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British horror/comedy Shaun of the Dead is a scream in all senses of the word. Brain-hungry zombies shamble through the streets of London, but all unambitious electronics salesman Shaun (Simon Pegg) cares about is his girlfriend Liz (Kate Ashfield), who just dumped him. With the help of his slacker roommate Ed (Nick Frost), Shaun fights his way across town to rescue Liz, but the petty concerns of life keep getting in the way: When they're trying to use vinyl records to decapitate a pair of zombies, Shaun and Ed bicker about which bands deserve preservation--New Order they keep, but Sade becomes a lethal frisbee. Many zombie movies are comedies by accident, but Shaun of the Dead is deliberately and brilliantly funny, while still delivering a few delicious jolts of fear. Also featuring the stealthy comic presence of Bill Nighy (Love Actually) and some familar faces from The Office. --Bret Fetzer
From The New Yorker
It is only natural to be scared of zombies, and to prevent them from laying waste to your home. A more relaxing approach, however, is to be bored and vaguely annoyed by them, or, better still, not to notice them in the first place. This is the premise of Edgar Wright's British comedy, which may be responsible for kicking off a new and specialized genre of slacker horror. Shaun (Simon Pegg) lives a supremely uneventful life, which revolves around his girlfriend (Kate Ashfield), his mother (Penelope Wilton), and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners. The finale, in which the pub turns into an Alamo, is the bloodiest, most orthodox, and least witty part of the movie; far sharper are the early scenes in which Shaun wanders happily to the local store along a battered, zombie-dotted street and pulps his attackers with a cricket bat. The central joke is so snappy and well sustained that you barely catch sight of the ominous vision on offer: a country that already feels like death. -Anthony Lane
Copyright © 2006 The New Yorker
Product Description
There comes a day in every man’s life when he has to get off the couch...and kill some zombies. When flesh-eating zombies are on the hunt for a bite to eat, it’s up to slacker Shaun (Simon Pegg) and his best pal Ed (Nick Frost) to save their friends and family from becoming the next entrée. Novelist Stephen King gushes Shaun of the Dead is “a 10 on the fun meter and destined to be a cult classic” and Newsweek calls it “a bloody hoot!” It’s a screamingly hilarious zomedy that will have you dying with laughter.
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Most Helpful Customer Reviews
67 of 75 people found the following review helpful
Format:DVD
It is a very hard line to cross in today's cinema to make a film that part comedy and horror film. Normally, when this happens we end up with something like the Chucky series. It began serious, but after seeing the new preview, I know they have given up serious horror and invaded into the world of campy horror. I was afraid at first that this film was going to go into that direction, but then I remembered ... this film wasn't made in America, it was made in Britain where the humor is actually intellectually funny. As I was sitting and enjoying this film from beginning to end, I couldn't help but wonder why America has not been able to master this style of film yet. Why is our comedies still heavily based in the sex humor or bathroom jokes? While there were some in this film, I felt the majority of the humor was logic and intelligence based. "If you listen to the words, you will laugh at the jokes" style of comedy instead of waiting to see who will fall over what first.
With its firm grasp on the comedy aspect, Shaun of the Dead delivers an exceptional grade for its creativity. It takes a lot of brain work to be able to think of a story about zombies where our main characters are oblivious to the fact that anything horrible is happening in the world until the second act. That was actually some of my favorite parts of this film. I was there, sitting in the theater, knowing that it was a zombie film (still, can I call it that?), and nearly missing the entire zombie clues going on in the background. My eyes were focused directly on our star and scene-stealer duo, Shaun and Ed. One of my favorite scenes of this film is when Shaun is going to work after the dead have risen and goes through the motions as if nothing strange is happening while there is chaos and destruction all around. How many of us have gone to work and not even noticed anything-different happening in our daily routine. Sometimes we get so caught up in the motion that we miss any different actions. I couldn't stop laughing.
What also made this film work on every level was the cast. Director Edgar Wright has done a fantastic job of placing the right actors with the right characters. They were each believable in their own part, and I loved every scene with Bill Nighy. He was perfectly cased and you could just tell that he loved being in this film. That is another great aspect of this film. It was a fun film and you could tell that the cast was having fun with their roles and were comfortable in their environment. So many times we watch these style of films and we see miscasting and uncontrolled actors doing anything to ensure that they stay at the top of people's minds. This wasn't happening in this film. I wasn't familiar with many of the actors, so I couldn't play favorites. All I could do was sit back and enjoy everyone and everything.
I would like to end with the comment that this is still a zombie film. It is a love story surrounding a zombie film where the director has chosen to emphasize the love story instead of blowing everything up. I know that sounds strange, but you will get used to it American viewers. I mention that it is still a zombie film because I do not want people going thinking that this is a spoof. While it does pay homage to several of the classic horror films, this film stands on its own two feet. It had blood, it has violence, and it has those infamous scenes of people's heads being blown apart. That is why we see zombie films.
Overall, if you love zombie films and you are a fan of The Office or any Hugh Grant film, than Shaun of the Dead will appeal to you. I don't remember the last time I witnessed such a creative film.
Grade: ***** out of *****
With its firm grasp on the comedy aspect, Shaun of the Dead delivers an exceptional grade for its creativity. It takes a lot of brain work to be able to think of a story about zombies where our main characters are oblivious to the fact that anything horrible is happening in the world until the second act. That was actually some of my favorite parts of this film. I was there, sitting in the theater, knowing that it was a zombie film (still, can I call it that?), and nearly missing the entire zombie clues going on in the background. My eyes were focused directly on our star and scene-stealer duo, Shaun and Ed. One of my favorite scenes of this film is when Shaun is going to work after the dead have risen and goes through the motions as if nothing strange is happening while there is chaos and destruction all around. How many of us have gone to work and not even noticed anything-different happening in our daily routine. Sometimes we get so caught up in the motion that we miss any different actions. I couldn't stop laughing.
What also made this film work on every level was the cast. Director Edgar Wright has done a fantastic job of placing the right actors with the right characters. They were each believable in their own part, and I loved every scene with Bill Nighy. He was perfectly cased and you could just tell that he loved being in this film. That is another great aspect of this film. It was a fun film and you could tell that the cast was having fun with their roles and were comfortable in their environment. So many times we watch these style of films and we see miscasting and uncontrolled actors doing anything to ensure that they stay at the top of people's minds. This wasn't happening in this film. I wasn't familiar with many of the actors, so I couldn't play favorites. All I could do was sit back and enjoy everyone and everything.
I would like to end with the comment that this is still a zombie film. It is a love story surrounding a zombie film where the director has chosen to emphasize the love story instead of blowing everything up. I know that sounds strange, but you will get used to it American viewers. I mention that it is still a zombie film because I do not want people going thinking that this is a spoof. While it does pay homage to several of the classic horror films, this film stands on its own two feet. It had blood, it has violence, and it has those infamous scenes of people's heads being blown apart. That is why we see zombie films.
Overall, if you love zombie films and you are a fan of The Office or any Hugh Grant film, than Shaun of the Dead will appeal to you. I don't remember the last time I witnessed such a creative film.
Grade: ***** out of *****
218 of 260 people found the following review helpful
For some horror fans, satirizing the zombie genre (and let's face it, zombie films are practically a genre unto themselves) could seem like sacrilege. With the serious films that have come before - 28 Days Later, Dawn of the Dead, and, of course, Night of the Living Dead - SHAUN OF THE DEAD leads us down a path few have dared tread (Evil Dead fans should check out this film to see how a REAL spoof is pulled off). Leave it to the British to give us some gritty dialogue and bloody comedy all rolled into one. I, for one, say "thank you."
So what's this film all about ...
Shaun (Simon Pegg) leads a dull and mundane lifestyle; he works at an electronics store as a salesman, lives with a flatulently impaired and obese roommate named Ed (Nick Frost) and a second roommate, Pete (Peter Serafinowicz), who can't stand Ed. Shaun also has a girlfriend, Liz (Kate Ashfield), who is suffering with him over his complete lack of motivation to accomplish anything in his life. And she's right. Shaun doesn't seem to notice the zombie-esque lifestyle he leads, the terrible routine of drinking at `The Winchester' pub (named after the rifle that gleams over the bar), the protecting of Ed's horrific behavior (ripping farts and calling women the "C" word while never maintaining a job of any kind), and, of course, his forgetfulness that she, Liz, is actually a part of his life. So naturally she calls off their relationship, causing Shaun and Ed to go on a drinking spree and video game holiday. And when they awaken from the alcoholic stupor, some things have changed. Only Shaun and Ed don't notice right away. They're so used to life being slow, boring, and ...er ...well, shuffling, that they don't take notice of the cars burning on the street, blood on the grocery store floor, or the vacant gaze of their neighbors. This is where the comedy really starts to take wing for the film.
When a "true" zombie wanders into their backyard, Shaun and Ed just think she's drunk. But they quickly discover that this ...thing ...can't be killed. And she is soon joined by another, much larger zombie. Shaun and Ed have entered the apocalypse. But what do you use to defend yourself in a country (let's remember, we're in England here) where guns are not readily available? Initially, they throw everything they can find at these shuffling monstrosities, but nothing seems to work (even Shaun's old record collection, which is hilariously pulled off as they try to decide which records to throw at the undead and which to save: "Stone Roses?" "No!" "Second Coming?" "I liked it." "Dire Straits?" "Chuck it."). Shaun finally picks up a cricket paddle and uses it to bash in the brains of the undead, thus ending their life-after-life existence.
A race to save everyone that Shaun loves soon ensues, and this includes his roommates, Ed and Pete, his girlfriend, Liz, and his mom and stepdad. But where to hide out until this has "blown over". Ah! Of course! The Winchester pub!
What follows is truly hysterical. Shaun must deal with the fact that Pete, his other roommate, has been bitten by a zombie. He also soon discovers that his stepfather (who he never really cared for anyway) was bitten, too. "All right, dude! We can drive his Jaguar!" Ed exclaims happily.
Once all of Shaun's loved one's have been gathered together, they have to make their way to the pub; but first they have to pass through a shuffling maze of zombies. They do this through some wonderful trial and error (from bashing in the head of every zombie in sight with the cricket paddle, to shuffling and moaning like zombies to fake them out. I mean, they're zombies for cryin' out loud! They ain't that smart.). Is the pub the place to go? Can Shaun, who's life has been pretty much meaningless up to this point, actually give meaning to it by saving all those whom he cares for?
The thing that helps this film stand out above other spoofs is that it doesn't dismiss the zombie-genre, but instead respects it and utilizes it to great comedic advantage. It's not slapstick, nor bathroom humor (although there is a touch of this thanks to Ed's bowels), but a set of coarse narratives and script that pulls the viewer into these characters lives and forces us to live with them. Most of us have seen, or have family members who are, in some way, these stereotypical losers. You can't help but cheer them on and hope that they survive their own failings. And that's where SHAUN OF THE DEAD gives you the emotional umpf! that you need to enjoy the movie. You care about them and laugh at their ridiculous inadequacies, both at the same time.
This is truly a great film. A+ ...especially for creativity.
So what's this film all about ...
Shaun (Simon Pegg) leads a dull and mundane lifestyle; he works at an electronics store as a salesman, lives with a flatulently impaired and obese roommate named Ed (Nick Frost) and a second roommate, Pete (Peter Serafinowicz), who can't stand Ed. Shaun also has a girlfriend, Liz (Kate Ashfield), who is suffering with him over his complete lack of motivation to accomplish anything in his life. And she's right. Shaun doesn't seem to notice the zombie-esque lifestyle he leads, the terrible routine of drinking at `The Winchester' pub (named after the rifle that gleams over the bar), the protecting of Ed's horrific behavior (ripping farts and calling women the "C" word while never maintaining a job of any kind), and, of course, his forgetfulness that she, Liz, is actually a part of his life. So naturally she calls off their relationship, causing Shaun and Ed to go on a drinking spree and video game holiday. And when they awaken from the alcoholic stupor, some things have changed. Only Shaun and Ed don't notice right away. They're so used to life being slow, boring, and ...er ...well, shuffling, that they don't take notice of the cars burning on the street, blood on the grocery store floor, or the vacant gaze of their neighbors. This is where the comedy really starts to take wing for the film.
When a "true" zombie wanders into their backyard, Shaun and Ed just think she's drunk. But they quickly discover that this ...thing ...can't be killed. And she is soon joined by another, much larger zombie. Shaun and Ed have entered the apocalypse. But what do you use to defend yourself in a country (let's remember, we're in England here) where guns are not readily available? Initially, they throw everything they can find at these shuffling monstrosities, but nothing seems to work (even Shaun's old record collection, which is hilariously pulled off as they try to decide which records to throw at the undead and which to save: "Stone Roses?" "No!" "Second Coming?" "I liked it." "Dire Straits?" "Chuck it."). Shaun finally picks up a cricket paddle and uses it to bash in the brains of the undead, thus ending their life-after-life existence.
A race to save everyone that Shaun loves soon ensues, and this includes his roommates, Ed and Pete, his girlfriend, Liz, and his mom and stepdad. But where to hide out until this has "blown over". Ah! Of course! The Winchester pub!
What follows is truly hysterical. Shaun must deal with the fact that Pete, his other roommate, has been bitten by a zombie. He also soon discovers that his stepfather (who he never really cared for anyway) was bitten, too. "All right, dude! We can drive his Jaguar!" Ed exclaims happily.
Once all of Shaun's loved one's have been gathered together, they have to make their way to the pub; but first they have to pass through a shuffling maze of zombies. They do this through some wonderful trial and error (from bashing in the head of every zombie in sight with the cricket paddle, to shuffling and moaning like zombies to fake them out. I mean, they're zombies for cryin' out loud! They ain't that smart.). Is the pub the place to go? Can Shaun, who's life has been pretty much meaningless up to this point, actually give meaning to it by saving all those whom he cares for?
The thing that helps this film stand out above other spoofs is that it doesn't dismiss the zombie-genre, but instead respects it and utilizes it to great comedic advantage. It's not slapstick, nor bathroom humor (although there is a touch of this thanks to Ed's bowels), but a set of coarse narratives and script that pulls the viewer into these characters lives and forces us to live with them. Most of us have seen, or have family members who are, in some way, these stereotypical losers. You can't help but cheer them on and hope that they survive their own failings. And that's where SHAUN OF THE DEAD gives you the emotional umpf! that you need to enjoy the movie. You care about them and laugh at their ridiculous inadequacies, both at the same time.
This is truly a great film. A+ ...especially for creativity.
91 of 113 people found the following review helpful
Format:DVD|Amazon Verified Purchase
Hearing that "Shaun of the Dead" is the most popular British zombie comedy of all time does give one pause, simply because you have to stop for a second and wonder as to whether you have simply missed other British zombie comedies or if you maybe took "28 Day Later" way too seriously. The thing is that when you hear "British zombie comedy" you are thinking "Monty Python's Flying Circus" or "Benny Hill" or "Black Adder" or "Asbolutely Fabulous" or "Coupling." You are not thinking something that is as restrained as what Simon Pegg and Edgar Wright have put together (the pair co-wrote the film, Pegg stars as Shaun and Wright directs), which is probably the biggest surprise of all.
"Shaun of the Dead" is only four star funny, so we are not even close to "Airplane!" territory, which is still the funniest film of all time (measured in number of laughs generated) but there is another dimension to the film beyond the humor. The tagline tries to tells us that this movie is: "A romantic comedy. With zombies." The really funny thing is that, underneath it all, it really is a romantic comedy. You know: boy meets girl, girl dumps boy, zombies try to kill boy and girl and mom and flat mates, boy tries to rescue girl and mom and flat mates, so on and so forth.
Actually the movie that that came to mind the most, despite the references to the great zombie movies of the past ("We're coming to get you, Barbara!"), was "Young Frankenstein," specifically in terms of the scenes that are played totally straight. There are scenes when Shaun deals with his girl, Liz (Kate Ashfield), his mom, Barbara (Penelope Wilton), and his best bud, Ed (Nick Frost) that are done like they were in a romantic comedy, and not an Adam Sandler "Water Boy" type romantic comedy, but an Adam Sandler "50 First Dates" type romantic comedy. Stripped of the zombies this is a rather pedestrian romantic comedy, but what makes it inspired lunacy is that it IS being done in the middle of a zombie movie.
There are two prime moments that reflect this rather amazing tightrope walking act. One is when Shaun almost breaks and notes that there may be a limit as to how many people he loves that he can shoot in one day. The other is when we have one of those "goodbye" scenes usually found in war movies; it is not just the silliness of the particular bit of business returning from the start of the movie, but that it is brought back at that particular moment, and that both actors honestly treat it as the most serious thing in the world. Tragedy is hard, but comedy is harder, and then there is treating tragedy as comedy in the middle of a zombie movie. Watching this movie is like watching somebody take a stupid shot in a basketball game and you start saying, "No, no, no, no, no..." until the ball rips through the nets and then you smile and say "Great shot!"
The other great bit of fun is how "Shaun of the Dead" plays with the genre movies. The opening of the film throws every cliché moment of being suddenly surprised by zombies in the history of the cinema at Shaun, only to have everything be normal. So you know they will take a totally different tack when it comes to Shaun realizing he has missed the dawn of the dead. The bit you have seen in the preview about arguing over which LPs to use as weapons to fight the living dead is cute, but the comic masterpiece in this film is Shaun channel surfing. Every single channel is talking about what is happening, but Shaun is clicking so rapidly that he misses getting a complete picture. Note: always listen to what is on the telly in the background: that is where the best "28 Days Later" joke in the film comes (All of the talking heads are actually British television news talking heads, so translate that into Brokaw, Jennings, and Rather doing the same thing for an American movie; see the "TV BITS" in the DVD extras).
The more you know about zombie movies the more you will enjoy "Shaun of the Dead," because you will be able to pick up on all the specific references. But then I have never seen "Spaced," so all of the homages to that British situation comedy involving Pegg, Frost and Wright are lost on me and I am doing okay at the moment. Either way, I think the humor of the film is accessible to even zombie movie neophytes, although the only way you might be able to talk them into seeing this one is to tell them their other choice is "Dawn of the Dead" (I do not have to tell anyone that is a rather obvious double bill).
Of the DVD extras the extended bits and outtakes in "MISSING BITS" are okay, but by favorite are the trio of "Plot Holes," where we get some insights into what we did not see in the movie from three of the principle characters. These are presented in comic book form as opposed to having actual footage, but that simply adds to their charm. There are better bits in "RAW MEAT," the highlight of which is the "pitch" by Pegg and Wright to sell the studio their movie idea. I already talked about the "TV BITS," and no one will be surprised that I the Zombie Trivia available via the ZOMB-O-METER. Overall, the DVD extras are well above average but not knock down dead, get up as a reanimated corpse and try to eat human flesh great.
"Shaun of the Dead" is only four star funny, so we are not even close to "Airplane!" territory, which is still the funniest film of all time (measured in number of laughs generated) but there is another dimension to the film beyond the humor. The tagline tries to tells us that this movie is: "A romantic comedy. With zombies." The really funny thing is that, underneath it all, it really is a romantic comedy. You know: boy meets girl, girl dumps boy, zombies try to kill boy and girl and mom and flat mates, boy tries to rescue girl and mom and flat mates, so on and so forth.
Actually the movie that that came to mind the most, despite the references to the great zombie movies of the past ("We're coming to get you, Barbara!"), was "Young Frankenstein," specifically in terms of the scenes that are played totally straight. There are scenes when Shaun deals with his girl, Liz (Kate Ashfield), his mom, Barbara (Penelope Wilton), and his best bud, Ed (Nick Frost) that are done like they were in a romantic comedy, and not an Adam Sandler "Water Boy" type romantic comedy, but an Adam Sandler "50 First Dates" type romantic comedy. Stripped of the zombies this is a rather pedestrian romantic comedy, but what makes it inspired lunacy is that it IS being done in the middle of a zombie movie.
There are two prime moments that reflect this rather amazing tightrope walking act. One is when Shaun almost breaks and notes that there may be a limit as to how many people he loves that he can shoot in one day. The other is when we have one of those "goodbye" scenes usually found in war movies; it is not just the silliness of the particular bit of business returning from the start of the movie, but that it is brought back at that particular moment, and that both actors honestly treat it as the most serious thing in the world. Tragedy is hard, but comedy is harder, and then there is treating tragedy as comedy in the middle of a zombie movie. Watching this movie is like watching somebody take a stupid shot in a basketball game and you start saying, "No, no, no, no, no..." until the ball rips through the nets and then you smile and say "Great shot!"
The other great bit of fun is how "Shaun of the Dead" plays with the genre movies. The opening of the film throws every cliché moment of being suddenly surprised by zombies in the history of the cinema at Shaun, only to have everything be normal. So you know they will take a totally different tack when it comes to Shaun realizing he has missed the dawn of the dead. The bit you have seen in the preview about arguing over which LPs to use as weapons to fight the living dead is cute, but the comic masterpiece in this film is Shaun channel surfing. Every single channel is talking about what is happening, but Shaun is clicking so rapidly that he misses getting a complete picture. Note: always listen to what is on the telly in the background: that is where the best "28 Days Later" joke in the film comes (All of the talking heads are actually British television news talking heads, so translate that into Brokaw, Jennings, and Rather doing the same thing for an American movie; see the "TV BITS" in the DVD extras).
The more you know about zombie movies the more you will enjoy "Shaun of the Dead," because you will be able to pick up on all the specific references. But then I have never seen "Spaced," so all of the homages to that British situation comedy involving Pegg, Frost and Wright are lost on me and I am doing okay at the moment. Either way, I think the humor of the film is accessible to even zombie movie neophytes, although the only way you might be able to talk them into seeing this one is to tell them their other choice is "Dawn of the Dead" (I do not have to tell anyone that is a rather obvious double bill).
Of the DVD extras the extended bits and outtakes in "MISSING BITS" are okay, but by favorite are the trio of "Plot Holes," where we get some insights into what we did not see in the movie from three of the principle characters. These are presented in comic book form as opposed to having actual footage, but that simply adds to their charm. There are better bits in "RAW MEAT," the highlight of which is the "pitch" by Pegg and Wright to sell the studio their movie idea. I already talked about the "TV BITS," and no one will be surprised that I the Zombie Trivia available via the ZOMB-O-METER. Overall, the DVD extras are well above average but not knock down dead, get up as a reanimated corpse and try to eat human flesh great.
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