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Shapes: Nature's Patterns: A Tapestry in Three Parts
 
 
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Shapes: Nature's Patterns: A Tapestry in Three Parts [Hardcover]

Philip Ball (Author)
4.3 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

Natures Patterns May 15, 2009
Patterns are everywhere in nature - in the ranks of clouds in the sky, the stripes of an angelfish, the arrangement of petals in flowers. Where does this order and regularity come from? It creates itself. The patterns we see come from self-organization. Whether living or non-living, scientists have found that there is a pattern-forming tendency inherent in the basic structure and processes of nature, so that from a few simple themes, and the repetition of simple rules, endless beautiful variations can arise.

Part of a trilogy of books exploring the science of patterns in nature, acclaimed science writer Philip Ball here looks at how shapes form. From soap bubbles to honeycombs, delicate shell patterns, and even the developing body parts of a complex animal like ourselves, he uncovers patterns in growth and form in all corners of the natural world, explains how these patterns are self-made, and why similar shapes and structures may be found in very different settings, orchestrated by nothing more than simple physical forces. This book will make you look at the world with fresh eyes, seeing order and form even in the places you'd least expect.

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Editorial Reviews

Review


"Highly recommended. Ball is an inspired generalist who is able to take different intellectual and academic perspectives, as well as wildly divergent natural phenomena, and weave them into a coherent tapestry that will serve the professional and the casual reader alike. The writing is both precise and readable, and the generous illustrations are fascinating, informative, and consistently well done. Although a number of works like this have been published in recent years, few have been of similar quality. These three volumes are a worthwhile addition to any library collection."--Choice


"From the curl of a ram's horn to patterns of spider webs and the development of an embryo, Mr. Ball examines the possible causes of the shapes and forms we observe...a lot of fascinating detail about the different physical, chemical and evolutionary processes at work."--The Economist


"Provide[s] a window into all that's fascinating in nature, skimming from pattern to pattern in prose and history, shedding light on the physical and chemical forces behind nature's tapestry without losing readers in the math." --Seed Magazine


About the Author


Philip Ball is a freelance writer and a consultant editor for Nature, where he previously worked as an editor for physical sciences. He is a regular commentator in the scientific and popular media on science and its interactions with art, history and culture. His ten books on scientific subjects include The Self-Made Tapestry: Pattern Formation in Nature, H2O: A Biography of Water, The Devil's Doctor: Paracelsus and the World of Renaissance Magic and Science, and Critical Mass: How One Thing Leads To Another, which won the 2005 Aventis Prize for Science Books. He was awarded the 2006 James T. Grady - James H. Stack award by the American Chemical Society for interpreting chemistry for the public. Philip studied chemistry at Oxford and holds a doctorate in physics from the University of Bristol. His latest book The Music Instinct published in February 2010.

Product Details

  • Hardcover: 320 pages
  • Publisher: Oxford University Press, USA; 1 edition (May 15, 2009)
  • Language: English
  • ISBN-10: 0199237964
  • ISBN-13: 978-0199237968
  • Product Dimensions: 8.6 x 5.6 x 1 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #383,039 in Books (See Top 100 in Books)

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Average Customer Review
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3 of 3 people found the following review helpful:
4.0 out of 5 stars Take a closer look at nature with fresh eyes, to recognize its amazing shapes and forms, August 7, 2011
****
"If the phrases 'bicontinous periodic minimal surface' and 'reaction-diffusion process' make you break out in a cold sweat, this isn't a book for you. If your brain is still working and you're curious what daffodils and fingerprints, catalytic converters and leopard spots, or soap films and butterfly wings may have in common." -- A witty reviewer



Patterns are dominant in nature's dramatic disclosure, from the clouds hovering in the sky, to petals disposition in flowers. Where do the patterns we observe come from? Scientists have found that there is a pattern-forming tendency inherent in the basic structure and processes of nature, so that from a few simple themes, and the repetition of simple rules, endless beautiful compositions can evolve. From the patterns of spider's webs to the curl of a ram's horn, Philip Ball examines the genesis and antecedents of the shapes and forms we observe in physical and biological world. In the end, he concludes, nature is an opportunist. One of Ball's heroes, Sir D'Arcy Thompson, a pioneering mathematical biologist, remembered for his book, On Growth and Form, may have inspired him to write his book 'Forms', that contains a lot of fascinating detail about various physical, chemical and possible evolutionary processes at work.

He wonders why do honeycombs have a hexagonal shape? Why are the flowerets in a sunflower arranged in a clothoid or double spiral, a curve whose curvature grows with the distance from the origin? Most scientists would rather call on Charles Darwin to elucidate on these patterns as a random product of evolution, emerging from innumerable variations of possible shapes through natural selection. In the 18th century René de Réaumur, a French scientist, proved that the hexagon guarantee that worker bees fill the cells space efficiently while minimizing the total cellular wall area. In other words, hexagonal cells allow bees to focus on maximizing honey production and expend the least amount of energy making wax. Darwin used the beehive as an example of evolutionary progress, while Thompson argued for a less complicated physical explanation, arguing that natural selection need not be taken into consideration at all.

One of a trilogy of books exploring the analysis of patterns in nature, British writer and science populizer Philip Ball, examines how shapes from soap bubbles to honeycombs can evolve. He uncovers patterns in growth and forming in the four corners of the natural world, explaining how these patterns are formed. This book will make you take a closer look at nature with fresh eyes, and recognize amazing shapes and forms in places you would least expect. Ball is an inspired science writer, gifted to examine divergent natural phenomena and link different intellectual and academic perspectives of relative significance, weave them into a an orderly, logical, and aesthetically consistent tapestry that will marvel the professional and the lay reader alike. The writing is both fascinating and engaging, with nice informative illustrations.
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5.0 out of 5 stars Great book, September 28, 2011
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I love the way this author uses real life examples to put the flow into the mix and then branches is quite a learning experience, if you wanna learn about the itty bitty , this book is for you!
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8 of 45 people found the following review helpful:
4.0 out of 5 stars shapes: explained scientifically, September 12, 2009
This review is from: Shapes: Nature's Patterns: A Tapestry in Three Parts (Hardcover)
Ball takes a logical approach to explain the physical laws that govern shapes, and the evolutionary basis for the shapes. I believe the physical laws are ordered and our job as scientists is to uncover the mysteries and find the discoveries that are already there. It's like Columbus didn't discover America. It was always there, the Europeans just didn't know it. The "Intelligent Design" and Creation people are right in that God just might be responsible for complicated shapes, but they have God intervening late in the cycle. He established the overall physical laws that living things follow to get their shapes. He didn't intervene at the last minute to make a complex spiral sea shell. This approach reconciles the Science vs. God conflict very nicely. The Creationists have the right idea generally, but are too pushy in their approach. Besides, if I was God, I wouldn't waste time diddling around with every little plant and animal, I would be more efficient and lay down the regular physical laws they should follow. Ball helpls understand the efficient God, not the detail freak God.
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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
volar pads, phyllotactic patterns, periodic minimal surfaces, bicoid protein, fruit fly embryo, chemical waves, excitable medium, patterning genes, spiral waves, wing cell, silver chromate, animal markings
Key Phrases - Capitalized Phrases (CAPs): (learn more)
D'Arcy Thompson, Ernst Haeckel, Sean Carroll, Hans Meinhardt, University of Texas, Alan Turing, University of Wisconsin-Madison, Frederik Nijhout, Indiana University, National Chung-Hsing University, Harvard University, Golden Section, University of Toronto, Matthias Weber, Sy-Sang Liaw, Shigeru Kondo, Trinity College, The American, Art Nouveau, Princeton University, New Mexico, University of Arizona, Ben Gurion University, After Murray, Columbia University
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