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Shakey: Neil Young's Biography
 
 
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Shakey: Neil Young's Biography [Paperback]

Jimmy McDonough (Author)
3.9 out of 5 stars  See all reviews (135 customer reviews)

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Book Description

May 13, 2003
Neil Young is one of rock and roll’s most important and enigmatic figures, a legend from the sixties who is still hugely influential today. He has never granted a writer access to his inner life – until now. Based on six years of interviews with more than three hundred of Young’s associates, and on more than fifty hours of interviews with Young himself, Shakey is a fascinating, prodigious account of the singer’s life and career. Jimmy McDonough follows Young from his childhood in Canada to his cofounding of Buffalo Springfield to the huge success of Crosby, Stills, Nash and Young to his comeback in the nineties. Filled with never-before-published words directly from the artist himself, Shakey is an essential addition to the top shelf of rock biographies.

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Shakey: Neil Young's Biography + Neil Young: Long May You Run: The Illustrated History (Book) + Neil Young: Stories Behind the Songs 1966-1992
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Editorial Reviews

Amazon.com Review

Cantankerous and secretive, Neil Young has banished authors from his inner sanctum--until now. In Shakey, Jimmy McDonough distills more than 300 interviews (including guarded yet revealing interrogations of Young himself) into the definitive biography: the skyrocket success, willful disasters, health horrors and triumphs, stunning comebacks, and highly colorful scuffles with equally impossible characters like Stephen Stills, David Crosby, and the incompetent yet brilliant musicians of Crazy Horse. Young is not quite the noble soul some thought--he's an astounding control freak. But he is never less than fascinating. "As ruthless as I may seem to be," Young tells McDonough, "you gotta do what ya gotta do. Just like a f-----' vampire. Heh heh heh." --Tim Appelo --This text refers to the Hardcover edition.

From Library Journal

More than a biography, this work from journalist McDonough (Village Voice, Variety, Spin) is the re-creation of an era.

Copyright 2002 Cahners Business Information, Inc.

--This text refers to the Hardcover edition.

Product Details

  • Paperback: 786 pages
  • Publisher: Anchor (May 13, 2003)
  • Language: English
  • ISBN-10: 0679750967
  • ISBN-13: 978-0679750963
  • Product Dimensions: 6.1 x 1.1 x 9.2 inches
  • Shipping Weight: 2.2 pounds (View shipping rates and policies)
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (135 customer reviews)
  • Amazon Best Sellers Rank: #92,895 in Books (See Top 100 in Books)

More About the Author

Jimmy McDonough's biography of Neil Young, Shakey, was critically acclaimed The New York Times bestseller. He has also written biographies of Russ Meyer and Andy Milligan, and has written for publications including The Village Voice and Variety.

 

Customer Reviews

135 Reviews
5 star:
 (64)
4 star:
 (28)
3 star:
 (19)
2 star:
 (15)
1 star:
 (9)
 
 
 
 
 
Average Customer Review
3.9 out of 5 stars (135 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

55 of 61 people found the following review helpful:
4.0 out of 5 stars A Whole Lot of "Shakey" Goin' On, June 25, 2002
I'm a huge Neil Young fan, with over two dozen of his albums in my collection. But I'm not a fanatic, and as a result I found his biography, "Shakey" to be as stimulating, but as frustratingly erratic as the artist himself. One thing Neil Young could never be accused of is self-censorship, and author Jimmy McDonough writes about him in the same vein, telling in nearly 800 pages a stoory that could have been more succinctly and powerfully conveyed in about half that number. McDonough spent over ten years working on the book, however, and I guess he felt that his huge investment of time justifies the book's length.

The book is a rambling narrative of Young's life, mainly as seen through the eyes of his closest associates, but is told in the Hunter S. Thompson "gonzo" style of journalism as McDonough frequently inserts himself into the story. There is nothing necessarily wrong with this approach, in may have in fact been necessary, but it ends up padding the length. The main story is interspersed with a hundred or so pages of text from McDonough's various interviews with Young in which the artist is quoted verbaitim. It is a fascinating and unprecedented look into Young's mind, but again it starts to become wearing after awhile. Lengthy passages about such relatively uninteresting subjects as Young's passion for model trains slow things down even further.

Ultimately, "Shakey" is likely to be endured only by Young's most ardent fans and will not win the artist any new converts. But I get the feeling that Young would prefer it that way. As McDonough recounts, the quickest way to get Young to drop a song from an album is to tell him its going to be a surefire hit. He is that rare rock star who actually eschews popularity. Young remains a startlingly original talent after nearly four decades in the recording busines and for all of its flaws, "Shakey" manages to capture his essence.

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56 of 65 people found the following review helpful:
3.0 out of 5 stars Well researched, but poorly edited and in the end, bombastic, June 8, 2002
By 
Dan Ryan (Cheverly, MD USA) - See all my reviews
(REAL NAME)   
For Neil Young fans only. Read with patience.

McDonough deserves credit for researching Neil Young's life, particularly his early days. His early days in Canada are particularly revealing, showing how Neil's hard-driven personality propelled into great success.

McDonough also deserves credit for getting the always obscure Neil to be about as open as he gets. The interviews are at their best when Neil is describing events in the past. Neil is at times very candid about his failings in his personal life (two divorces) and in his professional life (over-producing "Mr. Soul").

Unfortunately, the book suffers on a few fronts.

First of all, it is poorly edited. The length of the book could have easily been cut 200 pages without much loss. Several times the book will describe events, then have length quotes from Neil exactly describing the same event.

Second, McDonough's status as a hard-core Neil Young fan makes some of his prose rather silly. His exhaltations of "Tonight's the Night" just seem silly. For Pete's sake, Jimmy, it's just Rock and Roll, not the second coming of Jesus.

Finally, the last 100 pages or so are really regrettable. McDonough inserts himself into the biography. Suddenly, it's Jimmy teaching Neil about Nirvana, Jimmy trying to save Neil from the evils of being a Lionel Trains Tycoon. Most annoying is McDonough's whining about Neil giving lots of interviews. Oh, boo hoo, Jimmy's interviews with Niel aren't that exclusive.

But, for a Neil Young fan, this book is indispensible. After reading this book, I have a better understanding of the folks in Neil's sometime backup band, "Crazy Horse". I understand more what is involved with producing an album, and what impact producer David Briggs had on Neil's work. I now know that Neil's unique sound is the result of an ancient guitar dubbed "Ol' Black".

I now have an idea of who Carrie Snodgrass is, although, to be honest, I think McDonough is very unfair with her, along with Neil's first wife. Neil himself seems to be more even-handed with his ex-wives. McDonough seems to hold any woman in who didn't put up with Neil's shenanigans in contempt.

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27 of 31 people found the following review helpful:
2.0 out of 5 stars A mediocre biography at best, June 13, 2002
By 
SteveR (Rocky Hill, NJ United States) - See all my reviews
Although I did enjoy reading a lot of Shakey, I ended up disappointed. The early chapters which describe Neil's battles with polio, his parents divorce, and epileptic seizures I found extremely interesting. Unfortunately once you get to his professional music career, Jimmy McDonough spends more time trying to psychoanalyze what Neil's intentions were instead of just focusing on how things came about. He offers up his personal reviews of albums (many of which I disagree with) that seem like they were taken from his archives as a journalist for Spin magazine. He also picks apart lyrics describing his great interpretation of the heavy symbolism in the songs. Dude, "Homegrown" isn't about man's struggle with the universe, it's about pot! I also found his constant returning to the "Tonight's The Night" album as Neil's greatest accomplishment and the measurment of everything else he's ever done annoying. Also, according to McDonough, Neil Young must be the worst performer of all time since he spends so much time ripping every live performance to shreds describing how out of tune the band was, how much feedback there was, how they couldn't keep the beat, etc. The end of the book finds McDonough complaining to Neil about how much time he's been spending on TV, at the RnR Hall of Fame, at the Academy Awards. Yeah, one thing I hate as a fan is seeing too much of a performer I like! But most of all what I felt the book accomplished was showing Neil as a very unlikeable character. Someone who has temper tantrums, is impossible to work with, doesn't care about the quality of the work he puts out, fires band members on a whim only to call them back years later when he needs to use them, then dump them again, on and on. Well, if you're a Neil fan you may want to check this out, but be aware that at times you will be annoyed.
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Inside This Book (learn more)
First Sentence:
The first time Jon McKeig really encountered Shakey he was under a car. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
train barn, honey slides, lotta things, danger bird, audience tape, unreleased songs, remote truck, lotta people, rhythm piano, heh heh
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Neil Young, Crazy Horse, Buffalo Springfield, Elliot Roberts, Los Angeles, New York, David Briggs, Ben Keith, Joel Bernstein, Jack Nitzsche, Stephen Stills, Pearl Jam, Danny Whitten, San Francisco, Billy Talbot, Bob Dylan, Broken Arrow, Fort William, David Crosby, Graham Nash, Scott Young, Elliot Mazer, Joni Mitchell, Ken Viola, Ralph Molina
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