Shane [Mass Market Paperback]

Jack Schaefer (Author)

Book Description

Release date: September 1, 1983

He rode into our valley in the summer of ’89, a slim man, dressed in black. “Call me Shane,” he said. He never told us more.

There was a deadly calm in the valley that summer, a slow, climbing tension that seemed to focus on Shane.

“There’s something about him,” Mother said. “Something . . . dangerous . . .”

“He’s dangerous all right,” Father said, “but not to us.”

“He’s like one of these here slow burning fuses,” the mule skinner said.

“Quiet . . . so quiet you forget it’s burning till it sets off a hell of a blow of trouble. And there’s trouble brewing.”

Jack Schaefer is best known for this timeless classic.

Editorial Reviews

Review

"Narrative and literary superiority." Kirkus Reviews

--This text refers to an out of print or unavailable edition of this title.

From the Publisher

"Call Me Shane "

He rode into our valley in the summer of '89, a slim man, dresses inblack.

"Call me Shane," he said. He never told us more.

There was a deadly calm in the valley that summer, a slow, climbing tension that seemed to focus on Shane.

"There's something about him," Mother said. "Something...dangerous..."

"He's dangerous all right," Father said, "...but not to us..."

"He's like one of these here slow burning fuses," the mule skinner said. Quiet...so quiet you forget it's burning till it sets off a hell of a blow of trouble. And there's trouble brewing."

"TAUT...GRIM...UNFORGETTABLE..."

See all Editorial Reviews

Product Details

• Age Range: 12 and up
  
• Mass Market Paperback: 160 pages
• Publisher: Bantam (September 1, 1983)
• Language: English
• ISBN-10: 0553271105
• ISBN-13: 978-0553271102
• Product Dimensions: 4.5 x 0.4 x 7 inches
• Shipping Weight: 3.2 ounces (View shipping rates and policies)
• Average Customer Review: 4.1 out of 5 stars  See all reviews (134 customer reviews)
• Amazon Best Sellers Rank: #16,799 in Books (See Top 100 in Books)

Most Helpful Customer Reviews

84 of 88 people found the following review helpful

5.0 out of 5 stars Intense and Beautiful January 20, 2003

By Jeffrey Leach HALL OF FAMEVINE™ VOICE

Format:Mass Market Paperback

The film version of Jack Schaefer's 1949 novel "Shane" is one of those touchstone movies of childhood, along the lines of the unforgettable tearjerker "Old Yeller." The last scenes of the film are sure to bring a lump to the throat of the most stalwart among us. With memories of the film firmly etched in my mind, I decided to read Schaefer's novel, to go to the source itself and see whether the book is better than the movie. I have to say Shane as a novel is a must read, even more important than watching the film version.

The plot should be familiar to many people. The Starrett family is working some land in Wyoming, trying to cut a living out of the rugged landscape. Several other families are staking claims in the area even though Fletcher, the big rancher in the region, hates their presence and is working behind the scenes to drive them out. The homesteaders look to Joe Starrett to protect their interests in the face of this intimidation, a battle Joe is slowly losing until the arrival of Shane.

When Shane arrives, he quickly takes up residence with the Starrett family, working as a hand around the place. Within a short period of time Shane finds himself sucked into the feud between Fletcher and the homesteaders. Ranch hands goad Shane into several violent fistfights, although Shane goes out of his way to avoid trouble. As the level of conflict escalates and the dangerous qualities of Shane emerge, Fletcher brings in a hired gun from the outside to deal with the troublesome homesteaders for the last time. The final scenes of the novel balance gripping action with the heartrending departure of Shane back into the wilderness from which he came.

Schaefer pulls off a triumph of epic proportions with this short novel.... Not only is the story told in a sparse, no nonsense style, Schaefer makes Joe Starrett's son Bob the narrator of the story. Through this touchingly innocent narration, Bob manages to convey the mysterious qualities of Shane while still revealing adult themes. For example, a rather platonic love emerges between Shane and Marion, Bob's mother. Joe knows about the love springing up between the two but chooses to keep it in perspective. The beauty of this incident is how Bob relates it; he discusses it just as a child would, without really understanding the implications of the situation while the reader understands perfectly what is happening. Brilliant, just brilliant!

Shane is the main character of the novel even though we do not learn much about him. Shane is an enigma clad in dark clothing, riding in off the land like some mysterious omen of doom. Schaefer tells us nothing about Shane's past, although it is obvious he is a master with a pistol and that he has a checkered past involving trouble of some sort. Whatever trouble Shane is in, he is what we would call "good people." Shane wants to avoid conflict, but he will never back down from a fight or fail to help people who treat him as a friend. His past haunts his actions, making him reluctant to rely on his seemingly vast reservoirs of strength. When pushed to the wall, Shane lashes out with a terrible violence usually kept in check because he knows what he is capable of doing to a man.

There are several themes arcing their way through this book. One deals with fate and how it is impossible to escape your past. Another involves violence; not reckless violence of the type employed by Fletcher and his goons, but a measured violence used to solve a seemingly insolvable situation. Schaefer shows us that no matter what our intentions in this life, there are going to be times when violence in the name of a cause is the only answer to those who are incapable of relying on any method other than intimidation to get what they want out of life.

This is an excellent read for any type of reader both young and old, although that does not make it a necessarily easy book. The bare bones writing style makes it very easy to gloss over important themes and symbolisms. In other words, "Shane" is a book to think about both when reading it and after finishing the story. Reading the story more than once may not be a bad idea, as more themes are sure to emerge from this fascinating character study. Schaefer dedicated "Shane," his first book, to his first son. What a beautiful and wondrous tribute. Read more ›

33 of 35 people found the following review helpful

4.0 out of 5 stars Ridin' Out in a Fury... April 6, 2000

By A Customer

Format:Mass Market Paperback

I'm a 7th grader who just finished writing this review for my class and my teacher accused me of cheating. She said it was too good for a 7th grader to write. My mother suggested that I send my review in and consider it a vote of confidence. This action-filled western fiction, set in the late 1880's has an unpredictable ending. When a restless gunman rides into a hard working, god-fearing family, they provide him with honest work and stability. The untouchable gunman changes his negative actions into positive actions by fighting for justice of the commom man in a Wyoming valley of corrupted cattlemen. The setting provided a historic look into the past of the taming of the west and its enduring bloodshed of the ending of open ranges and the beginning of grazing wars between the farming homesteaders and the established ranchers. The main character's defenses of isolation and destitute unravel into a caring, justice-seeking, loyal man whose attributes contribrute to the small homesteading community. Finding his acceptance among man, the main character, unpredictably returns to his engraved dynamics of aloneness and shatters the lives of the people who grew so close to him. This novel impressed upon my mind the cliche'"The road to heaven is paved with good intentions", showing me that he couldn't distance his past and feel comfortable in his own skin where ever he roamed. SHANE MAY NOT HAVE BEEN ABLE TO CHANGE A NEGATIVE TO A POSITIVE-BUT I SURE CAN! JESSE MILLER

29 of 31 people found the following review helpful

5.0 out of 5 stars Classic Western Motifs May 4, 2004

By Ron Atkins

Format:Mass Market Paperback

Unlike the reviewer "Barb from Oregon," I believe everything she found detestable in Shane is what makes it a great western. Her firts complaint was to the shallow development of the Shane character. I believe the author intentionally left his past dim, his motivations unkown, as part of the "hero" motif. As to violence--it's a western story depicting a range war, not a court proceeding. The author shows Joe's muscles ripping his shirt in the bar fight for a reason. From the perspective of his son, it was vitally important that he see his father as strong, otherwise his admiration of Shane may have overshadowed his father.

Wild Bill recommends this book for any reader interested in a portrayal of the wild west in its legendary form.

17 of 17 people found the following review helpful

5.0 out of 5 stars incomparable November 4, 2001

By Orrin C. Judd VINE™ VOICE

Format:Hardcover

He was clean-shaven and his face was lean and hard and burned from high forehead to firm,
tapering chin. His eyes seemed hooded in the shadow of the hat's brim. He came closer, and I
could see that this was because the brows were drawn in a frown of fixed and habitual alertness.
Beneath them the eyes were endlessly searching from side to side and forward, checking off every
item in view, missing nothing. As I noticed this, a sudden chill, I could not have told why, struck
through me there in the warm and open sun.

Well, we all know why that chill ran through little Bob as Shane rode up to the Starrett homestead in the Wyoming Territory in the summer of 1889, because Shane was a lethal, albeit reluctant, gunslinger. This slender American classic tells the story, familiar to every cultured American from the great George Stevens' movie (1953), of how Shane, fleeing a mysterious but obviously violent past, was befriended by the Starretts and stayed on to help them fight off the predatory intentions of the valley's big rancher and his evil henchmen. It is a story that is central to the American mythos.

The great Westerns penetrate deep within the American psyche; they strike a chord that lies somewhere within our national character, just waiting to be plucked. I believe that their unique power derives from a truly elemental facet of democracy--that in order for men to enjoy the freedom that a democracy allows, they must be able to depend on the fundamental goodness of their fellow men. An unyielding, self enforcing morality is a prerequisite for a political system based on liberty; men are unwilling to limit the coercive power of government when they live in fear of one another....

Certainly the Western and the code of the West represent a sanitized and romanticized view of the Frontier and the men who tamed it, but it is a romance that serves the democratic purpose. These morality tales are instructive and aspirational. Of course men like Shane are archetypes in a kind of a national myth making:

There were sharp hidden hardnesses in him. But these were not for us. He was dangerous as
mother had said. But not to us as father too had said. And he was no longer a stranger. He was a
man like a father in whom a boy could believe in the simple knowing that what was beyond
comprehension was still clean and solid and right.

This is a little boy's impossible view of a hero, but here we see that the character of Joe Starrett is equally important. Joe Starrett is a simple sod farmer, but he is kind and decent and honest and courageous, the equal of Shane in every respect except for speed on the draw. Joe is the true yeoman hero of this tale and one of the duties that Shane performs is to demonstrate this fact to young Bob (and to us).

Stories like Shane are a product of a time when Americans genuinely believed in democratic ideals and in the American Dream. They express our native confidence that we can produce men who will measure up these standards. It is no coincidence that the Western died in the mid-60's along with the sense of confidence in our national purpose. It is also unsurprising that it was Ronald Reagan, that hero of myriad Westerns, who stanched the bleeding and made people believe again, however briefly.

Here is just one other example of the instructive nature of these stories. This is Shane, teaching Bob to shoot:

"Listen, Bob. A gun is just a tool. No better and no worse than any other tool, a shovel--or an axe
or a saddle or a stove or anything. Think of it always that way. A gun is as good--and as bad--as
the man who carries it. Remember that."

Think of the level of personal responsibility that this attitude assumes. Contrast it with the near fascist drive to abolish gun rights today. The underlying argument of the forces of gun control is that guns are evil in and of themselves, regardless of the men who wield them. This is part and parcel of the Democrat myth of the '90s. Which do you think is more likely to foster good citizenship, holding guns responsible for violence or holding men responsible?

As for me, I choose the classic Westerns and the democratic ideals that they convey, over the moral relativism that permeates our current culture.

GRADE: A+ Read more ›