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Shame Unknown Binding – 1983

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Product Details

  • Unknown Binding
  • Publisher: Knopf 1983; 1St Edition edition (1983)
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (38 customer reviews)
  • Amazon Best Sellers Rank: #10,930,268 in Books (See Top 100 in Books)

More About the Author

Sir Salman Rushdie is the author of many novels including Grimus, Midnight's Children, Shame, The Satanic Verses, The Moor's Last Sigh, The Ground Beneath Her Feet, Fury, Shalimar the Clown and The Enchantress of Florence. He has also published works of non-fiction including, The Jaguar Smile, Imaginary Homelands, The Wizard of Oz and, as co-editor, The Vintage Book of Short Stories.

He has received many awards for his writing including the European Union's Aristeion Prize for Literature. He is a fellow of the Royal Society of Literature and Commandeur des Arts et des Lettres. In 1993 Midnight's Children was judged to be the 'Booker of Bookers', the best novel to have won the Booker Prize in its first 25 years. In June 2007 he received a knighthood in the Queen's Birthday Honours.

Customer Reviews

Once you start reading the book, it is hard to put it down!
rahul sarvadevabhatla
Even as a minor book this proves Rushdie's clarity of vision and his place as one of the greatest writers of teh 20th century.
Tim Lieder
This is my favourite Rushdie novel (and I have read them all).

Most Helpful Customer Reviews

42 of 42 people found the following review helpful By ewomack TOP 1000 REVIEWERVINE VOICE on January 29, 2006
Format: Paperback Verified Purchase
This, Rushdie's third novel, explores the universal theme of shame in the context of an - somewhat imaginary but simultaneously all too real - Islamic society. The characters swim up to their necks in the stuff. From the three sisters, Chhunni, Munnee, and Bunny (who remain locked up in "Nishapur" with their deadly dumbwaiter), who think more of their inheritance than their father's death to the immaculately conceived, fat, passive, and eternally inverted Omar Khayyam (but rumors fly that the sisters - who share in all the burdens of Omar's birth - scandously seduced Angrez men) to the self-proclaimed "simple soliders" who ultimately turn into brutal dictators (and some shamelessly use Islam to gain public support) to the public that grieves "Did we really do that? But we are ordinary people..." shame fills up and drowns every letter of this novel. And not just "shame", but the nearly untranslatable ultra-nuanced Urdu word "sharam". Even the "family tree" at the beginning of the book, with its numerous nicknames and references to "illegitimate children", seeps with shame. Most of all, the central character (according to the opening of part II), Sufiya Zinobia, physically and metaphorically embodies all of the horrors that shame can produce. The most violent and stomach-churning scenes in the book involve the manifestation of this "Beast" inside of the tiny, innocent girl. By the end of the novel she takes on the role of the classical Greek furies. She leaves a venegeful sopping bloodbath on her way to President Raza Hyder's compound. But, as always with Rushdie, the expected doesn't occur.

Much like Rushdie's second novel, "Midnight's Children", "Shame" contains an obstrusive narrator. This character (Rushdie himself?
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31 of 31 people found the following review helpful By JLind555 on March 18, 2001
Format: Paperback
"Shame" is an absolutely brilliant allegory about the political and social chaos that helped give birth to Pakistan and, later, to Bangladesh. If you're up on your modern history, some of the characters will be instantly recognizable. Benazir Bhutto is the Virgin Ironpants; and Zia ul-Haq, who wanted to throw Pakistan back into the middle ages, is General Raza Hyder, who ends up fleeing for his life, only to be destroyed, in an ending similar to a Greek tragedy, by the Three Furies, in the guise of the three "mothers" of the protagonist, Omar Khayyam, a lazy, indolent man without shame or much of a conscience either.

Neatly balancing Omar is the book's other protagonist, a little girl so engulfed in shame that her blushes burn everyone who touches her and almost set water to boil; when she grows up and loses her shame and thus her modesty, all hell breaks loose. Rushdie is also a terrific humorist, and some sections of the book will have you on the floor laughing. Above all,"Shame" is a tour-de force, a non-stop page-turner, a dizzying melange of allegory, parody, fantasy, mythology and modern history, told by a writer whose love/hate relationship with his country is reflected all over the book. It's Rushdie at his finest and helps to secure his place as one of the best writers of his generation.

Judy Lind
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20 of 21 people found the following review helpful By A Customer on April 8, 1997
Format: Paperback
Shame is, in my opinion, the finest novel Rushdie has written yet. It's much darker thanany of his other work, disturbingly so, and the violence is of a kind not found in his other novels.The book traverses the sub-continent, moving through Bangladesh, India and Pakistan as effortlessly as the consciousness of most of the people who call themselves Bangladeshi, Indian or Pakistani. The emotion of Shame is a hook on which the novel is built. It isn't the center, though Rushdie often focuses on instances where his characters flush with redness. Rushdie spent part of his childhood in Pakistan (and has gone back since), the novel is pieced together, like most of Rushdie from a remembering that is incomplete and where the gaps are filled by fantasy. Shame attains a balance between the imaginatively outrageous and the real as it moves through time in the "other" country on the sub-continent. The story of a man/child who grows up in and, perhaps, out of a house with three aunts, each of whom is his mother, Shame stands for the people of the north-western sub-continent as only a work infused with divinely sharp humour can. Before the Satanic Verses, there was Shame, and Shame engaged in the same mode of literate heresy that Rushdie employed later in Satanic Verses. Only in Shame it was the root of all middle-eastern religions, Zoroastrianism that Rushdie focused on. And his repetition of a similar ancient heresy, like SV questioning the sharp distinction made between darkness and light (in God and creation), in the context of a faith that acknowledges, even births the Manacheean heresy. In a similar manner, Shame explores the realm between the human and barely human, and the madness that is in all of us. Shame isn't an easy read, it may even be so disturbing as to irritate you. But for me it is the supreme height of Rushdie's fiction to date, the strangest and most penetrating of all his work. -- Subir Grewal
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13 of 14 people found the following review helpful By Damion Pisacane on March 6, 2001
Format: Paperback
Let me start by saying that if you have never read a Salman Rushdie book before, I do not recommend that this be your first. My first encounter with Rushdie was Haroun and the Sea of Stories, a friend of mine began to appreciate his writing after reading Midnight's Children. Stick to those (or perhaps East, West) if you are a Rushdie neophyte. Shame is not necessarily the best introduction to one of the best writers of the 20th century.
Why, you might ask? The fact is that Shame homes in on a specific theme and doesn't let go. The book is essentially about the birth of Pakistan and its painful, turbulent early years. It is so focused on these themes that Rushdie goes so far as to include personal asides in the middle of the prose in order to further clarify the points he is making. Shame is a fun, clever and tremendously enjoyable novel but I can see people being put off by an almost educational, preachy tone in these little asides.
Don't get me wrong.... Shame is a GREAT book! For any of you who are familiar with Rushdie's style, you will find that he is up to form here. The plot is full of clever devices (much like in The Moor's Last Sigh) which will have you placing the book down, simply awestruck at the inventiveness and foresight.
What else can I say? I am enraptured with Rushdie. Anyone interested in reading simply astounding prose needs to do themselves a favor and read this author's work. Be forewarned though, this in not a light afternoon read, it requires a certain intellectual investment.
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