following review helpful

4.0 out of 5 stars A Whole Lot of "Shakey" Goin' On June 25, 2002

By Brian D. Rubendall HALL OF FAME

Format:Hardcover

I'm a huge Neil Young fan, with over two dozen of his albums in my collection. But I'm not a fanatic, and as a result I found his biography, "Shakey" to be as stimulating, but as frustratingly erratic as the artist himself. One thing Neil Young could never be accused of is self-censorship, and author Jimmy McDonough writes about him in the same vein, telling in nearly 800 pages a stoory that could have been more succinctly and powerfully conveyed in about half that number. McDonough spent over ten years working on the book, however, and I guess he felt that his huge investment of time justifies the book's length.

The book is a rambling narrative of Young's life, mainly as seen through the eyes of his closest associates, but is told in the Hunter S. Thompson "gonzo" style of journalism as McDonough frequently inserts himself into the story. There is nothing necessarily wrong with this approach, in may have in fact been necessary, but it ends up padding the length. The main story is interspersed with a hundred or so pages of text from McDonough's various interviews with Young in which the artist is quoted verbaitim. It is a fascinating and unprecedented look into Young's mind, but again it starts to become wearing after awhile. Lengthy passages about such relatively uninteresting subjects as Young's passion for model trains slow things down even further.

Ultimately, "Shakey" is likely to be endured only by Young's most ardent fans and will not win the artist any new converts. But I get the feeling that Young would prefer it that way. As McDonough recounts, the quickest way to get Young to drop a song from an album is to tell him its going to be a surefire hit. He is that rare rock star who actually eschews popularity. Young remains a startlingly original talent after nearly four decades in the recording busines and for all of its flaws, "Shakey" manages to capture his essence.

13 of 13 people found the following review helpful

3.0 out of 5 stars Over and over, again and again June 21, 2002

By A Customer

Format:Hardcover

While I appreciate a book that I cannot rip through in a day, the 800 page Shakey becomes terribly repetitive. The worst part is that, beyond the fact that Neil does some things over and over (we all do), the author starts to write the same things over and over. First, we know McDonough likes Neil's music (OK, at least the few albums with Crazy Horse McDonough returns to, again and again) but is there really no other artist in the universe for whom he can spare a kind or even decent word? It gets tiresome, especially when McDonough often thinks Neil and his latest group/idea are lame -- but everyone else is lamer.

Second, especially as the book drags on, it becomes clear that if only Neil would listen to McDonough everything is his life and career could be so much better.

I really would rather have read more about Neil, and less about McDonough on Neil and how Neil rises above the vast wasteland that is popular culture. I found this McDonough pose particularly tiring -- it is all so very kneejerk, video-killed-the-radio-star, late '80ies.

So, this is a reasonably engaging book, but I walked away thinking a really good editor could have made this a far better read.