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Special Features
- MISSING BITS (29 mins) - extended scenes, deleted scenes, hilarious outtakes of Simon & Nick portraying Sean Connery & Michael Caine, re-dubbed outtakes of Shaun's flatmate Pete and plot holes that fill in the gaps on what happens to Lucy, Simon & Nick's characters.
- RAW MEAT (35 mins) - casting tapes (U.S. Exclusive!), Simon Pegg's video diary, Edgar & Simon's pitch to the studio using flip charts (hilarious), special effects comparison, make-up tests and an EPK featurette.
- TV BITS (7 mins) - extended scenes of the television shows that Shaun watches in the film - including shows that Shaun & Ed show up in. Interview with Coldplay
- ZOMBIE GALLERY - photo gallery, ad campaigns & theatrical poster design concepts
- U.S. THEATRICAL TRAILER (2 mins)
- ZOMB-O-METER - Zombie Trivia
Editorial Reviews
Amazon.com
British horror/comedy Shaun of the Dead is a scream in all senses of the word. Brain-hungry zombies shamble through the streets of London, but all unambitious electronics salesman Shaun (Simon Pegg) cares about is his girlfriend Liz (Kate Ashfield), who just dumped him. With the help of his slacker roommate Ed (Nick Frost), Shaun fights his way across town to rescue Liz, but the petty concerns of life keep getting in the way: When they're trying to use vinyl records to decapitate a pair of zombies, Shaun and Ed bicker about which bands deserve preservation--New Order they keep, but Sade becomes a lethal frisbee. Many zombie movies are comedies by accident, but Shaun of the Dead is deliberately and brilliantly funny, while still delivering a few delicious jolts of fear. Also featuring the stealthy comic presence of Bill Nighy (Love Actually) and some familar faces from The Office. --Bret Fetzer
Product Description
It is only natural to be scared of zombies, and to prevent them from laying waste to your home. A more relaxing approach, however, is to be bored and vaguely annoyed by them, or, better still, not to notice them in the first place. This is the premise of Edgar Wright's British comedy, which may be responsible for kicking off a new and specialized genre of slacker horror. Shaun (Simon Pegg) lives a supremely uneventful life, which revolves around his girlfriend (Kate Ashfield), his mother (Penelope Wilton), and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners. The finale, in which the pub turns into an Alamo, is the bloodiest, most orthodox, and least witty part of the movie; far sharper are the early scenes in which Shaun wanders happily to the local store along a battered, zombie-dotted street and pulps his attackers with a cricket bat. The central joke is so snappy and well sustained that you barely catch sight of the ominous vision on offer: a country that already feels like death. -Anthony Lane
Copyright © 2006 The New Yorker
Copyright © 2006 The New Yorker
Customer Reviews
Most Helpful Customer Reviews
58 of 64 people found the following review helpful
Format:DVD
It is a very hard line to cross in today's cinema to make a film that part comedy and horror film. Normally, when this happens we end up with something like the Chucky series. It began serious, but after seeing the new preview, I know they have given up serious horror and invaded into the world of campy horror. I was afraid at first that this film was going to go into that direction, but then I remembered ... this film wasn't made in America, it was made in Britain where the humor is actually intellectually funny. As I was sitting and enjoying this film from beginning to end, I couldn't help but wonder why America has not been able to master this style of film yet. Why is our comedies still heavily based in the sex humor or bathroom jokes? While there were some in this film, I felt the majority of the humor was logic and intelligence based. "If you listen to the words, you will laugh at the jokes" style of comedy instead of waiting to see who will fall over what first.
With its firm grasp on the comedy aspect, Shaun of the Dead delivers an exceptional grade for its creativity. It takes a lot of brain work to be able to think of a story about zombies where our main characters are oblivious to the fact that anything horrible is happening in the world until the second act. That was actually some of my favorite parts of this film. I was there, sitting in the theater, knowing that it was a zombie film (still, can I call it that?), and nearly missing the entire zombie clues going on in the background. My eyes were focused directly on our star and scene-stealer duo, Shaun and Ed. One of my favorite scenes of this film is when Shaun is going to work after the dead have risen and goes through the motions as if nothing strange is happening while there is chaos and destruction all around. How many of us have gone to work and not even noticed anything-different happening in our daily routine. Sometimes we get so caught up in the motion that we miss any different actions. I couldn't stop laughing.
What also made this film work on every level was the cast. Director Edgar Wright has done a fantastic job of placing the right actors with the right characters. They were each believable in their own part, and I loved every scene with Bill Nighy. He was perfectly cased and you could just tell that he loved being in this film. That is another great aspect of this film. It was a fun film and you could tell that the cast was having fun with their roles and were comfortable in their environment. So many times we watch these style of films and we see miscasting and uncontrolled actors doing anything to ensure that they stay at the top of people's minds. This wasn't happening in this film. I wasn't familiar with many of the actors, so I couldn't play favorites. All I could do was sit back and enjoy everyone and everything.
I would like to end with the comment that this is still a zombie film. It is a love story surrounding a zombie film where the director has chosen to emphasize the love story instead of blowing everything up. I know that sounds strange, but you will get used to it American viewers. I mention that it is still a zombie film because I do not want people going thinking that this is a spoof. While it does pay homage to several of the classic horror films, this film stands on its own two feet. It had blood, it has violence, and it has those infamous scenes of people's heads being blown apart. That is why we see zombie films.
Overall, if you love zombie films and you are a fan of The Office or any Hugh Grant film, than Shaun of the Dead will appeal to you. I don't remember the last time I witnessed such a creative film.
Grade: ***** out of *****
With its firm grasp on the comedy aspect, Shaun of the Dead delivers an exceptional grade for its creativity. It takes a lot of brain work to be able to think of a story about zombies where our main characters are oblivious to the fact that anything horrible is happening in the world until the second act. That was actually some of my favorite parts of this film. I was there, sitting in the theater, knowing that it was a zombie film (still, can I call it that?), and nearly missing the entire zombie clues going on in the background. My eyes were focused directly on our star and scene-stealer duo, Shaun and Ed. One of my favorite scenes of this film is when Shaun is going to work after the dead have risen and goes through the motions as if nothing strange is happening while there is chaos and destruction all around. How many of us have gone to work and not even noticed anything-different happening in our daily routine. Sometimes we get so caught up in the motion that we miss any different actions. I couldn't stop laughing.
What also made this film work on every level was the cast. Director Edgar Wright has done a fantastic job of placing the right actors with the right characters. They were each believable in their own part, and I loved every scene with Bill Nighy. He was perfectly cased and you could just tell that he loved being in this film. That is another great aspect of this film. It was a fun film and you could tell that the cast was having fun with their roles and were comfortable in their environment. So many times we watch these style of films and we see miscasting and uncontrolled actors doing anything to ensure that they stay at the top of people's minds. This wasn't happening in this film. I wasn't familiar with many of the actors, so I couldn't play favorites. All I could do was sit back and enjoy everyone and everything.
I would like to end with the comment that this is still a zombie film. It is a love story surrounding a zombie film where the director has chosen to emphasize the love story instead of blowing everything up. I know that sounds strange, but you will get used to it American viewers. I mention that it is still a zombie film because I do not want people going thinking that this is a spoof. While it does pay homage to several of the classic horror films, this film stands on its own two feet. It had blood, it has violence, and it has those infamous scenes of people's heads being blown apart. That is why we see zombie films.
Overall, if you love zombie films and you are a fan of The Office or any Hugh Grant film, than Shaun of the Dead will appeal to you. I don't remember the last time I witnessed such a creative film.
Grade: ***** out of *****
215 of 257 people found the following review helpful
For some horror fans, satirizing the zombie genre (and let's face it, zombie films are practically a genre unto themselves) could seem like sacrilege. With the serious films that have come before - 28 Days Later, Dawn of the Dead, and, of course, Night of the Living Dead - SHAUN OF THE DEAD leads us down a path few have dared tread (Evil Dead fans should check out this film to see how a REAL spoof is pulled off). Leave it to the British to give us some gritty dialogue and bloody comedy all rolled into one. I, for one, say "thank you."
So what's this film all about ...
Shaun (Simon Pegg) leads a dull and mundane lifestyle; he works at an electronics store as a salesman, lives with a flatulently impaired and obese roommate named Ed (Nick Frost) and a second roommate, Pete (Peter Serafinowicz), who can't stand Ed. Shaun also has a girlfriend, Liz (Kate Ashfield), who is suffering with him over his complete lack of motivation to accomplish anything in his life. And she's right. Shaun doesn't seem to notice the zombie-esque lifestyle he leads, the terrible routine of drinking at `The Winchester' pub (named after the rifle that gleams over the bar), the protecting of Ed's horrific behavior (ripping farts and calling women the "C" word while never maintaining a job of any kind), and, of course, his forgetfulness that she, Liz, is actually a part of his life. So naturally she calls off their relationship, causing Shaun and Ed to go on a drinking spree and video game holiday. And when they awaken from the alcoholic stupor, some things have changed. Only Shaun and Ed don't notice right away. They're so used to life being slow, boring, and ...er ...well, shuffling, that they don't take notice of the cars burning on the street, blood on the grocery store floor, or the vacant gaze of their neighbors. This is where the comedy really starts to take wing for the film.
When a "true" zombie wanders into their backyard, Shaun and Ed just think she's drunk. But they quickly discover that this ...thing ...can't be killed. And she is soon joined by another, much larger zombie. Shaun and Ed have entered the apocalypse. But what do you use to defend yourself in a country (let's remember, we're in England here) where guns are not readily available? Initially, they throw everything they can find at these shuffling monstrosities, but nothing seems to work (even Shaun's old record collection, which is hilariously pulled off as they try to decide which records to throw at the undead and which to save: "Stone Roses?" "No!" "Second Coming?" "I liked it." "Dire Straits?" "Chuck it."). Shaun finally picks up a cricket paddle and uses it to bash in the brains of the undead, thus ending their life-after-life existence.
A race to save everyone that Shaun loves soon ensues, and this includes his roommates, Ed and Pete, his girlfriend, Liz, and his mom and stepdad. But where to hide out until this has "blown over". Ah! Of course! The Winchester pub!
What follows is truly hysterical. Shaun must deal with the fact that Pete, his other roommate, has been bitten by a zombie. He also soon discovers that his stepfather (who he never really cared for anyway) was bitten, too. "All right, dude! We can drive his Jaguar!" Ed exclaims happily.
Once all of Shaun's loved one's have been gathered together, they have to make their way to the pub; but first they have to pass through a shuffling maze of zombies. They do this through some wonderful trial and error (from bashing in the head of every zombie in sight with the cricket paddle, to shuffling and moaning like zombies to fake them out. I mean, they're zombies for cryin' out loud! They ain't that smart.). Is the pub the place to go? Can Shaun, who's life has been pretty much meaningless up to this point, actually give meaning to it by saving all those whom he cares for?
The thing that helps this film stand out above other spoofs is that it doesn't dismiss the zombie-genre, but instead respects it and utilizes it to great comedic advantage. It's not slapstick, nor bathroom humor (although there is a touch of this thanks to Ed's bowels), but a set of coarse narratives and script that pulls the viewer into these characters lives and forces us to live with them. Most of us have seen, or have family members who are, in some way, these stereotypical losers. You can't help but cheer them on and hope that they survive their own failings. And that's where SHAUN OF THE DEAD gives you the emotional umpf! that you need to enjoy the movie. You care about them and laugh at their ridiculous inadequacies, both at the same time.
This is truly a great film. A+ ...especially for creativity.
So what's this film all about ...
Shaun (Simon Pegg) leads a dull and mundane lifestyle; he works at an electronics store as a salesman, lives with a flatulently impaired and obese roommate named Ed (Nick Frost) and a second roommate, Pete (Peter Serafinowicz), who can't stand Ed. Shaun also has a girlfriend, Liz (Kate Ashfield), who is suffering with him over his complete lack of motivation to accomplish anything in his life. And she's right. Shaun doesn't seem to notice the zombie-esque lifestyle he leads, the terrible routine of drinking at `The Winchester' pub (named after the rifle that gleams over the bar), the protecting of Ed's horrific behavior (ripping farts and calling women the "C" word while never maintaining a job of any kind), and, of course, his forgetfulness that she, Liz, is actually a part of his life. So naturally she calls off their relationship, causing Shaun and Ed to go on a drinking spree and video game holiday. And when they awaken from the alcoholic stupor, some things have changed. Only Shaun and Ed don't notice right away. They're so used to life being slow, boring, and ...er ...well, shuffling, that they don't take notice of the cars burning on the street, blood on the grocery store floor, or the vacant gaze of their neighbors. This is where the comedy really starts to take wing for the film.
When a "true" zombie wanders into their backyard, Shaun and Ed just think she's drunk. But they quickly discover that this ...thing ...can't be killed. And she is soon joined by another, much larger zombie. Shaun and Ed have entered the apocalypse. But what do you use to defend yourself in a country (let's remember, we're in England here) where guns are not readily available? Initially, they throw everything they can find at these shuffling monstrosities, but nothing seems to work (even Shaun's old record collection, which is hilariously pulled off as they try to decide which records to throw at the undead and which to save: "Stone Roses?" "No!" "Second Coming?" "I liked it." "Dire Straits?" "Chuck it."). Shaun finally picks up a cricket paddle and uses it to bash in the brains of the undead, thus ending their life-after-life existence.
A race to save everyone that Shaun loves soon ensues, and this includes his roommates, Ed and Pete, his girlfriend, Liz, and his mom and stepdad. But where to hide out until this has "blown over". Ah! Of course! The Winchester pub!
What follows is truly hysterical. Shaun must deal with the fact that Pete, his other roommate, has been bitten by a zombie. He also soon discovers that his stepfather (who he never really cared for anyway) was bitten, too. "All right, dude! We can drive his Jaguar!" Ed exclaims happily.
Once all of Shaun's loved one's have been gathered together, they have to make their way to the pub; but first they have to pass through a shuffling maze of zombies. They do this through some wonderful trial and error (from bashing in the head of every zombie in sight with the cricket paddle, to shuffling and moaning like zombies to fake them out. I mean, they're zombies for cryin' out loud! They ain't that smart.). Is the pub the place to go? Can Shaun, who's life has been pretty much meaningless up to this point, actually give meaning to it by saving all those whom he cares for?
The thing that helps this film stand out above other spoofs is that it doesn't dismiss the zombie-genre, but instead respects it and utilizes it to great comedic advantage. It's not slapstick, nor bathroom humor (although there is a touch of this thanks to Ed's bowels), but a set of coarse narratives and script that pulls the viewer into these characters lives and forces us to live with them. Most of us have seen, or have family members who are, in some way, these stereotypical losers. You can't help but cheer them on and hope that they survive their own failings. And that's where SHAUN OF THE DEAD gives you the emotional umpf! that you need to enjoy the movie. You care about them and laugh at their ridiculous inadequacies, both at the same time.
This is truly a great film. A+ ...especially for creativity.
28 of 32 people found the following review helpful
The zombie genre has been done to (ahem) death by now. Sam Raimi proved that it could be a successful vehicle for launching more expensive films with Evil Dead. Since then, there's been an endless array of less engaging imitators, often confusing gore with content.
Zombie movies can be summed up in exactly the same way. The difference is in the inflection. Don't believe me? Let me demonstrate...
ZOMBIE TROPE #1: "Zombie movies are about SHAMBLING dead people." These zombie movies laugh at the absolute absurdity of the walking dead. I mean, they're dead and they stumble around like DRUNK people for crying out loud! How can you take anything serious that moans like an overly hormonal teenager on prom night, lolls its head to the side like a Valley girl, and can't even walk in a straight line? Zombies definitely have a lot of humor potential, as established in Evil Dead II. The shamble is one of the primary reasons that modern zombie movies have made their zombies move quickly-it's hard to take slow moving zombies seriously.
ZOMBIE TROPE #2: "Zombie movies are about shambling DEAD people." These zombie movies concentrate on the horrors of what it means to have corpses trying to eat you. It is visceral and disgusting. There is gore (dead bodies are gross) and decay. These zombies are rotting and, thanks to the magic of special effects, really do look like exhumed corpses. This is just about every zombie movie that takes itself seriously without devolving into camp.
ZOMBIE TROPE #3: "Zombie movies are about shambling dead PEOPLE." These zombie movies aren't about the zombies. They're about how people react to the fact that people they knew who were dead are walking around trying to eat other people. The presence of zombies causes people to freak out. Some folks are barely over their mourning when their spouses and children rise up to attack them. It's enough to make a person snap. It's also George Romero's specialty, a topic he has extensively covered in the Living Dead series.
Recent zombie movies have been combinations of these three attributes, but rarely in equal balance. Shaun of the Dead? It's all three.
Shaun (Simon Pegg) is the hero of the title, a fellow who has long since exited the swinging college years and entered into the stale, zombie-like grind of a working man. He is a man out of time, frozen in his own routines. He still lives with his two flatmates, Ed (Nick Frost), the fat, funny one and Pete (Peter Serafinowicz), the smart, successful one. Shaun is trapped, unable to go back to the good old days of no responsibility and unwilling to go forward with his relationship to his blonde girlfriend Liz (Kate Ashfield).
Meanwhile, ambulances start popping up in the background, carting away twitching body bags.
The outcome of their situation is an inevitability that we've all witnessed before: Liz has had enough. She doesn't want to keep going to the same old pub every night: the Winchester, named after the rifle on the wall. She hates Shaun's best friend Ed, who is an offensive boor. And Shaun hates Liz's good friends Dianne (Lucy Davis) and David (Dylan Moran). As it turns out, David used to date Liz and just tolerates Dianne so he can be near her.
Meanwhile, paramilitary vehicles drive by and newscasters report troubling news about some sort of plague.
And oh yeah, Shaun loves his mum (Nicola Cunningham) and hates his step-dad, Philip (Bill Nighy), a perpetually frowning robot of a man whose face has been untouched by any other expression.
When Liz finally gets sick of Shaun, his world falls apart. He goes on a drunken binge with Ed, blasting music, playing video games, and shutting out the world around him. In essence, Shaun's life has finally gone out of joint and he desperately regresses to deal with it. Unfortunately for Shaun (and everyone else in that part of England), the world has also literally fallen apart.
A large part of the humor is how Shaun and his compatriots deal with the undead. It takes a very long time for him to even notice; after all, who would really notice slow moving people? The director, Edgar Wright, gleefully makes this point at every turn. At first, the zombies are just the homeless, who everybody ignores and expects to act strangely. Then, it's people in menial jobs that have a glazed look as they go about their drudgery. It's not until a zombie actually shows up on their doorstep that anybody gets concerned. Even then, they figure the zombie is just really, really drunk.
Once Shaun and Ed come to grips with the situation, they devise a plan. Their plans are highly unrealistic, but mostly involve beating on zombies with clubs (remember, no guns in England), rescuing girlfriends and mums, and holing up in the Winchester, "cause it's the safest place." That's right, the one place Liz doesn't want to be with the people she really doesn't want to be with.
Shaun of the Dead embraces all the zombie tropes, and then rips their guts out. Sure, the movie seems to say, it's easy to get around slow moving zombies. But eventually they catch up with you. Sure, smashing a zombie's head in sounds easy...until it's a family member. Sure, shooting a zombie with a rifle should give you the upper hand...unless you've never actually shot a gun before.
In the mean time, Shaun deals with his issues with his step-dad, introduces his girlfriend to his mom, meets an ex-girlfriend (who seems to be far more capable than Liz), finally gets tired of drug-dealing Ed's antics, and slowly realizes just how fragile his humdrum life is. It seems to encapsulate his mom, Liz, and Ed at first, but Shaun discovers that his circle of family and friends extends to more people than he thought.
This movie is deadly earnest about everything, including its humor. It has traumatizing gore, hysterical in-jokes, and weep-worthy moments of true drama. All of it is pulled off with incredible aplomb by the cast, who have to do everything from beat on zombies to act like zombies (no, really) to finally going utterly ballistic like real human beings.
Shaun of the Dead is the culmination of dozens of zombie movies that have gone before it. It succeeds because it focuses on the people, gives shambling corpses the respect they deserve (which is to say, very little and a lot, depending on the scene), and dramatizes the horror of dead people coming back to a tortured semi-existence.
No self-respecting horror fan should miss this movie.
Zombie movies can be summed up in exactly the same way. The difference is in the inflection. Don't believe me? Let me demonstrate...
ZOMBIE TROPE #1: "Zombie movies are about SHAMBLING dead people." These zombie movies laugh at the absolute absurdity of the walking dead. I mean, they're dead and they stumble around like DRUNK people for crying out loud! How can you take anything serious that moans like an overly hormonal teenager on prom night, lolls its head to the side like a Valley girl, and can't even walk in a straight line? Zombies definitely have a lot of humor potential, as established in Evil Dead II. The shamble is one of the primary reasons that modern zombie movies have made their zombies move quickly-it's hard to take slow moving zombies seriously.
ZOMBIE TROPE #2: "Zombie movies are about shambling DEAD people." These zombie movies concentrate on the horrors of what it means to have corpses trying to eat you. It is visceral and disgusting. There is gore (dead bodies are gross) and decay. These zombies are rotting and, thanks to the magic of special effects, really do look like exhumed corpses. This is just about every zombie movie that takes itself seriously without devolving into camp.
ZOMBIE TROPE #3: "Zombie movies are about shambling dead PEOPLE." These zombie movies aren't about the zombies. They're about how people react to the fact that people they knew who were dead are walking around trying to eat other people. The presence of zombies causes people to freak out. Some folks are barely over their mourning when their spouses and children rise up to attack them. It's enough to make a person snap. It's also George Romero's specialty, a topic he has extensively covered in the Living Dead series.
Recent zombie movies have been combinations of these three attributes, but rarely in equal balance. Shaun of the Dead? It's all three.
Shaun (Simon Pegg) is the hero of the title, a fellow who has long since exited the swinging college years and entered into the stale, zombie-like grind of a working man. He is a man out of time, frozen in his own routines. He still lives with his two flatmates, Ed (Nick Frost), the fat, funny one and Pete (Peter Serafinowicz), the smart, successful one. Shaun is trapped, unable to go back to the good old days of no responsibility and unwilling to go forward with his relationship to his blonde girlfriend Liz (Kate Ashfield).
Meanwhile, ambulances start popping up in the background, carting away twitching body bags.
The outcome of their situation is an inevitability that we've all witnessed before: Liz has had enough. She doesn't want to keep going to the same old pub every night: the Winchester, named after the rifle on the wall. She hates Shaun's best friend Ed, who is an offensive boor. And Shaun hates Liz's good friends Dianne (Lucy Davis) and David (Dylan Moran). As it turns out, David used to date Liz and just tolerates Dianne so he can be near her.
Meanwhile, paramilitary vehicles drive by and newscasters report troubling news about some sort of plague.
And oh yeah, Shaun loves his mum (Nicola Cunningham) and hates his step-dad, Philip (Bill Nighy), a perpetually frowning robot of a man whose face has been untouched by any other expression.
When Liz finally gets sick of Shaun, his world falls apart. He goes on a drunken binge with Ed, blasting music, playing video games, and shutting out the world around him. In essence, Shaun's life has finally gone out of joint and he desperately regresses to deal with it. Unfortunately for Shaun (and everyone else in that part of England), the world has also literally fallen apart.
A large part of the humor is how Shaun and his compatriots deal with the undead. It takes a very long time for him to even notice; after all, who would really notice slow moving people? The director, Edgar Wright, gleefully makes this point at every turn. At first, the zombies are just the homeless, who everybody ignores and expects to act strangely. Then, it's people in menial jobs that have a glazed look as they go about their drudgery. It's not until a zombie actually shows up on their doorstep that anybody gets concerned. Even then, they figure the zombie is just really, really drunk.
Once Shaun and Ed come to grips with the situation, they devise a plan. Their plans are highly unrealistic, but mostly involve beating on zombies with clubs (remember, no guns in England), rescuing girlfriends and mums, and holing up in the Winchester, "cause it's the safest place." That's right, the one place Liz doesn't want to be with the people she really doesn't want to be with.
Shaun of the Dead embraces all the zombie tropes, and then rips their guts out. Sure, the movie seems to say, it's easy to get around slow moving zombies. But eventually they catch up with you. Sure, smashing a zombie's head in sounds easy...until it's a family member. Sure, shooting a zombie with a rifle should give you the upper hand...unless you've never actually shot a gun before.
In the mean time, Shaun deals with his issues with his step-dad, introduces his girlfriend to his mom, meets an ex-girlfriend (who seems to be far more capable than Liz), finally gets tired of drug-dealing Ed's antics, and slowly realizes just how fragile his humdrum life is. It seems to encapsulate his mom, Liz, and Ed at first, but Shaun discovers that his circle of family and friends extends to more people than he thought.
This movie is deadly earnest about everything, including its humor. It has traumatizing gore, hysterical in-jokes, and weep-worthy moments of true drama. All of it is pulled off with incredible aplomb by the cast, who have to do everything from beat on zombies to act like zombies (no, really) to finally going utterly ballistic like real human beings.
Shaun of the Dead is the culmination of dozens of zombie movies that have gone before it. It succeeds because it focuses on the people, gives shambling corpses the respect they deserve (which is to say, very little and a lot, depending on the scene), and dramatizes the horror of dead people coming back to a tortured semi-existence.
No self-respecting horror fan should miss this movie.
Most Recent Customer Reviews
Good
Product was shipped in brand new condition, as promised. I bought it as a gift for someone because it's one of their favorite movies. Read more
Published 6 hours ago by Diana Diaz
Awesome
This is hilarious. It has all the stuff you want from a zombedy. Make no mistake...the zombies are here! So are the brits!
Published 3 days ago by Denise Brown
Funny Zombies
Had to get this to watch the whole thing, I caught the end of it on t.v. It's pretty funny for a spoof, and definitely memorable. Read more
Published 5 days ago by DA
Hilarious!
This movie was hilarious. I loved every minute of it. If you like zombies and a little comedy, too, then this is your movie.
Published 6 days ago by srashelton
Um... really?
"Um... really?" My wife and I kept repeating that over and over. I understand that it's a comedy about some juvenile delinquents dealing with the zombie apocalypse. Read more
Published 12 days ago by E. Lee
Love this movie
I really enjoyed this movie, its mix of comedy and horror really worked well together and it even managed to throw some romance into the mix. Read more
Published 13 days ago by Jacob
funny and scarry
This is great fun, I was reluctant to buy it as it may have been a spoof movie but it was a serious movie with crazy people in it. Read more
Published 15 days ago by R. PELTIER
Simply brilliant!
Many US fans of the zombie genre will just love the movie because it is well done. However, if you are a fan of British telly and films, you will see some very prominent faces in... Read more
Published 19 days ago by TW Brown, Author, Editor, and Reviewer
Can't believe I thought I would not like it...
I had heard from friends that this was a great movie, but after watching another so called "good" funny zombie movie last week that disappointed me (Zombieland) I was really... Read more
Published 22 days ago by nurse
funny good sound
Funny movie. Good 5.1 effects. The HD isnt very high def. Can't compare with newer HD movies. Good for the price though.
Published 1 month ago by M. Russo
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